| David Tennant | ... | The Doctor | |
| Freema Agyeman | ... | Martha Jones | |
| Ardal O'Hanlon | ... | Brannigan | |
| Anna Hope | ... | Novice Hame | |
| Travis Oliver | ... | Milo | |
| Lenora Crichlow | ... | Cheen | |
| Jennifer Hennessy | ... | Valerie | |
| Bridget Turner | ... | Alice | |
| Georgine Anderson | ... | May | |
| Simon Pearsall | ... | Whitey | |
| Daisy Lewis | ... | Javit | |
| Nicholas Boulton | ... | Businessman | |
| Erika Macleod | ... | Sally Calypso | |
| Judy Norman | ... | Ma | |
| Graham Padden | ... | Pa | |
| Lucy Davenport | ... | Pale Woman | |
| Tom Edden | ... | Pharmacist #1 | |
| Natasha Williams | ... | Pharmacist #2 | |
| Gayle Telfer Stevens | ... | Pharmacist #3 | |
| Struan Rodger | ... | The Face of Boe (voice) |
| Episode Crew |
Directed by | |||
| Richard Clark | |||
Writing credits | ||
| Russell T. Davies | (written by) | |
Produced by | |||
| Phil Collinson | .... | producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Rory Taylor | (director of photography) | ||
Film Editing by | |||
| John Richards | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Arwel Jones | (supervising art director) (as Arwel Wyn Jones) | ||
Set Decoration by | |||
| Malin Lindholm | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Pam Mullins | .... | makeup artist | |
| John Munro | .... | makeup artist | |
| Steve Smith | .... | makeup artist | |
| Barbara Southcott | .... | makeup designer | |
Production Management | |||
| Chris Blatchford | .... | post-production supervisor | |
| Rhys Griffiths | .... | unit manager | |
| Samantha Hall | .... | post-production supervisor | |
| Tracie Simpson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Davies | .... | third assistant director | |
| Jennie Fava | .... | second assistant director | |
| Dan Mumford | .... | first assistant director | |
Art Department | |||
| Paul Aitken | .... | props master | |
| Adrian Anscombe | .... | chief props master | |
| Ian Bunting | .... | design assistant | |
| Amy Chandler | .... | forward dresser | |
| Martin Griffiths | .... | props storeman | |
| Matthew Hywel-Davies | .... | construction manager | |
| Gareth Jeanne | .... | props chargehand | |
| Paul Jones | .... | stand-by carpenter | |
| Blaanid Maddrell | .... | props buyer | |
| Jonathan Marquand Allison | .... | art department production manager | |
| Nick Murray | .... | stand-by props | |
| Stephen Nicholas | .... | chief supervising art director | |
| James North | .... | associate designer | |
| Matthew North | .... | art department coordinator | |
| Leonie Rintler | .... | stand-by art director | |
| Al Roberts | .... | design assistant | |
| Phil Shellard | .... | stand-by props (as Phill Shellard) | |
| Shaun Williams | .... | storyboard artist | |
| Ellen Woods | .... | stand-by painter | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Julian Howarth | .... | sound recordist | |
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | supervising sound editor | |
| Tim Ricketts | .... | dubbing mixer | |
| Doug Sinclair | .... | sound editor | |
| Jonathan Thomas | .... | boom operator (as Jon Thomas) | |
| Kelly-Marie Angell | .... | foley editor (uncredited) | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Neill Gorton | .... | prosthetics designer | |
| Paul Kelly | .... | special effects supervisor | |
| Rob Mayor | .... | prosthetics supervisor | |
Visual Effects by | |||
| Tim Barter | .... | 2D artist | |
| Charlie Bennett | .... | digital matte painter | |
| Sara Bennett | .... | 2D artist | |
| Paul Burton | .... | 3D artist | |
| Serena Cacciato | .... | 3D artist | |
| Will Cohen | .... | visual effects producer | |
| Barney Curnow | .... | on-set visual effects supervisor | |
| Jean-Claude Deguara | .... | 3D artist | |
| Dave Houghton | .... | visual effects supervisor | |
| Rebecca Johnson | .... | visual effects coordinator | |
| Marie A. Jones | .... | visual effects producer (as Marie Jones) | |
| Bruce Magroune | .... | 3D artist | |
| Matthew McKinney | .... | 3D artist | |
| Jeff North | .... | 3D artist | |
| Jenna Powell | .... | visual effects coordinator | |
| Neil Roche | .... | 3D artist | |
| Adam Rowland | .... | 2D artist | |
| Nick Webber | .... | 3D artist | |
| Simon Wicker | .... | digital matte painter | |
| Melissa Butler Adams | .... | digital compositor (uncredited) | |
| Joseph Courtis | .... | digital compositor (uncredited) | |
| Andrew Guest | .... | technical director (uncredited) | |
| Nicolas Hernandez | .... | cg supervisor (uncredited) | |
| Russell Horth | .... | digital compositor (uncredited) | |
