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Directed by | |||
| John Dahl | |||
Writing credits(WGA) | ||
| Christopher Markus | (written by) & | |
| Stephen McFeely | (written by) | |
Produced by | |||
| Allison Adams | .... | associate producer: SBK Pictures | |
| Carol Baum | .... | producer | |
| Al Corley | .... | producer | |
| Jonathan Dana | .... | executive producer | |
| Juliette Hagopian | .... | line producer | |
| Téa Leoni | .... | executive producer | |
| Mike Marcus | .... | producer | |
| Raymond Massey | .... | line producer: San Francisco | |
| Eugene Musso | .... | producer | |
| Kim Olsen | .... | co-producer | |
| Bart Rosenblatt | .... | producer | |
| Howard Rosenman | .... | producer (as Zvi Howard Rosenman) | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Jeff Jur | (director of photography) (as Jeffrey Jur) | ||
Film Editing by | |||
| Scott Chestnut | |||
Casting by | |||
| Carol Lewis | |||
Production Design by | |||
| John Dondertman | |||
Art Direction by | |||
| Réjean Labrie | |||
Set Decoration by | |||
| Maryam Decter | |||
| Bruce Mailing | |||
Costume Design by | |||
| Linda Madden | |||
Makeup Department | |||
| Pamela M. Athayde | .... | key makeup artist (as Pamela Athayde) | |
| Pamela M. Athayde | .... | makeup artist: Ben Kingsley (as Pamela Athayde) | |
| Shelly Bargenda | .... | assistant hair stylist | |
| Lori Caputi | .... | key hair stylist | |
| Heather Gunderman | .... | key hair stylist: San Francisco | |
| Cheryl Ann Nick | .... | makeup artist: Téa Leoni (as Cheryl Nick) | |
| Gwen Trutnau | .... | assistant makeup artist | |
Production Management | |||
| Imad Ftouni | .... | assistant unit manager | |
| Bart Rosenblatt | .... | production manager | |
| Daniel Voltz | .... | post-production supervisor | |
Art Department | |||
| Olaf Dux | .... | construction coordinator | |
| Greg Gardner | .... | graphic artist | |
| Jason Gibbs | .... | property master | |
| Kim Hamin | .... | on-set dresser | |
| Donna Jenkyns | .... | draper | |
| Mike Johnson | .... | head carpenter | |
| Matthew Karam | .... | art director: second unit | |
| Chris Roznowsky | .... | assistant property master | |
| Katharina Stieffenhofer | .... | art department coordinator | |
| Lawrence Van Went | .... | key scenic artist | |
Sound Department | |||
| James Barth | .... | adr recordist | |
| Josee Bernard | .... | boom operator | |
| Miriam Cole | .... | adr coordinator | |
| Brian Copenhagen | .... | boom operator: San Francisco | |
| Devin Johnson | .... | first assistant editor | |
| Jon Johnson | .... | supervising sound editor | |
| Eric Justen | .... | sound re-recording mixer | |
| Val Kuklowsky | .... | supervising adr editor | |
| Sam C. Lewis | .... | adr recordist | |
| Louis Marion | .... | sound mixer | |
| Michael McDonald | .... | sound recordist | |
| Paul Morrow | .... | boom operator | |
| Terry O'Bright | .... | sound re-recording mixer | |
| G.W. Pope III | .... | foley artist | |
| Miguel Rivera | .... | dialogue editor | |
| Steve Schatz | .... | sound mixing recordist | |
| Brad Sokol | .... | sound editor | |
| Bruce Stubblefield | .... | dialogue editor | |
| Alex Ullrich | .... | foley editor | |
Special Effects by | |||
| Jimi Campbell | .... | special effects assistant | |
| Mark Gebel | .... | special effects supervisor | |
| Laird McMurray | .... | special effects coordinator | |
Visual Effects by | |||
| Kenneth Armstrong | .... | digital artist | |
| Ben Campanaro | .... | digital compositor: Mechnology | |
| Chris Ervin | .... | digital effects artist | |
| Chris Ervin | .... | visual effects supervisor | |
| Diana Luu | .... | digital artist | |
| Elizabeth Marriner | .... | digital artist | |
| Lanmana Parys | .... | visual effects producer | |
| Jeff Rubin | .... | visual effects animator | |
Stunts | |||
| Sterling Johnson | .... | stunt double: Roman | |
| Chuck Robinson | .... | stunt coordinator | |
| Craig Skene | .... | stunt double: Walter | |
| Jan Skene | .... | stunts | |
| Rick Skene | .... | stunt coordinator | |
| Sean Skene | .... | stunt performer | |
Camera and Electrical Department | |||
| Lorne Bailey | .... | best boy | |
| John Durica | .... | electric | |
| Richard Falk Jr. | .... | electrician (as Richard Falk) | |
| Christopher M. Gower | .... | key rigging electric (as Chris Gower) | |
| Shane Head | .... | generator operator | |
| Joao Holowka | .... | gaffer | |
| Brad Hruboska | .... | Steadicam operator | |
| Brad Hruboska | .... | camera operator | |
| Jeff Jur | .... | camera operator | |
| Michael Kelly | .... | gaffer: additional photography | |
| Michael Kelly | .... | grip | |
| Doug Kiddell | .... | lead electric | |
| Jim McNulty | .... | generator operator | |
| Reil Munro | .... | grip | |
| Mark O'Neill | .... | second assistant camera: "a" camera | |
| Ted Overton | .... | focus puller: "a" camera | |
| Tai Pu | .... | best boy electric | |
| Rebecca Sandulak | .... | still photographer | |
| Julian Saray | .... | best boy grip | |
| Krista Stumph | .... | camera loader | |
| Robert Thomson | .... | key grip | |
| Shauna Townley | .... | first assistant camera: "b" camera | |
| Scott Trembley | .... | lead electric | |
| Jason Tuesday | .... | grip | |
| Mark Woodgate | .... | dolly grip | |
| Terry Wowchuk | .... | still photographer | |
Casting Department | |||
| Jim Heber | .... | casting: Canada | |
| Patricia Kress | .... | extras casting assistant | |
| Joey Ritche | .... | casting assistant: Canada | |
| Lori Stefaniuk | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lauren D. Martin | .... | set costumer | |
| Annie Rothschild | .... | costumer | |
