36 vues du Pic Saint Loup (2009)

Director:

Jacques Rivette

Writers:

Pascal Bonitzer (scenario)
Christine Laurent (scenario)
(more)

Release Date:

8 September 2009 (Italy)

Plot:

Biopic based on the life of author Raymond Roussel. |

Plot Keywords:

Acrobat | Past Catching Up | Nostalgia | Circus Artist | Dye

Awards:

1 nomination

Cast

Jane Birkin	...	Kate
Sergio Castellitto	...	Vittorio
André Marcon	...	Alexandre
Jacques Bonnaffé	...	Marlo
Julie-Marie Parmentier	...	Clémence
Hélène de Vallombreuse	...	Margot
Tintin Orsoni	...	Wilfrid
Vimala Pons	...	Barbara
Mikaël Gaspar	...	Tom
Stéphane Laisné	...	Stéphane
Dominique D'Angelo	...	Dom
Hélène De Bissy	...	La patronne de l'auberge
Pierre Barayre	...	Le patron de l'auberge
Marie-Paule André	...	Estelle
Julie-Anne Roth	...	Xénie
Elodie Mamou	...	Elodie
Laurent Lacotte	...	Monsieur Gaffe
Marie Vauzelle	...	Madame Gaffe

Directed by
Jacques Rivette

Writing credits (in alphabetical order)
Pascal Bonitzer		scenario
Christine Laurent		scenario
Jacques Rivette		scenario

Produced by
Roberto Cicutto	....	co-producer
Martine Marignac	....	producer
Luigi Musini	....	co-producer
Maurice Tinchant	....	producer

Cinematography by
Irina Lubtchansky
William Lubtchansky

Film Editing by
Nicole Lubtchansky

Production Design by
Emmanuel de Chauvigny

Costume Design by
Laurence Struz

Makeup Department
Milou Sanner	....	hair stylist
Michel Vautier	....	key makeup artist

Production Management
David Edouard	....	assistant unit manager
Anne Farrer	....	production manager
Guillaume Privat	....	assistant unit manager
Pierre Wallon	....	production manager

Second Unit Director or Assistant Director
Shirel Amitay	....	assistant director
Alice Di Giacomo	....	second assistant director

Sound Department
Jérôme Chenevoy	....	boom operator
Anne Le Campion	....	sound re-recording mixer
Guillaume Leriche	....	foley engineer
Georges-Henri Mauchant	....	sound editor
Olivier Schwob	....	sound

Camera and Electrical Department
André Atellian	....	key grip
Hélène Degrandcourt	....	second assistant camera
Faroudja Emilien	....	electrician
Jim Howe	....	gaffer
Maura Morales Bergmann	....	assistant camera
Jean-Paul Toraille	....	first assistant camera
Raphael Van Sitteren	....	electrician

Other crew
Lydia Bigard	....	script supervisor
Fabrice Mansouri	....	actors director
Cristiano Sebastianelli	....	production accountant

Production Companies

• Pierre Grise Productions
• France 2 Cinéma (co-production)
• Cinemaundici (co-production)
• Rai Cinema (co-production)
• Alien Produzioni (co-production)
• Canal+ (participation)
• France 2 (FR2) (participation)
• Centre National de la Cinématographie (CNC) (participation)
• Région Languedoc-Roussillon (support)
• Programme MEDIA de la Communauté Européenne (in partnership with)

Distributors

• Les Films du Losange (2009) (France) (all media)

Also Known As:

36 Views of Saint-Loup Peak (USA)
36 vues du Pic St-Loup (France) (poster title)
Around a Small Mountain (International: English title)
Questione di punti di vista (Italy)

Runtime:

84 min

Country:

France | Italy

Language:

French

Color:

Color

Certification:

Argentina:13

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Company:

Pierre Grise Productions

Intervention and redemption in a traveling circus: a skeleton key to Rivette themes?

*** This comment may contain spoilers ***

This is very short for a Rivette film, and its delineation of his themes is correspondingly clear, simple, skeletal -- suited to the simplicity of the little dying circus, whose director has himself recently died, and whose remaining members say this is its last tour. Castellitto's character encounters Birkin's on the road when the vehicle she's driving, which pulls the circus tent, has broken down. He arrives in a shiny German sports car like the deus ex machina that he is -- the present equivalent of Cocteau's motorcycles.

An essay by the French critic Hélène Frappat relates this to other Rivette films and analyzes its themes. This can be found on the Groupement Général des Cinémas de Recherche website and there is also a translation of the essay into English online. This provides a skeleton key to the skeleton key, so to speak.

Ms. Frappat doesn't mention it, but Vittorio (Castellitto) falls in love with Kate (Birkin) from then on, and yet, after lingering around the circus for a week or two, he is called on to business in Spain, and leaves her. By participating in a reenactment of the dangerous whip trick that had accidentally killed the most important person in her life 15 years earlier, Kate is purged of the lingering sorrow and guilt she has been feeling. She may not presumably return to her Paris occupation of dyeing cloth for designers. I tend to agree with 'Variety' reviewer Boyd Van Hoeij, that Jane Birkin's performance is more emotionally rich and her character is more rounded than Sergio Castellitto's. Castellitto is a versatile pro, and it's a bit surprising -- perhaps he's over-awed? -- that he doesn't endow Vittorio with more nuance. As Van Hoeij also notes, Rivette uses a lot of improvisation, and potentially the most fun are the clown "numbers", intentionally "threadbare" at the outset, then enriched at Vittorio's presumptuous suggestion in subsequent performances. The artificiality of the film is underlined by the fact that during the circus acts the audience is almost never seen.

The film may provide a kind of skeleton key to Rivette, as Castellitto's quoted remark suggests, and thus may specially appeal to students of his work. On the other hand, it lacks the richness of the director's preceding three films, the 2001 'Histoire de Marie et Julien'/'The Story of Marie and Julien,' the 2003 'Va savoir,' and the 2007 'Ne touchez pas la hache'/'The Duchess of Langeais.' But in its simplicity, clarity, and its sense of resolution, this is very much an enlightened artist's late work, and resembles Shakespeare's late Pastoral romances.

Nominated for the Golden Lion at Venice. Shown as a part of the New York Film Festival at Lincoln Center, 2009.