| Photos (see all 63 | slideshow) | Videos |
| Richard Jenkins | ... | Walter Vale | |
| Haaz Sleiman | ... | Tarek Khalil | |
| Danai Jekesai Gurira | ... | Zainab (as Danai Gurira) | |
| Hiam Abbass | ... | Mouna Khalil | |
| Marian Seldes | ... | Barbara | |
| Maggie Moore | ... | Karen | |
| Michael Cumpsty | ... | Charles | |
| Bill McHenry | ... | Darin | |
| Richard Kind | ... | Jacob | |
| Tzahi Moskovitz | ... | Zev | |
| Amir Arison | ... | Mr. Shah | |
| Neal Lerner | ... | Martin Revere | |
| Ramon Fernandez | ... | Cop #1 | |
| Frank Pando | ... | Cop #2 | |
| Waleed Zuaiter | ... | Omar | |
| Deborah Rush | ... | Upper Eastside Woman | |
| Ashley Springer | ... | Student | |
| Laith Nakli | ... | Nasim | |
| Jacqueline Brogan | ... | Waiter | |
| Walter Mudu | ... | Ronald Cole (as Walter T. Mudu) | |
| Yevgeniy Dekhtyar | ... | Slavic Man | |
| Earl Baker Jr. | ... | Lester James | |
| Walter the Dog | ... | Sprinkles the Dog |
Directed by | |||
| Thomas McCarthy | |||
Writing credits | ||
| Thomas McCarthy | (screenplay) | |
Original Music by | |||
| Jan A.P. Kaczmarek | |||
Cinematography by | |||
| Oliver Bokelberg | |||
Film Editing by | |||
| Tom McArdle | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| John Paino | |||
Art Direction by | |||
| Len Clayton | |||
Set Decoration by | |||
| Kim Chapman | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Marc Boyle | .... | hair stylist: Los Angeles | |
| Stacey Panepinto | .... | key makeup artist | |
| Leah Rial | .... | makeup artist: Los Angeles | |
| Lora Scrignoli | .... | hair department head | |
| Kami Steele | .... | assistant makeup artist | |
Production Management | |||
| J.M. Brown | .... | unit production manager: Los Angeles | |
| Jonathan Ferrantelli | .... | post-production supervisor | |
| Jared Goldman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second assistant director | |
| Anthony Blanco | .... | second second assistant director | |
| Mariela Comitini | .... | first assistant director | |
Art Department | |||
| Jamie Arbuckle | .... | set dresser | |
| Jacqueline Brogan | .... | artistic consultant | |
| Craig Charland | .... | art production assistant | |
| Olivia Dunn | .... | art intern | |
| John El Manahi | .... | scenic painter | |
| Eric Friedewald | .... | lead person | |
| Sean Haines | .... | on-set dresser | |
| Glenn Lloyd | .... | art department coordinator | |
| Miles Michael | .... | set dresser | |
| Kevin L. Raper | .... | graphic artist | |
| Niquan Riley | .... | props | |
| Brendan K. Russell | .... | art department production assistant | |
| Courtney Schmidt | .... | assistant property master | |
| Alexis Weiss | .... | property master | |
Sound Department | |||
| Jamie Baker | .... | sound editor | |
| Damian Canelos | .... | sound mixer | |
| Marko A. Costanzo | .... | foley artist | |
| David Flynch | .... | sound editor | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Heather Gross | .... | sound editor | |
| Ruth Hernandez | .... | sound editor | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| Frank Kern | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Eric Milano | .... | adr recordist | |
| Cate Montana | .... | sound editor | |
| Adam Sanchez | .... | boom operator | |
| Gabriel Sanders | .... | boom operator | |
| John Sember | .... | boom operator | |
| Sara Stern | .... | assistant sound editor | |
| Lila Yomtoob | .... | sound editor | |
Visual Effects by | |||
| Stephen Gaconnier | .... | visual effects producer | |
| Mike Nuget | .... | digital cleanup artist (uncredited) | |
Camera and Electrical Department | |||
| Rik Andino | .... | grip | |
| Joe Belschner | .... | additional dolly grip | |
| Carter Bissell | .... | best boy electric | |
| Ryan Cheresnick | .... | additional electrician | |
| Dylan Crawshay-Williams | .... | grip | |
| Alexander Engel | .... | electrician | |
| John Frisbie | .... | rigging gaffer | |
| Rob Harlow | .... | second key grip | |
| Theodore N. Hellmuth | .... | dolly grip | |
| T.J. Hellmuth | .... | dolly grip | |
| Sarah L. Hendrick | .... | additional second assistant camera | |
| Kevin Kilcher | .... | additional electrician | |
| Ludovic Littee | .... | first assistant camera | |
| Adam Lukens | .... | best boy grip | |
| Adam Lukens | .... | grip | |
| Mike 'Electric' Mervilde Jr. | .... | best boy grip | |
| Smokey Nelson | .... | gaffer | |
| Aaron Randall | .... | additional dolly grip | |
| Meg Schrock | .... | electrician | |
| Meg Schrock | .... | generator operator | |
| Jaime Segschneider | .... | second assistant camera | |
| Elizabeth Stern | .... | additional grip | |
| Walter Strafford | .... | additional grip | |
| Matthew Walker | .... | key grip | |
| JoJo Whilden | .... | still photographer | |
| Casey Wooden | .... | grip | |
Casting Department | |||
| Jessica Kelly | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Erin Byrne | .... | additional costumer | |
