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| Culver Plaza Theatres | 12:20pm | 5:20 | (personalize) more |
| Matt Damon | ... | Mark Whitacre | |
| Lucas McHugh Carroll | ... | Alexander Whitacre (as Lucas Carroll) | |
| Eddie Jemison | ... | Kirk Schmidt | |
| Rusty Schwimmer | ... | Liz Taylor | |
| Craig Ricci Shaynak | ... | Discouraged Foreman | |
| Tom Papa | ... | Mick Andreas | |
| Rick Overton | ... | Terry Wilson | |
| Melanie Lynskey | ... | Ginger Whitacre | |
| Thomas F. Wilson | ... | Mark Cheviron (as Tom Wilson) | |
| Scott Bakula | ... | FBI Special Agent Brian Shepard | |
| Scott Adsit | ... | Sid Hulse | |
| Ann Dowd | ... | FBI Special Agent Kate Medford | |
| Allan Havey | ... | FBI Special Agent Dean Paisley | |
| Howie Johnson | ... | Rusty Williams | |
| Joel McHale | ... | FBI Special Agent Bob Herndon | |
| Nick Craig | ... | Kid at Pool #1 | |
| Cody Puckett | ... | Kid at Pool #2 | |
| Andrew Daly | ... | Marty Allison | |
| David Campbell | ... | Budweiser Client Representative | |
| Carolyn R. Feltner | ... | Budweiser Receptionist | |
| Jean-Pierre Gillain | ... | Zurich Bank Security Officer | |
| Elena Eustache | ... | Zurich Bank Receptionist | |
| Hans Tester | ... | Peter Dreyer | |
| Ludger Pistor | ... | Reinhard Richter | |
| Rome Kanda | ... | Hirokazu Ikeda | |
| Yoshio Be | ... | Kazutoshi Yamada | |
| Raymond Ma | ... | Kanji Mimoto | |
| Hervé Deschamps | ... | Philippe Rollier | |
| Pascal Ifri | ... | Alain Crouy | |
| Ann Cusack | ... | Robin Mann | |
| Dann Seki | ... | Joon Mo Suh | |
| Jayden Lund | ... | James Mutchnik | |
| Chic Daniel | ... | FBI Agent at Raid | |
| Joe Chrest | ... | Visiting Client | |
| J.D. Mathein | ... | Phone Agent | |
| William Marsh | ... | FBI Special Agent Ken Temples | |
| Tom Smothers | ... | Dwayne Andreas | |
| Clancy Brown | ... | Aubrey Daniel | |
| Bob Zany | ... | John Dowd | |
| Tony Hale | ... | James Epstein | |
| Richard Steven Horvitz | ... | Bob Zaideman (as Richard Horvitz) | |
| Tara Barrett | ... | Reporter #1 | |
| Tim Cain | ... | Reporter #2 | |
| Ken Frye | ... | Reporter #3 | |
| Huey Freeman | ... | Reporter #4 | |
| Brian Gallivan | ... | Ron Henkoff | |
| Daniel Hagen | ... | Scott Roberts | |
| Patton Oswalt | ... | Ed Herbst | |
| Samantha Albert | ... | Mary Spearing | |
| Jimmy Brogan | ... | Dr. Derek Miller | |
| Paul F. Tompkins | ... | FBI Special Agent Anthony DAngelo | |
| Adam Paul | ... | FBI Special Agent Michael Bassett | |
| Wayne Pére | ... | Sheldon Zenner | |
| Scott England | ... | Local News Anchor | |
| Joshua Funk | ... | FBI Special Agent Robert Grant | |
| Candy Clark | ... | Mark Whitacre's Mother | |
| Frank Welker | ... | Mark Whitacre's Father | |
| Larry Clarke | ... | Whitacre's Second Attorney | |
| Dick Smothers | ... | Judge Harold Baker | |
| Steve Seagren | ... | Correctional Officer | |
| rest of cast listed alphabetically: | |||
| Gene Fojtik | ... | Lawyer | |
| Joe Hammerstone | ... | Airport Restaurant Patron | |
| Troy Hayes | ... | New Home Owner | |
| Ted LeBlang | ... | Country Club Dinner Guest | |
| Elizabeth Zephyrine McDonough | ... | Sweater Girl | |
| Jaxon Stanford | ... | Businessman Walking Thru Airport | |
| Roy Allen III | ... | Office Manager (uncredited) | |
| James Gianoulakis | ... | Airport Traveler (uncredited) | |
| Richard Hoffman Jr. | ... | Payroll (uncredited) | |
| Don Kress | ... | Lawyer (uncredited) | |
| BJ Lange | ... | Airline Passenger (uncredited) | |
| Dan Latham | ... | CTA Passenger (uncredited) | |
| Joseph Mazurk | ... | Federal Plaza Lawyer (uncredited) | |
