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IMDb > Mr. Warmth: The Don Rickles Project (2007)

Mr. Warmth: The Don Rickles Project (2007) More at IMDbPro »

Videos (see all 7)
Mr. Warmth: The Don Rickles Project (2007) -- An Emmy winning docu-comedy about the famous stand-up comedian Don Rickles with interviews from Robin Williams, Chris Rock, Sara Silverman, Clint Eastwood, and more.
Mr. Warmth: The Don Rickles Project (2007) -- Don Rickles opens his live performance in Las Vegas.
Mr. Warmth: The Don Rickles Project (2007) -- Don Rickles picks on anyone.
Mr. Warmth: The Don Rickles Project (2007) -- Don Rickles goes on the Tonight Show with Johnny Carson.
Mr. Warmth: The Don Rickles Project (2007) -- Don Rickles breaks Johnny Carson's cigarette box and pays for it.

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Overview

User Rating:
7.7/10   355 votes
MOVIEmeter: ?
Up 7% in popularity this week. See why on IMDbPro.
Director:
Contact:
View company contact information for Mr. Warmth: The Don Rickles Project on IMDbPro.
Release Date:
4 December 2007 (USA) more
Genre:
Tagline:
No one is safe from the most dangerous man in America more
Plot:
The documentary consists of tape of Don's show (never been filmed before), interviews with Don's contemporaries... more | add synopsis
Awards:
Won 2 Primetime Emmys. more
NewsDesk:
(8 articles)
2009 Emmy Nominees
 (From Screen Rant. 17 July 2009, 8:40 AM, PDT)

Jon Stewart can't win an Emmy for his showdown with Jim Cramer
 (From Gold Derby. 13 March 2009, 8:16 PM, PDT)

User Comments:
Polished portrait of a showbiz icon more (4 total)

Cast

  (Cast overview, first billed only)

Harry Dean Stanton ... Himself / Private Willard (also archive footage)

John Landis ... Himself / Sister Rosa Stigmata

Don Rickles ... Himself / Crapgame / Petty Officer Ruby / Crane / Nellie / Anne Bancroft / Big Drop / Mr. Potato Head (also archive footage)

Clint Eastwood ... Himself / Private Kelly / 'Dirty' Harry Callahan (also archive footage)

Robert De Niro ... Himself
Richard Lewis ... Himself
Victor Figueredo ... Himself
Conrad Hermogenes ... Himself
Paul Shefrin ... Himself
Heidi Akawa ... Herself
Peggy March ... Herself
Joe Mele ... Himself

Chris Rock ... Himself
Tom McDermott ... Guitar
Jack Cenna ... Percussion
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Additional Details

Also Known As:
Don Rickles Documentary (USA) (working title)
more
Runtime:
USA:89 min
Country:
Language:
Color:
Black and White (archive footage) | Color
Filming Locations:

Fun Stuff

Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): While Bobby Slayton lists the many shows Rickles appeared on in the 1960's, he names "Bewitched" (1964). Rickles never appeared on the show. more
Soundtrack:
Laughter for Love more

FAQ

This FAQ is empty. Add the first question.
10 out of 12 people found the following comment useful.
Polished portrait of a showbiz icon, 9 October 2007
8/10
Author: Chris Knipp from Berkeley, California

Obviously it is very hard to be a stand-up comic. It requires good material, immense courage, and perfect timing. The ability to improvise may be very important. John Landis says Don Rickles, who is now 81 but still performing with amazing vigor, is not a comic but a performance artist. In fact, he does not tell jokes. He also does not use prepared material. He is a Jewish comic, though. He identifies himself as Jewish. He uses his schtick--he insults people--and he works with what comes up. National origin, weight, looks, a bad hairpiece, anything is fair game. Why do people love it?

This is what veteran filmmaker ('Animal House', 'The Blues Brothers'; Michael Jackson's 'Thriller') John Landis aims to tell us.He isn't looking for flaws, secret sorrows, bad relationships. He has told the press Rickles hasn't any of those. Landis has been a friend and admirer of Rickles for decades; he was an eighteen-year-old gofer on the set of 'Kelly's Heroes' in the Seventies when he first met the man. (Rickles has been in a lot of movies and TV shows and the film documents that.) This is an affectionate portrait. And it works. It's impossible to walk away from it without liking Rickles and wearing a smile.

Some of the speakers: Debbie Reynolds, Chris Rock, Martin Scosese, Joan Rivers, Clint Eastwood, Robert De Niro, Robin Williams, Whoopi Goldberg, Sidney Poitier, Ernest Borgnine (he and Rickles played 'The Odd Couple' on Broadway), Roseanne, Bob Newhart, Carl Reiner, and many others--all admirers.

There are segments of a 2006 Las Vegas performance, and it is this, of course, that best shows what Rickles does and how good he is at it, but this is not a concert film. It's the story of the working life and an affectionate portrait of a man who, it seems, has practiced his trade of being "the king of insults" for 48 years and yet made no enemies?

How has he done that? The simplest answer is, Because he's good. He pulls out the worst clichés: a man says he's German and he goose-steps on stage. He makes you laugh in spite of yourself. In the end you may realize it's really good-natured stuff. It clears the air. Joan Rivers, Landis has said (Aaron Hills retells the story in the Village Voice) once recounted how a Florida judge came backstage where they were both performing and invited Rickles to play golf with him and Rickles replied, "Listen: One, I'm leaving town. Two, you're a putz. You're loud, obnoxious, incredibly boring, and I wouldn't play golf with you because I don't live here and you couldn't fix a ticket. No." But, Landis says, Hills left out the most important part: the judge loved it. He laughed uproariously.

Such an exchange makes one--it made the judge--into a figment of the imagination, the wild imagination--of a very funny man. It is an honor to be insulted by such a comic genius. Rickles has the good material, the immense courage, and the perfect timing. And they have never left him.

He also has been married for thirty years, has two sons, and is loved. He is, Landis said, in a long monologue at the NYFF press Q&A, a great "schmearer" (Yiddish term for tipping): everywhere he goes he passes out bills so when he comes back, he's more than welcome. But this isn't a payoff; it's niceness.

The film also shows some clips of Dean Martin roasts. Rickles obviously is the king of the roast--a gathering, among friends, where someone is honored by being affectionately insulted by everyone. The insults show they're friends. In a sense, by insulting his audiences at shows in big rooms at Vegas or Miami or Indian casinos, he's showing them they're friends; he's establishing trust. Otherwise, obviously, it would just be ugly.

One of the side benefits of the film is its portrait of Las Vegas. Extraordinarly, all the entertainers who performed when the town was run by the mafia are nostalgic for those days--when, they say, everyone was treated very well.

Again, the NYFF is not a venue for great documentaries. This is a very good-looking, neatly edited film. It will be shown on HBO. It is not a milestone in the art of documentary. John Landis was very entertaining at the press Q&A. He loves this subject.

A New York Film Festival 2007 official selection.

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