| Marianne Paton | .... | visual effects production assistant (uncredited) | |
| Mark Wallman | .... | technical director (uncredited) | |
Stunts | |||
| Crispin Layfield | .... | stunt coordinator | |
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Chester | .... | best boy | |
| Bryan Griffiths | .... | stand-by rigger | |
| Mark Hutchings | .... | gaffer | |
| Albert James | .... | practical electrician | |
| Steve Rees | .... | focus puller | |
| John Robinson | .... | grip | |
| Tom Hartley | .... | camera trainee (uncredited) | |
| Penny Shipton | .... | assistant camera (uncredited) | |
Casting Department | |||
| Andy Brierley | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lindsay Bonaccorsi | .... | costume supervisor | |
| Sheenagh O'Maran | .... | costume assistant (as Sheenagh O'Marah) | |
| Marnie Ormiston | .... | assistant costume designer | |
| Kirsty Wilkinson | .... | costume assistant | |
Editorial Department | |||
| Marie Brown | .... | post-production coordinator | |
| Matthew Clarke | .... | on-line editor | |
| Ceres Doyle | .... | assistant editor | |
| Tim Hodges | .... | assistant editor | |
| Mick Vincent | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: original theme music | |
Other crew | |||
| Bethan Britton | .... | contracts assistant (as Bethan Britten) | |
| Lowri Denman | .... | floor runner | |
| Siân Eve Goldsmith | .... | production runner | |
| Debi Griffiths | .... | production assistant | |
| Non Eleri Hughes | .... | continuity | |
| Christian Ibell | .... | cyfle trainee | |
| Kevin Myers | .... | production secretary | |
| Chris Rogers | .... | finance manager | |
| Julie Scott | .... | production executive | |
| Heddi-Joy Taylor | .... | floor runner (as Heddi Joy Taylor) | |
| Lowri Thomas | .... | location manager | |
| Jess Van Niekerk | .... | production coordinator | |
| Endaf Emyr Williams | .... | production accountant | |
| Simon Winstone | .... | script editor | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Adventure section | IMDb UK section | Add this title to MyMovies |
This third episode of Tennant's second season is a cracker. With The Doctor returning to New Earth, we find a world that is grimly disturbing. Inhabitants of the planet's dark underworld resort to emotion-altering drugs dished out from shanty-town vendors while the rest of the population are caught-up in the mother of all traffic-jams. Stuck in an agonisingly slow flow of traffic, the passengers are lucky to move 5 miles in 12 years. Unless, perhaps, they move to the Fast Lane...
With a huge scale, mind-boggling big-scale effects and the return of the Face of Boe and Novice Hame, this is a future classic. The icing on the cake is the totally unexpected appearance of an old (and I really mean old - think Troughton's era!) enemy, produced with The Mill's CGI wizardry.
The New Earth of "Gridlock" is a mix of "Blade Runner"'s rain splattered streets, Judge Dredd's overcrowded Mega-City One and Star Wars' majestic, sky-scraping Coruscant. There's even a nod to Dredd's pinstripe freak, Max Normal, in this tale. Superb stuff.
The cast are excellent as always. The series attracts the UK's best talent and in "Gridlock" we have "Father Ted"'s Ardal O'Hanlon (disguised heavily under brilliant cat make-up) and the lovely Lenora Crichlow. Crichlow was a delight in "Sugar Rush" and she's very watchable here.
This is an ambitious, CGI-reliant episode that hits the mark. Tennant is spot-on with his performance and Agyeman's beautiful Martha Jones is proving to be one of the best companions we've seen. Russell T. Davies displays his usual ability to create genuinely moving scenarios in phantasmagoric settings. Only hours after this episode has aired, I already know of one person who cried during the finale. A nice touch in this episode is The Doctor's description of Gallifrey, i.e. "the burnt orange sky" and "silver trees". This ties up with previous descriptions from earlier incarnations of the Time Lord and is a lovely example of continuity with the "classic" series. Despite a few silly touches (for example, the talking kittens), this is a well written episode that deserves to be recognised as an above-average tale.
On a side note, I think I deserve a prize for guessing what the Face of Boe's last words would be. I bet a few thousand fans will have been in the same position, though. Showing a lot of future thinking, the arcs in "Doctor Who" are elaborate and span seasons rather than mere episodes! Next episode - the dreaded Daleks are back! This is proving to be a very memorable season and one that is not short of treats.
9 out of 10.