| Photos (see all 21 | slideshow) | Videos (see all 2 videos ) |
| Demi Moore | ... | Laura Quinn | |
| Michael Caine | ... | Mr. Hobbs | |
| Lambert Wilson | ... | Finch | |
| Nathaniel Parker | ... | Ollie | |
| Shaughan Seymour | ... | Eaton | |
| Nicholas Jones | ... | Jameson | |
| David Barras | ... | Fenton | |
| Joss Ackland | ... | Milton Kendrick Ashtoncroft | |
| Silas Carson | ... | Reece | |
| Derren Nesbitt | ... | Sinclair | |
| Rosalind March | ... | Penelope | |
| Kevan Willis | ... | Lewis | |
| Stanley Townsend | ... | Henry | |
| Jonathan Aris | ... | Boyle | |
| Ben Righton | ... | Bryan | |
| Constantine Gregory | ... | Dmitriev | |
| Simon Day | ... | Boland | |
| David Henry | ... | Sir Edmund Gottfried | |
| Yemi Goodman Ajibade | ... | Guinean Negotiatior | |
| William Scott-Masson | ... | Henry | |
| Natalie Dormer | ... | Cassie | |
| Kate Maravan | ... | Trudy | |
| Steve Preston | ... | Investigator | |
| Claire Thill | ... | Secretary | |
| Julian Nest | ... | Harold's Friend | |
| Roya Zargar | ... | Trudy´s Friend | |
| Violaine Miller | ... | Ballroom Quartet | |
| Carole Bruere | ... | Ballroom Quartet | |
| Philippe Bruere | ... | Ballroom Quartet | |
| Jean Adolphe | ... | Ballroom Quartet | |
| rest of cast listed alphabetically: | |||
| Josef d'Bache-Kane | ... | Street Bystander | |
| Kim Hermans | ... | Spectator at dograce | |
| Peter Rnic | ... | Honest Alfred - The Bookie | |
Directed by | |||
| Michael Radford | |||
Writing credits(in alphabetical order) | ||
| Edward Anderson | written by | |
Produced by | |||
| Carola Ash | .... | associate producer | |
| Jimmy de Brabant | .... | co-executive producer | |
| Stephen Margolis | .... | executive producer | |
| Albert Martinez Martin | .... | co-producer | |
| Michael A. Pierce | .... | producer | |
| Richard Pierce | .... | co-producer | |
| Charles Salmon | .... | line producer | |
| Mark Williams | .... | producer | |
Cinematography by | |||
| Richard Greatrex | |||
Casting by | |||
| John Hubbard | |||
Production Design by | |||
| Sophie Becher | |||
Art Direction by | |||
| Chris Lowe | (senior art director) | ||
Set Decoration by | |||
| Christina Schaffer | |||
Makeup Department | |||
| Fabienne Adam | .... | assistant makeup artist | |
| Mariël Hoevenaars | .... | makeup artist | |
| Roseann Samuel | .... | makeup department head | |
Production Management | |||
| Ragna Arny Larusdottir | .... | production manager | |
| Bobby Prince | .... | unit manager | |
| John Watson | .... | production supervisor | |
| Emma Zee | .... | post-production supervisor | |
Art Department | |||
| Boris Bartholomäus | .... | construction manager | |
| Benoît Bechet | .... | draftsman | |
| Alexandre Brown | .... | art department coordinator | |
| Mario Capezzali | .... | carpenter | |
| Tony Chance | .... | storyboard artist | |
| François Dickes | .... | prop buyer | |
| Annett 'Gogo' Golinski | .... | draper | |
| Edouard Pallardy | .... | head painter | |
| Sandra Phillips | .... | stand-by art director: UK | |
| Manu Poupard | .... | chargehand stand-by props | |
| Barbara Prati | .... | set dresser | |
| Stephanie Rass | .... | model maker | |
| Jill Robertson | .... | assistant props buyer | |
| Jan Rott | .... | property master | |
Sound Department | |||
| Philip Alton | .... | dialogue editor | |
| Alex Ashcroft | .... | sound assistant | |
| Jeremy Balko | .... | adr mixer | |
| Bryan Bowen | .... | supervising sound editor | |
| Alastair Bradley | .... | studio assistant: sound | |
| Naomi Dandridge | .... | studio assistant | |
| Nick Foley | .... | adr recordist | |
| Frederic Gibert | .... | sound facility coordinator | |
| Frederic Gibert | .... | sound post-production | |
| Philippe Kohn | .... | boom operator | |
| Richard Lewis | .... | sound re-recording mixer | |
| Steven Parker | .... | sound re-recording mixer | |
| Ted Swanscott | .... | adr mixer | |
| Marc Thill | .... | cable person | |
| Carlo Thoss | .... | production sound mixer | |
Visual Effects by | |||
| Kris Anderson | .... | digital compositor | |
| Paul Beard | .... | visual effects line producer | |
| Robin Beard | .... | digital effects artist | |
| Simon Carr | .... | visual effects supervisor | |
| Adam Christopher | .... | digital colourist | |
| Graham Day | .... | prep artist: Men From Mars | |
| Simon Frame | .... | visual effects supervisor | |
| Richard Graham | .... | visual effects coordinator | |
| Lionel Heath | .... | compositor: Men from Mars | |
| Tom Hocking | .... | lead compositor | |
| Matthew Jacques | .... | digital artist | |
| Tom Pegg | .... | digital effects artist | |
Casting Department | |||
| Tom Swayne | .... | casting assistant | |
| Katja Wolf | .... | casting: small parts and extras | |
Costume and Wardrobe Department | |||
| Lee Croucher | .... | stand-by costumer: UK | |
| Magdalena Marczynska | .... | wardrobe assistant | |
| Richard Sale | .... | assistant costume designer | |
| Uli Simon | .... | costume supervisor | |
| Peggy Wurth | .... | wardrobe | |
Editorial Department | |||
| Alex Anstey | .... | assistant editor | |
| Stephen Boucher | .... | associate editor | |
| Alex Panton | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Paul Englishby | .... | conductor | |
| Robert Houston | .... | assistant scoring engineer | |
| Allan Jenkins | .... | music editor | |
| Richard Pierce | .... | music consultant | |
| Nyree Pinder | .... | score coordinator | |
Transportation Department | |||
| Simon Jones | .... | driver: director | |
| Gaby Meyers | .... | driver | |
| Kevan Willis | .... | transportation coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
Very clever and fun heist movie. Great character development leading up to the central hook of the movie, which kept me intrigued throughout. Michael Caine is absolutely brilliant, and Demi Moore is very believable as a frustrated executive who's been passed over for a promotion one too many times - this is her best role yet. The pacing is good and the director (Michael Radford) does a great job building tension through the climax of the film. I also love that the heist is actually believable, unlike so many films that try to be too slick and flashy. The time period (1960's London) is well captured and the musical score is great. This was a terrific film and I highly recommend it. You won't be disappointed.