| Angela Wells | .... | truck costumer | |
Editorial Department | |||
| Jon Berry | .... | digital intermediate editor | |
| Andre Champagne | .... | additional editorial assistant | |
| C. Robert Dimitri | .... | post-production assistant | |
| Travis Dutch | .... | digital cinema mastering | |
| Kyle Dean Jackson | .... | digital intermediate producer | |
| Sherwood Jones | .... | assistant editor | |
| Alan Pao | .... | digital intermediate producer | |
| Sebastian Perez-Burchard | .... | digital intermediate editor | |
| Narbeh Tatoussian | .... | digital intermediate colorist | |
| Rex M. Teese | .... | assistant editor | |
Music Department | |||
| Natalie Baartz | .... | music supervisor | |
| John Bissell | .... | music supervisor | |
| Johnny Caruso | .... | music editor | |
| Robert Miles Kane | .... | music assistant | |
| Daniel Levy | .... | score preparation | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
Transportation Department | |||
| Julia Diana Cereceda | .... | unit driver | |
| Bundy Chanock | .... | transportation coordinator | |
| Brian 'Shaky' Johnson | .... | transportation coordinator | |
| Dave Perich | .... | driver: cast | |
Other crew | |||
| Neal Baksh | .... | assistant location manager | |
| Dave Brown | .... | firearms safety coordinator | |
| Matthew Cardarople | .... | assistant: Luke Wilson | |
| Bryn Garrison | .... | location manager | |
| Tim Haughian | .... | location manager | |
| Steve Hearn | .... | assistant location manager | |
| Ross Ikeda | .... | key production accountant | |
| Karen Jo Irvin | .... | executive assistant to producers | |
| Shaun Johnson | .... | assistant production coordinator | |
| David Lapp | .... | first assistant accountant | |
| Scott Layton | .... | production coordinator | |
| Chris Martin | .... | script supervisor | |
| Tanya Mazur | .... | script supervisor | |
| Allan McGowan | .... | security officer | |
| Peter Moody | .... | location manager | |
| Barb Myrvold | .... | accounting clerk | |
| Laura Neufeld | .... | production coordinator | |
| David Porter | .... | sous chef | |
| Leslie Stafford | .... | publicist | |
| Michelle Walker | .... | key craft service | |
| Ryan Wuckert | .... | location scout | |
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| Buffalo '66 | Grosse Pointe Blank | Very Mean Men | King of New York | Mies vailla menneisyyttä |
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This little dark comedy is made a real treat by the professional, understated acting by all of its stars and direction that has produced pure entertainment rather than a silly mess.
The plot of the film couldn't be any more far-fetched. Frank Falenczyk, a hit man for a low-level crime family in Albany, New York, is not performing well because he has an alcohol problem. He is sent to kill the boss of a crime group who is muscling in on the territory. Instead of doing his job, he passes out from drink in his car while waiting. What follows is probably the weirdest family intervention scene ever filmed in which Frank's boss and other members of the crime family tell him that he must go to San Francisco to seek rehabilitation.
Frank is packed off to San Francisco, but it is clear his heart is not into the rehabilitation idea for his first two purchases are a gun and a bottle of vodka. He goes to an AA meeting and views the whole process with disdain. After leaving the meeting early, he is approached by Dave the realtor who arranged for Frank's apartment and a job as an undertaker's assistant. Dave has some sort of connection with Albany, and Frank is told in no uncertain terms that this is his last chance. Dave assures Frank that he will be reporting regularly to the head of the crime family back East.
With no other choice, Frank starts going to the meetings where he meets Tom. Tom is a gay toll booth attendant at the Golden Gate Bridge who is wise to the ways of AA. One of the elements that impressed me about the script of this film is how Tom's character is handled. Yes, he is gay, but there is no gay angst associated with his character, and there no Gay Tom subplot. Tom is just a normal guy who just happens to be gay - a refreshing change to the way most gay characters are dealt with in films.
Laurel shows up at the funeral parlor with a pair of bowling shoes for her dead stepfather, and Frank is immediately attracted as it is clear that she is no shrinking violet when it comes to the harsher realities of life. They begin dating.
Putting all of these elements together could have easily produced an over-the-top mess of absurdity, but You Kill Me is not. Instead - as alluded to regarding the character of Tom - it is a perfect blend of excellent acting and subtle direction that produces unadulterated entertainment.
The cast is headed by Ben Kingsley playing Frank, and Kingsley gives us a man we can believe can murder in cold blood, yet possess the weaknesses of a man addicted to alcohol and smitten by a sassy woman.
As for that sassy woman, Téa Leoni is perfect in the part. Her voice and facial expressions convey worlds of irony mixed with amazement when it comes to her character's relationship with a killer.
Luke Wilson gives a wonderfully understated performance as Tom. Dave is played to his quirky best by Bill Pullman, and the respective leaders of the "good" and "bad" crime families are given credible umph by Philip Baker Hall and Dennis Farina.
Add numerous other distinctive character types revolving around these main characters and tons of incredibly witty lines delivered by Frank and his friends, and you have an extremely entertaining - although very dark - comedy.