| David Tennant | ... | The Doctor | |
| Catherine Tate | ... | Donna Noble | |
| Billie Piper | ... | Rose Tyler | |
| Sarah Lancashire | ... | Miss Foster | |
| Bernard Cribbins | ... | Wilfred Mott | |
| Jacqueline King | ... | Sylvia Noble | |
| Verona Joseph | ... | Penny Carter | |
| Jessica Gunning | ... | Stacey Harris | |
| Martin Ball | ... | Roger Davey | |
| Rachid Sabitri | ... | Craig Staniland | |
| Chandra Ruegg | ... | Clare Pope | |
| Sue Kelvin | ... | Suzette Chambers | |
| Jonathan Stratt | ... | Taxi Driver |
| Episode Crew |
Directed by | |||
| James Strong | |||
Writing credits | ||
| Russell T. Davies | (written by) | |
Produced by | |||
| Phil Collinson | .... | producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Ernest Vincze | (director of photography) | ||
Film Editing by | |||
| Mike Jones | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Arwel Jones | (supervising art director) (as Arwel Wyn Jones) | ||
Set Decoration by | |||
| Malin Lindholm | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Pam Mullins | .... | makeup artist | |
| John Munro | .... | makeup artist | |
| Steve Smith | .... | makeup artist | |
| Barbara Southcott | .... | makeup designer | |
Production Management | |||
| Chris Blatchford | .... | post-production supervisor | |
| Rhys Griffiths | .... | unit manager | |
| Samantha Hall | .... | post-production supervisor | |
| Tracie Simpson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Blackwell | .... | first assistant director | |
| Sarah Davies | .... | third assistant director | |
| Jennie Fava | .... | second assistant director | |
Art Department | |||
| Paul Aitken | .... | property master | |
| Keith Freeman | .... | stand-by rigger | |
| Matthew Hywel-Davies | .... | construction manager | |
| Barry Jones | .... | senior propmaker | |
| Jonathan Marquand Allison | .... | art department production manager (as Jonathan Allison) | |
| Nick Murray | .... | stand-by props | |
| Stephen Nicholas | .... | chief supervising art director | |
| James North | .... | associate designer | |
| John Pinkerton | .... | scenic artist | |
| Amy Pope | .... | art department coordinator | |
| Will Pope | .... | stand-by carpenter | |
| Nicholas Robatto | .... | props maker (as Nick Robatto) | |
| Al Roberts | .... | design assistant | |
| Catherine Samuel | .... | props buyer | |
| Phil Shellard | .... | stand-by props (as Phill Shellard) | |
| Ciaran Thompson | .... | stand-by art director | |
| Matthew Wild | .... | dressing chargehand | |
| Shaun Williams | .... | storyboard artist | |
| Ellen Woods | .... | stand-by painter | |
Sound Department | |||
| Kelly-Marie Angell | .... | foley editor | |
| Julian Howarth | .... | sound recordist | |
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | supervising sound editor | |
| Tim Ricketts | .... | dubbing mixer | |
| Jeff Welch | .... | boom operator | |
| Julie Ankerson | .... | foley artist (uncredited) | |
| Darran Clement | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Neill Gorton | .... | prosthetics designer | |
| Danny Hargreaves | .... | special effects supervisor | |
| Rob Mayor | .... | prosthetics supervisor | |
Visual Effects by | |||
| Murray Barber | .... | 2D artist | |
| Tim Barter | .... | 2D artist | |
| Tim Barter | .... | on-set visual effects supervisor | |
| Bryan Bartlett | .... | 2D artist | |
| Sara Bennett | .... | 2D artist | |
| Serena Cacciato | .... | 3D artist | |
| Will Cohen | .... | visual effects producer | |
| Loraine Cooper | .... | 2D artist | |
| Barney Curnow | .... | visual effects supervisor | |
| Ceres Doyle | .... | visual effects editor | |
| Simon C. Holden | .... | 2D artist | |
| Dave Houghton | .... | visual effects supervisor | |
| Rebecca Johnson | .... | visual effects coordinator | |
| Marie A. Jones | .... | visual effects producer (as Marie Jones) | |
| David Levy | .... | 3D artist (as Dave Levy) | |
| Matthew McKinney | .... | 3D artist (as Matt McKinney) | |
| James Moxon | .... | 2D artist | |
| Marianne Paton | .... | visual effects production assistant | |
