| David Tennant | ... | The Doctor | |
| Catherine Tate | ... | Donna Noble | |
| Phil Cornwell | ... | Stallholder | |
| Karen Gillan | ... | Soothsayer | |
| Sasha Behar | ... | Spurrina | |
| Lorraine Burroughs | ... | Thalina | |
| Peter Capaldi | ... | Caecillius | |
| Tracey Childs | ... | Metella | |
| Francesca Fowler | ... | Evelina | |
| François Pandolfo | ... | Quintus | |
| Victoria Wicks | ... | High Priestess | |
| Gerard Bell | ... | Major Domo | |
| Philip Davis | ... | Lucius (as Phil Davis) |
| Episode Crew |
Directed by | |||
| Colin Teague | |||
Writing credits(in alphabetical order) | ||
| James Moran | written by | |
Produced by | |||
| Guido Cerasuolo | .... | line producer: Italy | |
| Phil Collinson | .... | producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Ernest Vincze | (director of photography) (as Ernie Vince) | ||
Film Editing by | |||
| Mike Hopkins | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Arwel Jones | (supervising art director) (as Arwel Wyn Jones) | ||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Pam Mullins | .... | makeup artist | |
| John Munro | .... | makeup artist | |
| Morag Smith | .... | makeup artist | |
| Steve Smith | .... | makeup artist | |
| Barbara Southcott | .... | makeup designer | |
Production Management | |||
| Chris Blatchford | .... | post-production supervisor | |
| Rhys Griffiths | .... | unit manager | |
| Samantha Hall | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Davies | .... | third assistant director | |
| Jennie Fava | .... | second assistant director | |
| Dan Mumford | .... | first assistant director | |
Art Department | |||
| Scott Fisher | .... | construction chargehand | |
| Raffaella Giovannetti | .... | assistant set decorator | |
| Jon Grundon | .... | props maker | |
| Matthew Hywel-Davies | .... | construction manager | |
| Barry Jones | .... | senior propmaker | |
| Phil Lyons | .... | property master | |
| Jamie MacWilliam | .... | stand-by art director | |
| Jonathan Marquand Allison | .... | art department production manager (as Jonathan Allison) | |
| Nick Murray | .... | stand-by props | |
| Stephen Nicholas | .... | chief supervising art director | |
| James North | .... | associate designer | |
| Sarah Payne | .... | design assistant | |
| Amy Pope | .... | art department coordinator | |
| Will Pope | .... | stand-by carpenter | |
| Catherine Samuel | .... | props buyer | |
| Phil Shellard | .... | stand-by props (as Phill Shellard) | |
| Shaun Williams | .... | storyboard artist | |
| Ellen Woods | .... | stand-by painter | |
Sound Department | |||
| Kelly-Marie Angell | .... | foley editor (as Kelly Angell) | |
| Julian Howarth | .... | sound recordist | |
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | supervising sound editor | |
| Tim Ricketts | .... | dubbing mixer | |
| Bryn Thomas | .... | boom operator | |
| Jeff Welch | .... | boom operator | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Neill Gorton | .... | prosthetics designer | |
| Danny Hargreaves | .... | special effects supervisor | |
| Sarah Lockwood | .... | prosthetic makeup artist | |
| Rob Mayor | .... | prosthetics supervisor | |
| Jon Moore | .... | prosthetics technician | |
Visual Effects by | |||
| Ruth Bailey | .... | 3D artist | |
| Murray Barber | .... | 2D artist | |
| Tim Barter | .... | digital compositor | |
| Tim Barter | .... | on-set visual effects supervisor | |
| Bryan Bartlett | .... | 2D artist | |
| Charlie Bennett | .... | matte painter | |
| Adam Burnett | .... | 3D artist (as Adam Burnet) | |
| Adriano Cirulli | .... | 2D artist (as Adrian Cirulli) | |
| Will Cohen | .... | visual effects producer | |
| Jean-Claude Deguara | .... | 3D artist (as Jean Claude Deguara) | |
| Ceres Doyle | .... | visual effects editor | |
| Alex Fort | .... | matte painter | |
| Andrew Guest | .... | 3D artist (as Andy Guest) | |
| Russell Horth | .... | 2D artist | |
| Dave Houghton | .... | visual effects supervisor | |
| Rebecca Johnson | .... | visual effects coordinator | |
| Marie A. Jones | .... | visual effects producer (as Marie Jones) | |
| Marianne Paton | .... | visual effects production assistant | |
| Jenna Powell | .... | visual effects coordinator | |
| Neil Roche | .... | 3D artist | |
| Nick Webber | .... | 3D artist | |
| Simon Wicker | .... | matte painter | |
