| David Tennant | ... | The Doctor | |
| Catherine Tate | ... | Donna Noble | |
| Tim McInnerny | ... | Mr. Halpen | |
| Ayesha Dharker | ... | Solana Mercurio | |
| Adrian Rawlins | ... | Dr. Ryder | |
| Roger Griffiths | ... | Commander Kess | |
| Paul Clayton | ... | Mr Bartle | |
| Paul Kasey | ... | Ood Sigma | |
| Tariq Jordan | ... | Rep #1 | |
| Tony Gibbons | ... | Rep #2 | |
| Silas Carson | ... | The Ood (voice) |
| Episode Crew |
Directed by | |||
| Graeme Harper | |||
Writing credits(in alphabetical order) | ||
| Keith Temple | written by | |
Produced by | |||
| Phil Collinson | .... | executive producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
| Susie Liggat | .... | producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Rory Taylor | (director of photography) | ||
Film Editing by | |||
| William Oswald | (as Will Oswald) | ||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Set Decoration by | |||
| David Morison | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Pam Mullins | .... | makeup artist | |
| John Munro | .... | makeup artist | |
| Steve Smith | .... | makeup artist | |
| Barbara Southcott | .... | makeup designer | |
Production Management | |||
| Chris Blatchford | .... | post-production supervisor | |
| Rhys Griffiths | .... | unit manager | |
| Samantha Hall | .... | post-production manager | |
| Debbi Slater | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Davies | .... | third assistant director | |
| Jennie Fava | .... | second assistant director | |
| Gareth Williams | .... | first assistant director | |
Art Department | |||
| Paul Aitken | .... | property master | |
| Anna Coote | .... | art department coordinator | |
| Matthew Hywel-Davies | .... | construction manager | |
| Barry Jones | .... | senior propmaker | |
| Jonathan Marquand Allison | .... | art department production manager (as Jonathan Allison) | |
| Peter McKinstry | .... | design assistant | |
| Nick Murray | .... | stand-by props | |
| Stephen Nicholas | .... | chief supervising art director | |
| James North | .... | associate designer | |
| Will Pope | .... | stand-by carpenter | |
| Phil Shellard | .... | stand-by props (as Phill Shellard) | |
| Ciaran Thompson | .... | stand-by art director | |
| Christina Tom | .... | props buyer | |
| Matthew Wild | .... | dressing chargehand | |
| Shaun Williams | .... | storyboard artist | |
| Ellen Woods | .... | stand-by painter | |
Sound Department | |||
| Kelly-Marie Angell | .... | foley editor | |
| Julian Howarth | .... | sound recordist | |
| Paul McFadden | .... | supervising sound editor | |
| Bryn Thomas | .... | boom operator | |
| Jeff Welch | .... | boom operator | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Victoria Bancroft | .... | prosthetics technician | |
| Neill Gorton | .... | prosthetics designer | |
| Peter Hawkins | .... | on-set prosthetics supervisor (as Pete Hawkins) | |
| Mark Hill | .... | workshop manager | |
| Paul Kelly | .... | special effects supervisor | |
| Sarah Lockwood | .... | prosthetics technician | |
| Justin Pitkethly | .... | prosthetics technician (as Justin Pickethly) | |
Visual Effects by | |||
| Murray Barber | .... | 2D artist | |
| Tim Barter | .... | on-set visual effects supervisor | |
| Sara Bennett | .... | 2D artist | |
| Will Cohen | .... | visual effects producer | |
| Loraine Cooper | .... | 2D artist | |
| Jean-Claude Deguara | .... | 3D artist | |
| Ceres Doyle | .... | visual effects editor | |
| Alex Fort | .... | matte painter | |
| Nicolas Hernandez | .... | 3D artist | |
| Simon C. Holden | .... | 2D artist | |
| Dave Houghton | .... | visual effects supervisor | |
| Rebecca Johnson | .... | visual effects coordinator | |
| Marie A. Jones | .... | visual effects producer (as Marie Jones) | |
| Sam Lucas | .... | 3D artist | |
| Bruce Magroune | .... | 3D artist | |
| Jeff North | .... | 3D artist | |