| Cameron Potter | ... | Businessman (uncredited) | |
| Mallory Scott | ... | Business Traveler (uncredited) | |
| Malik Simmons | ... | Restaurant Patron (uncredited) | |
| Errol James Snyder | ... | Golfer (uncredited) | |
| Erik A. Williams | ... | Airport Traveler (uncredited) | |
Directed by | |||
| Steven Soderbergh | |||
Writing credits(WGA) | ||
| Scott Z. Burns | (screenplay) | |
| Kurt Eichenwald | (book) | |
Produced by | |||
| Howard Braunstein | .... | producer | |
| George Clooney | .... | executive producer | |
| Kurt Eichenwald | .... | producer | |
| Jennifer Fox | .... | producer | |
| Gregory Jacobs | .... | producer | |
| Michael Jaffe | .... | producer | |
| Michael London | .... | executive producer | |
| Michael Polaire | .... | co-producer | |
| Jeff Skoll | .... | executive producer | |
Original Music by | |||
| Marvin Hamlisch | |||
Cinematography by | |||
| Steven Soderbergh | (as Peter Andrews) | ||
Film Editing by | |||
| Stephen Mirrione | |||
Casting by | |||
| Carmen Cuba | |||
Production Design by | |||
| Doug J. Meerdink | |||
Art Direction by | |||
| Billy Hunter | (as William O. Hunter) | ||
| David Scott | |||
Set Decoration by | |||
| Daniel B. Clancy | |||
| Curtis Maneno | |||
Costume Design by | |||
| Shoshana Rubin | |||
Makeup Department | |||
| Christine Beveridge | .... | makeup artist: Matt Damon | |
| Barbara Cantu | .... | assistant hair department head | |
| Gloria Pasqua Casny | .... | hair department head | |
| Latrice Edwards | .... | additional makeup artist | |
| Kay Georgiou | .... | hair stylist: Mr. Damon | |
| Jules Holdren | .... | hair stylist | |
| Connie Kallos | .... | hair stylist | |
| Elisa Marsh | .... | makeup department head | |
| Marsha Shearrill | .... | assistant makeup department head | |
| Vicki Vacca | .... | makeup artist | |
Sound Department | |||
| Larry Blake | .... | sound re-recording mixer | |
| Barry Donnelly | .... | adr recordist | |
| Javier M. Hernández | .... | boom operator | |
| Steve La Fayette | .... | sound utility: IL, MO | |
| Marcus Ricaud | .... | sound utility | |
| Mark Shehab | .... | adr recordist | |
| Billy Theriot | .... | assistant sound editor | |
| Dennis Towns | .... | production sound mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| Daniel Yates | .... | special effects technician | |
Visual Effects by | |||
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood | |
| Lisa Maher | .... | visual effects producer: CIS-Hollywood | |
| Jesse Morrow | .... | visual effects artist | |
| James P. Noon | .... | tracking | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Thomas J. Smith | .... | visual effects supervisor | |
| Xye | .... | tracking | |
| Chris B. Schnitzer | .... | director of visual effects: Warner Bros. (uncredited) | |
Stunts | |||
| Sean Graham | .... | stunts | |
| Rick Le Fevour | .... | stunt performer | |
| Tom Lowell | .... | stunt double | |
| Daniel Maldonado | .... | stunt driver | |
| Scott Philyaw | .... | stunt driver | |
| Steve Schriver | .... | stunts | |
Camera and Electrical Department | |||
| Claudette Barius | .... | still photographer | |
| Chris Dame | .... | crane technician: Technocrane | |
| Greg Fausak | .... | best boy grip | |
| John-Anthony Gargiulo | .... | dolly grip | |
| Jeroen Hendriks | .... | camera technician | |
| Nicholas Kaat | .... | assistant chief lighting technician | |
| April Kelley | .... | second assistant camera | |
| John Joseph Minardi | .... | key grip | |
| Glenn E. Moran | .... | rigging gaffer | |
| Patrick B. O'Brien | .... | camera operator | |
| Michael J. Schwartz | .... | electrician | |