| Leah Katznelson | .... | assistant costume designer | |
| Rebecca McCabe | .... | wardrobe supervisor: additional | |
| Colleen McTigue | .... | key costumer | |
| Emily Mraz | .... | costume intern | |
| Diana Pappas | .... | costume production assistant | |
| Amy Pickering | .... | wardrobe supervisor | |
Editorial Department | |||
| Kate Abernathy | .... | assistant editor | |
| Joe Gawler | .... | digital opticals colorist | |
| Ali Muney | .... | assistant editor | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Daniel Triller | .... | assistant editor | |
Music Department | |||
| Mariusz Glabinski | .... | music editor | |
| Mary Ramos | .... | music supervisor | |
| Marek Szpakiewicz | .... | musician: cello solo | |
| Marek Szpakiewicz | .... | orchestrator | |
Thanks | |||
| Juliana Farrell | .... | special thanks | |
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| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
A genuinely unexpected gem. As he proved with his first film as a director and screenwriter, 2003's "The Station Agent", Thomas McCarthy knows how to convey the fine line between solitude and loneliness in his characters' lives with an emotional preciseness that doesn't call attention to itself. It's not surprising that McCarthy is an actor because he's able to capture the very subtle nuances in behavior in actors that make his work feel like Edward Hopper paintings come to life. As a result, you pay attention to a simple gesture, a passing glance, a resigned sigh. This time, his protagonist is Walter Vale, an enervated, middle-aged economics professor at a Connecticut college. Widowed and wholly lacking in professional motivation, he begrudgingly accepts an assignment to go to an academic conference at NYU and present a paper on globalization he really didn't write.
Coming back to a Greenwich Village flat he rarely uses, he is surprised to find a couple living there. Not squatters but unfortunate victims of a rental scam, they turn out to be illegal aliens, a Syrian percussionist named Tarek and his girlfriend Zainab, a Senegalese who makes and sells handcrafted jewelry. As withdrawn from life as Walter is, he slowly finds himself bonding with the couple and lets them stay indefinitely. Zainab is slow to trust Walter, but Tarek and Walter become close over a mutual love of African drums. As his wife was a famous classical pianist, Walter had been futilely attempting to find musical inspiration since her death. However, just as this charming tale of world harmony plays out, it comes back to harsh reality when Tarek is arrested and taken to a detention center in Queens for deportation. What McCarthy does from this point forward is show how sadly restrictive the post-9/11 environment has made immigration laws and how there is no recourse to be found under the constant surveillance of a bureaucratic government protected by the latitude of the Patriot Act.
None of this is hit over our heads with a politically motivated sledgehammer. Far from such polemics, the story singularly focuses on Walter's emergence of purpose in helping Tarek. When Tarek's mother Mouna arrives from Detroit, McCarthy adeptly shows how Walter's closeness to Tarek translates without condition to her. It's a moving transformation of a formerly lonely man finding intimacy in the most unlikely situation. In a once-in-a-lifetime role, character actor Richard Jenkins brings heart and soul to Walter in the most economical manner. Best known as the ghostly father in HBO's "Six Feet Under", he has worked steadily in films for three decades, his most memorable turn being the gay FBI agent high on heroin in David O. Russell's "Flirting with Disaster". With his constant look of resignation on the verge of revelation, Jenkins gives a wondrously poignant, often dryly funny performance that deepens as the story evolves.
Haaz Sleiman and Danai Gurira are terrifically winning as Tarek and Zainab, and they make their bonding with Walter more than credible. As Mouna, Hiam Abbass is no stranger to persevering maternal roles as she brought her particular brand of strength to Hany-Abu Assad's controversial "Palestine Now" and Eran Riklis' family dramedy, "The Syrian Bride". In response to Walter's fumbling overtures, she affectingly conveys her character's resolute stillness and gradual blossoming. There are brief cameos by comic actor Richard Kind as Walter's unctuous neighbor, Deborah Rush as a wealthy and ignorant customer of Zainab's, and Broadway legend Marian Seldes as Walter's failed piano teacher. At first, I thought the film's title was blandly generic in describing those who are here from other lands, but I realize now that the visitor is really Walter as he discovers his soul. The last shot is memorable and captures the fury of his passion with potent force. Strongly recommended.