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Un conte de Noël (2008)
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Overview
User Rating:
Release Date:
21 May 2008 (France) morePlot:
The Vuillard's shared history of physical and mental illness, estrangement, self harm, and loss doesn't lead itself to the idea of a cheerful holiday season. But can a Christmastime reunion, a scheme concocted by three of the youngest family members, finally bring peace their clan? | add synopsisPlot Keywords:
moreAwards:
2 wins & 14 nominations moreNewsDesk:
(62 articles)
This Isn't A Keeper (From New York Post. 25 June 2009, 8:59 PM, PDT)
Movie Review: Departures
(From MovieRetriever. 27 May 2009, 2:35 PM, PDT)
User Comments:
A loving film about some unlovable people moreCast
(Cast overview, first billed only)| Catherine Deneuve | ... | Junon | |
| Jean-Paul Roussillon | ... | Abel, Junon's husband | |
| Anne Consigny | ... | Elizabeth, their oldest child | |
| Mathieu Amalric | ... | Henri, their middle child | |
| Melvil Poupaud | ... | Ivan, their youngest child | |
| Hippolyte Girardot | ... | Claude, Elizabeth's husband | |
| Emmanuelle Devos | ... | Faunia, Henri's lover | |
| Chiara Mastroianni | ... | Sylvia, Ivan's wife | |
| Laurent Capelluto | ... | Simon, Junon's nephew, the painter cousin | |
| Emile Berling | ... | Paull, Elizabeth and Claude's son | |
| Thomas Obled | ... | Basile, Ivan and Sylvia's son | |
| Clément Obled | ... | Baptiste, Ivan and Sylvia's son | |
| Françoise Bertin | ... | Rosaimée, Abel's mother's girlfriend | |
| Samir Guesmi | ... | Spatafora, the family friend at Roubaix | |
| Azize Kabouche | ... | Doctor Zraïdi, the oncologist |
Additional Details
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Add content advisory for parentsRuntime:
France:150 min | USA:150 min | Argentina:150 minCountry:
FranceLanguage:
FrenchColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
USA:Not Rated | USA:Unrated | UK:15 | Sweden:7 | Netherlands:12 | Argentina:13 | Portugal:M/12Filming Locations:
Roubaix, Nord, FranceFun Stuff
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Did Abel cite Kant's "Vorrrede" to the "Kritik de reine Vernunft"? If so, till what part??more
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It just doesn't get much better than this for fans of movie-making or fans of music, art, literature, philosophy even algebra? Arnaud Desplechin uses Robert Altman's impressionistic approach to film-making taking multiple characters, plots lines then adding Altman's playfulness with cinematic technique to dazzle the viewer with a rich mix of ideas and allusions. Watching, you just don't want it to end.
The actors hereas in Altmantake center stage. Catherine Deneuve is the reluctant matriarch of some pretty messed-up siblings. We aren't ever clued in on the exact details of the rifts and jealousies. We just recognize them from our own family experiences. During an introduction to the cast of characters at the beginning of the film, the death of a young infant early in the family's history suggests that interpersonal problems will result, but it can't be the sole reason for the pathologies represented. As in life, it's never a simple thing to find the "reason" for conflict, unhappiness or even joy. We simply have to accept it and make the best of the situations before us. And this film is a wonderful demonstration of making the best of a real mess.
There's not a weak link in the cast. And as the bizarre begin to assemble for a very strange Christmas homecoming the delight we feel for being onlookers instead of participants is palpable in the audience.
I should warn that this is not a film in the tradition of "Home Alone" or "A Christmas Story." You may wait a long time for the Baby Jesus to arrive here (as the children on the screen do). It's more a film about family life and the peculiar kind of fulfillment we get from the strife that results. As with the "ghost wolf" in this family's basement, we're haunted by the familiar and the strange: it's both fearful and thrilling to see. And that's a very admirable accomplishment for Arnaud Desplechin.