| Photos (see all 41 | slideshow) | Videos |
| Jude Law | ... | Jeremy | |
| Norah Jones | ... | Elizabeth | |
| Chad R. Davis | ... | Elizabeth's Boyfriend (as Chad Davis) | |
| Katya Blumenberg | ... | Girlfriend | |
| John Malloy | ... | Diner Manager | |
| Demetrius Butler | ... | Male Customer | |
| Frankie Faison | ... | Travis | |
| David Strathairn | ... | Arnie Copeland | |
| Adriane Lenox | ... | Sandy | |
| Rachel Weisz | ... | Sue Lynne | |
| Benjamin Kanes | ... | Randy | |
| Cat Power | ... | Katya (as Chan Marshall) | |
| Michael Hartnett | ... | Sunglasses | |
| Natalie Portman | ... | Leslie | |
| Michael May | ... | Aloha | |
| Jesse Garon | ... | Young Poker Player | |
| Sam Hill | ... | Fat Guy | |
| Tracy Elizabeth Blackwell | ... | Matron (as Tracy Blackwell) | |
| Michael Delano | ... | Cowboy | |
| Audrei Kairen | ... | Poker Player | |
| Bill Hollis | ... | Doctor | |
| C. Clayton Blackwell | ... | Used Car Salesman (as Charles Clayton Blackwell) | |
| Hector A. Leguillow | ... | Cook (as Hector Leguillow) | |
| rest of cast listed alphabetically: | |||
| Nate Bynum | ... | Harlan | |
| Kenon Walker | ... | Bar Patron | |
| Jan Falk | ... | Blonde at Bar (uncredited) | |
| Laurie Johnson | ... | Cafe / bar patron (uncredited) | |
| Donald Meyers | ... | Bar Patron (uncredited) | |
Directed by | |||
| Kar Wai Wong | |||
Writing credits(WGA) | ||
| Kar Wai Wong | (screenplay) (as W.K.W.) & | |
| Lawrence Block | (screenplay) | |
| Kar Wai Wong | (story) (as W.K.W.) | |
Produced by | |||
| Stéphane Kooshmanian | .... | producer | |
| Jean-Louis Piel | .... | producer | |
| Pamela Thur | .... | line producer | |
| Jacky Pang Yee Wah | .... | producer | |
| Wang Wei | .... | producer | |
| Kar Wai Wong | .... | producer | |
Original Music by | |||
| Ry Cooder | |||
Cinematography by | |||
| Darius Khondji | |||
Film Editing by | |||
| William Chang | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| William Chang | |||
Art Direction by | |||
| Judy Rhee | |||
Costume Design by | |||
| Sharon Globerson | |||
Makeup Department | |||
| Gloria Belz | .... | second makeup artist: Memphis | |
| Janice Byrd | .... | makeup artist: Memphis | |
| Sandy Jo Johnston | .... | makeup artist: Memphis | |
| Persefone Karakosta | .... | makeup artist | |
| Mandy Lyons | .... | hair department head | |
| Jeffrey Rebelo | .... | wig maker | |
| Nuria Sitja | .... | makeup department head | |
Production Management | |||
| Kim Surowicz | .... | production supervisor | |
| Pamela Thur | .... | production manager | |
Sound Department | |||
| Joshua Adeniji | .... | foley editor | |
| Mike Anderson | .... | boom operator: West Coast | |
| Michael Baird | .... | supervising sound editor | |
| Jeremy Balko | .... | foley mixer | |
| Nathan Black | .... | sound utility | |
| Robert Dehn | .... | assistant sound editor | |
| Michael Ferdie | .... | dialogue editor | |
| Michael Feuser | .... | sound editor | |
| Jason Gaya | .... | assistant sound editor | |
| Judah Getz | .... | foley mixer | |
| Jeanne Gilliland | .... | boom operator: East Coast | |
| Scott Hinkley | .... | sound re-recording mixer | |
| Drew Kunin | .... | sound mixer: East Coast | |
| Claude Letessier | .... | supervising sound designer | |
| Smith Long | .... | sound effects recordist | |
| Zach Michaelis | .... | foley artist | |
| Lee Orloff | .... | sound mixer: West Coast | |
| Todd Russell | .... | boom operator: West Coast | |
| Kira Smith | .... | boom operator: East Coast | |
| Walter Spencer | .... | dialogue editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Hodar Wise | .... | assistant dialogue editor (uncredited) | |
Special Effects by | |||
| Lisa Reynolds | .... | special effects | |
| Bob Shelley | .... | special effects | |
| Randy Southerland | .... | special effects assistant | |
Visual Effects by | |||
| Nicholas Kay | .... | digital imaging technician: second unit | |
Stunts | |||
| Brian Smyj | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Olga Abramson | .... | assistant camera | |
| Sebastián Almeida | .... | assistant camera: New York City | |
| Kevin Boyd | .... | key video assist operator: Nevada/Los Angeles | |
| Michael J. Coo | .... | key grip | |
| Gene Engels | .... | gaffer | |
| Max Frankston | .... | key video assist operator | |
| Chris Henry | .... | lighting technician | |
| Jennifer Lai | .... | camera loader | |
| Jeff Lynn | .... | assistant camera | |
| Michael Lyon | .... | electrician: West Coast unit | |
| Rick Marroquin | .... | dolly grip | |
| Kevin B. May | .... | electrician | |
| Luis Moreno | .... | gaffer best boy | |
| Heather Norton | .... | first assistant camera: "a" camera (re-shoots) | |
| Macall B. Polay | .... | still photographer | |
| Felipe Reinheimer | .... | assistant camera | |
| Felipe Reinheimer | .... | camera operator | |
| Felipe Reinheimer | .... | first assistant camera | |
| Eric P. Robinson | .... | film loader | |
| Jon W. Rosenbloom | .... | best boy grip | |
| Michael Tolochko | .... | lighting technician | |
| Joshua Van Praag | .... | electrician | |
Casting Department | |||
| David M. Waldron | .... | background casting associate | |
| Leeba Zakharov | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mark Agnes | .... | wardrobe supervisor | |
| Christy Hebert Crouch | .... | costume production assistant | |
| Lee Harper | .... | assistant costume designer | |
| Mei Lai Hippisley Coxe | .... | key set costumer | |
| Rachel Leek | .... | wardrobe supervisor: additional photography | |
| Kelly Anne Ross | .... | co-wardrobe supervisor: Memphis (as Kelly Ross) | |
Music Department | |||
| Ry Cooder | .... | musician: guitar | |
Transportation Department | |||
| Craig Fehrman | .... | transportation coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Brian Griggs | .... | driver | |
| John Magoo McGivern | .... | driver | |
Thanks | |||
| Thad Carlile | .... | thanks | |
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An inebriating realistic fantasy by Wong Kar Wai one of the greatest aesthetic visionaries modern films have to offer. This time is in English and without reaching the pinnacle that his "In The Mood For Love" reached, it's still a mesmerizing romantic road in search of love, hope and an identity that can be recognized. Norah Jones leads the way as someone startled by her own existence. Her kiss with Jude Law must be considered one of the most romantic, erotic and pure kisses I've ever seen. It seals the journey in an unforgettable way. Rachel Weitz makes a star entrance that reminded me of Kathleen Turner's in "Body Heat" a walking, full body entrance. Natalie Portman confirms that she's a spectacular actress and a riveting presence on the screen. Their Blueberry Nights became mine and with its wonderful look and score this a film I crave to see again.