| Marianne Paton | .... | visual effects production assistant | |
| Jenna Powell | .... | visual effects coordinator | |
| Will Pryor | .... | 3D artist | |
| Chris Tucker | .... | 3D artist | |
| Simon Wicker | .... | matte painter | |
Stunts | |||
| Abbi Collins | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Chester | .... | best boy | |
| Keith Freeman | .... | stand-by rigger | |
| Steven Hall | .... | camera operator | |
| Mark Hutchings | .... | gaffer | |
| Steve Rees | .... | focus puller | |
| John Robinson | .... | grip | |
| Jon Vidgen | .... | camera assistant | |
Casting Department | |||
| Andy Brierley | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lindsay Bonaccorsi | .... | costume supervisor | |
| Rose Goodheart | .... | assistant costume designer (as Rose Goodhart) | |
| Barbara Harrington | .... | costume assistant | |
| Louise Martin | .... | costume assistant | |
Editorial Department | |||
| Marie Brown | .... | post-production coordinator | |
| Matthew Clarke | .... | on-line editor | |
| Mick Vincent | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: theme music | |
Other crew | |||
| Olivier Ager | .... | production accountant (as Oliver Ager) | |
| Lindsey Alford | .... | script editor | |
| Jonathan Allott | .... | location manager (as Jonathon Allott) | |
| Bethan Britton | .... | contracts assistant | |
| Nicola Brown | .... | production runner | |
| Debi Griffiths | .... | assistant production coordinator | |
| Sheila Johnston | .... | continuity | |
| Kevin Myers | .... | production secretary | |
| Andy Newbery | .... | floor runner | |
| Jess Van Niekerk | .... | production coordinator | |
| Series Crew These people are regular crew members. Were they in this episode? |
Makeup Department | |||
| Stuart Bray | .... | special makeup supervisor | |
| Neill Gorton | .... | special makeup and prosthetic effects | |
| Rob Mayor | .... | special makeup supervisor | |
Production Management | |||
| Lowri Thomas | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Chris Hill | .... | third assistant director | |
| Alex Mercer | .... | third assistant director | |
Sound Department | |||
| Colin Cooper | .... | adr mixer | |
| Dave Humphries | .... | foley recordist | |
| Richard Ostroff | .... | boom operator | |
Special Effects by | |||
| Charlie Bluett | .... | special effects senior technician | |
| Benjamin M. Esterson | .... | special effects coordinator | |
| Waldo Mason | .... | special effects makeup | |
Camera and Electrical Department | |||
| Gareth Hughes | .... | camera operator: second unit | |
Other crew | |||
| Ian Gruchfield | .... | brand manager: BBC | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Adventure section | Add this title to MyMovies |
What really initially stands out in "Planet of the Ood" is that it sure is great to leave Earth for a while! Seriously, what is wrong with visiting some alien planets once in a while? Take a break from the space ships/vessels/stations and Earth and get some good old fashioned Doctor Who planet visitation done! The next thing that stands out is what an absolutely brilliant job Graeme Harper does directing Doctor Who. I've never seen a badly-directed episode from him and this is no exception, as "Planet of the Ood" is filmed so well and looks so good you barely notice some of the flaws in the script.
I say the script is flawed, but it's nothing too serious, maybe a little unsure on the mix between comedy and drama which it alternated between a little too quick at times.
All in all, "Planet of the Ood" is a fun, exciting Doctor Who adventure, nothing too special overall, but with some lovely parts to it. There was also an air of the Pertwee era in the story, definitely. The last two minutes or so once again very interesting, with the line "every song must end" in relation to the Doctor's 'song' being especially interesting.
7/10