| Jenna Powell | .... | visual effects coordinator | |
| Stephen Regelous | .... | 3D artist | |
| Greg Spencer | .... | 2D artist | |
| Janak Thakker | .... | senior character animator (uncredited) | |
Stunts | |||
| Derek Lea | .... | stunt performer | |
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Julian Barber | .... | camera operator | |
| Peter Chester | .... | best boy | |
| Ben Griffiths | .... | electrician | |
| Mark Hutchings | .... | gaffer | |
| Clive Johnson | .... | electrician | |
| Steve Rees | .... | focus puller | |
| John Robinson | .... | grip | |
| Steve Slocombe | .... | electrician | |
| Rory Taylor | .... | camera operator | |
Casting Department | |||
| Andy Brierley | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lindsay Bonaccorsi | .... | costume supervisor | |
| Rose Goodheart | .... | assistant costume designer (as Rose Goodhart) | |
| Barbara Harrington | .... | costume assistant | |
| Louise Martin | .... | costume assistant | |
Editorial Department | |||
| Mark Bright | .... | on-line editor | |
| Marie Brown | .... | post-production coordinator | |
| Matthew Clarke | .... | on-line editor | |
| Carmen Roberts | .... | assistant editor | |
| Mick Vincent | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: original theme music | |
Other crew | |||
| Olivier Ager | .... | production accountant (as Oliver Ager) | |
| Lindsey Alford | .... | script editor | |
| Kath Blackman | .... | contracts assistant | |
| Nicola Brown | .... | production runner | |
| Debi Griffiths | .... | assistant production coordinator | |
| Sheila Johnston | .... | continuity | |
| Kevin Myers | .... | production secretary | |
| Andy Newbery | .... | floor runner | |
| Chris Rogers | .... | finance manager | |
| Julie Scott | .... | production executive | |
| Gareth Skelding | .... | location manager | |
| Jess Van Niekerk | .... | production coordinator | |
Thanks | |||
| Howard Attfield | .... | in memory of | |
| Series Crew These people are regular crew members. Were they in this episode? |
Makeup Department | |||
| Stuart Bray | .... | special makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Hill | .... | third assistant director | |
| Alex Mercer | .... | third assistant director | |
Sound Department | |||
| Colin Cooper | .... | adr mixer | |
| Dave Humphries | .... | foley recordist | |
| Richard Ostroff | .... | boom operator | |
Special Effects by | |||
| Charlie Bluett | .... | special effects senior technician | |
| Benjamin M. Esterson | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Gareth Hughes | .... | camera operator: second unit | |
Other crew | |||
| Ian Gruchfield | .... | brand manager: BBC | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Adventure section | Add this title to MyMovies |
Despite serious misgivings concerning the return of Catherine Tate's Donna Noble to the Tardis, I found myself eating humble pie as this episode gained momentum.
"Partners in Crime" brings a whole new dynamism to the series, demonstrating what fans have always known...that "Doctor Who" is capable of changing every few years. From the pleasingly re-energised starting sequence which harks back to the time-tunnel of earlier Doctors to the climax, every scene in this episode was a delight.
Providing welcome comic relief to the series after the doom-and-gloom of the last few tales, this opening to "Series 4" has fantastic chemistry between Tennant and Tate, another appearance from the television legend that is Bernard Cribbins, and a wonderfully comic turn from Sarah Lancashire.
Tennant reminds me a little of Bruce Campbell, with his energetic, enthusiastic and wide-eyed portrayal of the Time Lord. He's clearly extremely comfortable in the role and I dearly hope he decides to stay around for quite some time, no pun intended.
The effects in "Partners in Crime" are largely first class and the latest alien creation, the Andipose, are the cutest beings yet to appear in the long history of the series.
9 out of 10. I haven't had so much fun watching an episode of "Doctor Who" for quite some time. Marvellous family entertainment.