| Mark N. Woods | .... | technocrane operator | |
Casting Department | |||
| Helen Geier | .... | casting associate | |
| Mike Ketcher | .... | extras casting: St. Louis | |
| Rich King | .... | extras casting | |
| Claire Simon | .... | casting: chicago | |
| Erin Stewart | .... | extras casting assistant | |
| Teresa Thoma | .... | casting associate | |
| Jonathan Kinnas | .... | extras casting: Chicago (uncredited) | |
Costume and Wardrobe Department | |||
| Jessica Albertson | .... | set costumer | |
| Danielle Baker | .... | costumer | |
| Rebecca M. Graves | .... | costume assistant | |
| Brad Holtzman | .... | key costumer | |
| Sandy Kenyon | .... | costume supervisor | |
| Valerie T. O'Brien | .... | costumer | |
| Barnaby Smith | .... | costumer: Mr. Damon | |
| Melissa Stinson | .... | set costumer | |
Editorial Department | |||
| Matt Absher | .... | first assistant editor | |
| Corey Bayes | .... | assistant editor | |
| Matthew Blackshear | .... | colorist: dailies | |
| Jimmy Fusil | .... | digital intermediate producer | |
| Tim Stipan | .... | supervising digital colorist | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Lee Wimer | .... | color timer | |
| Benjamin Sutor | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Missy Cohen | .... | music editor | |
| Larry Hochman | .... | orchestrator | |
| John Moses | .... | musician: clarinetist | |
| Laura Sherman | .... | musician: harp soloist | |
| Tim Starnes | .... | auricle programmer | |
Transportation Department | |||
| Jalal Aqdim | .... | picture car assistant coordinator: france | |
| Arnold Bucher | .... | driver: director | |
| Shane Greedy | .... | transportation coordinator | |
| Charles Heidet | .... | picture vehicle coordinator: Paris Unit | |
| Steve Lewis | .... | driver | |
| Lin C. Smith | .... | driver | |
| Alexandre Thiery | .... | unit driver: Paris (uncredited) | |
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| JFK | Eraser | The Sentinel | Marie Galante | Antitrust |
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I suppose I will always find something to like in a Soderbergh movie. The real joy is in never knowing just what that will be. Even in his most mainstream projects he is exploring some new skill. Here it is the notion of narration.
I'll have to see this a second time with a DVD stop button to be able to fully catalog all the various modes that our filmmaker skips seamlessly through. The main device he weaves these modes around is the spine of the untrusted narrator. We have all sorts of layers and nodes of deception with the only ones we can really trust being the guys usually are the bottom of the garbage bin: the massive greedy company.
We have this fellow being dishonest to everyone, including himself. We have no idea where the line is that he actually believes and we hear only from him. Some of the internal dialog is hypnotizing: we are lulled into accepting it because so much of it is appealingly funny. It is a great trick of misdirection, allowing us to associate with this slippery reality.
Folded into this is are the watchers, nominally the FBI, then various lawyers and the wife, but us of course, punctuated by a video at the end directly to us (with the FBI behind a mirror).
A second surprise awaited me beyond the Soderbergh stretching. Matt Damon finally does something impressive. He is truly something worth watching here. I never would have guessed. I never would have believed. In fact, this wouldn't have worked at all, this suspended belief within the story, if he had not so believably become the character.
Ted's Evaluation -- 3 of 3: Worth watching.