Stunts | |||
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Julian Barber | .... | camera operator | |
| Peter Chester | .... | best boy | |
| Keith Freeman | .... | stand-by rigger | |
| Mark Hutchings | .... | gaffer | |
| Albert James | .... | practical electrician | |
| Steve Rees | .... | focus puller | |
| John Robinson | .... | grip | |
| Rory Taylor | .... | camera operator | |
| Jon Vidgen | .... | camera assistant | |
Casting Department | |||
| Andy Brierley | .... | casting associate | |
| Amy Rogers | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lindsay Bonaccorsi | .... | costume supervisor | |
| Rose Goodheart | .... | assistant costume designer (as Rose Goodhart) | |
| Barbara Harrington | .... | costume assistant | |
| Louise Martin | .... | costume assistant | |
Editorial Department | |||
| Mark Bright | .... | on-line editor | |
| Marie Brown | .... | post-production coordinator | |
| Matthew Clarke | .... | on-line editor | |
| Carmen Roberts | .... | assistant editor | |
| Mick Vincent | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: original theme music | |
Other crew | |||
| Olivier Ager | .... | production accountant (as Oliver Ager) | |
| Ailsa Berk | .... | choreographer | |
| Nicola Brown | .... | production runner | |
| Guido Cerasuolo | .... | line producer: Italy | |
| Debi Griffiths | .... | assistant production coordinator | |
| Lisa Hayward | .... | contracts assistant | |
| Sheila Johnston | .... | continuity | |
| Brian Minchin | .... | script editor | |
| Kevin Myers | .... | production secretary | |
| Chris Rogers | .... | finance manager | |
| Julie Scott | .... | production executive | |
| Gareth Skelding | .... | location manager | |
| Heddi-Joy Taylor | .... | floor runner (as Heddi Joy Taylor) | |
| Jess Van Niekerk | .... | production coordinator | |
| Series Crew These people are regular crew members. Were they in this episode? |
Makeup Department | |||
| Stuart Bray | .... | special makeup supervisor | |
| Neill Gorton | .... | special makeup and prosthetic effects | |
| Rob Mayor | .... | special makeup supervisor | |
Production Management | |||
| Lowri Thomas | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Chris Hill | .... | third assistant director | |
| Alex Mercer | .... | third assistant director | |
Sound Department | |||
| Colin Cooper | .... | adr mixer | |
| Dave Humphries | .... | foley recordist | |
| Richard Ostroff | .... | boom operator | |
Special Effects by | |||
| Charlie Bluett | .... | special effects senior technician | |
| Benjamin M. Esterson | .... | special effects coordinator | |
| Waldo Mason | .... | special effects makeup | |
Camera and Electrical Department | |||
| Gareth Hughes | .... | camera operator: second unit | |
Other crew | |||
| Ian Gruchfield | .... | brand manager: BBC | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Adventure section | Add this title to MyMovies |
After seeing "The Fires of Pompeii" I am confident that James Moran is here to stay and to become an excellent Doctor Who writer in the future. Moran's previous work is the screenplay for the horror/comedy "Severance" and for an episode of Doctor Who spin off "Torchwood". His script for "The Fires of Pompeii" shows real gratitude to and respect for the legacy of Doctor Who, as Moran does not attempt to introduce more spaceships to London's skies, but rather writes a surprisingly effective and very exciting story in the vein of classic Doctor Who stories from the 70's and 80's.
I love anything that addresses the TARDIS translating languages because that's one I always get asked when people attempt to ridicule Doctor Who. Anyway, this story's guest actors all do a terrific job and the script itself is really a fantastic piece of writing, combining classic Doctor Who elements with wonderful bits of humor and some of the best drama in this incarnation of Doctor Who outside of Steven Moffat's episode, as well as rousing adventure and action scenes. I'm loving Catherine Tate as Donna too, she makes an excellent companion.
By writing a smart, balanced script with a tinge of classic Who added in for good measure, James Moran has crafted one of the best debuts for a writer in Doctor Who's history. I look forward to more from him. Great stuff, and boy did it look good as well.
9/10