James Fritzell (writer)
Everett Greenbaum (writer)
(more)
8 December 1975 (Season 4, Episode 14)
Colonel Potter finds out that he's about to become a grandfather, and Major Burns learns that his wife knows about his affair with Margaret--and wants a divorce. | add synopsis
A Solid 8 Rating!! more (1 total)
| Alan Alda | ... | Captain Benjamin Franklin Pierce | |
| Mike Farrell | ... | Captain B.J. Hunnicut | |
| Harry Morgan | ... | Colonel Sherman T. Potter | |
| Loretta Swit | ... | Major Margaret Houlihan | |
| Larry Linville | ... | Major Franklin Marion Burns | |
| Gary Burghoff | ... | Corporal Walter Eugene O'Reilly | |
| Jamie Farr | ... | Corporal Maxwell Q. Klinger | |
| William Christopher | ... | Father Francis Mulcahy | |
| rest of cast listed alphabetically: | |||
| Kellye Nakahara | ... | Lieutenant Kellye Yamato (uncredited) | |
| Episode Crew |
Directed by | |||
| George Tyne | |||
Writing credits | ||
| Ring Lardner Jr. | (1970 screenplay) uncredited | |
| James Fritzell | writer (as Jim Fritzell) | |
| Everett Greenbaum | writer | |
| W.C. Heinz | uncredited | |
| Richard Hooker | uncredited | |
Produced by | |||
| Larry Gelbart | .... | producer | |
| Burt Metcalfe | .... | associate producer | |
| Gene Reynolds | .... | producer | |
Cinematography by | |||
| William K. Jurgensen | (director of photography) (as William Jurgensen) | ||
Film Editing by | |||
| Fred W. Berger | |||
| Stanford Tischler | |||
Art Direction by | |||
| Rodger Maus | |||
Set Decoration by | |||
| Norman Rockett | |||
Production Management | |||
| Ted Butcher | .... | unit production manager | |
| Mark Evans | .... | executive production manager | |
| Joseph Silver | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Leonard S. Smith Jr. | .... | assistant director | |
Music Department | |||
| Johnny Mandel | .... | composer: theme music | |
| Lionel Newman | .... | music supervisor | |
Other crew | |||
| Walter D. Dishell | .... | medical advisor (as Walter D. Dishell M.D.) | |
| Larry Gelbart | .... | developed for television by | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits | ||
| Ring Lardner Jr. | (1970 screenplay) uncredited | |
| Linda Bloodworth-Thomason | writer (5 episodes 1973-1976) (as Linda Bloodworth) | |
| Elias Davis | writer (17 episodes 1981-1982) | |
| Sid Dorfman | writer (5 episodes 1973-1977) | |
| Jay Folb | writer (5 episodes 1975-1977) | |
| James Fritzell | writer (24 episodes 1974-1978) (as Jim Fritzell) | |
| Larry Gelbart | writer (40 episodes 1972-1976) | |
| Ronny Graham | writer (7 episodes 1978-1979) | |
| Everett Greenbaum | writer (24 episodes 1974-1978) | |
| Karen Hall | writer (6 episodes 1980-1983) (as Karen L. Hall) | |
| David Isaacs | writer (17 episodes 1976-1979) | |
| Robert Klane | writer (5 episodes 1972-1975) | |
| Dennis Koenig | writer (15 episodes 1979-1983) | |
| Ken Levine | writer (17 episodes 1976-1979) | |
| Laurence Marks | writer (28 episodes 1972-1978) | |
| Thad Mumford | writer (15 episodes 1979-1983) | |
| Simon Muntner | writer (6 episodes 1975-1976) | |
| David Pollock | writer (18 episodes 1980-1982) | |
| Burt Prelutsky | writer (8 episodes 1975-1977) | |
| Gene Reynolds | writer (12 episodes 1974-1980) | |
Cinematography by | |||
| Vilis Lapenieks | |||
Art Department | |||
| Michael Casey | .... | assistant property master | |
| Kurt V. Hulett | .... | property man (season 8) | |
Sound Department | |||
| William Hartman | .... | sound editor | |
| Don Isaacs | .... | sound editor (as Don V. Isaacs) | |
| Ed Rossi | .... | supervising sound editor | |
| Richard Sperber | .... | sound editor | |
Stunts | |||
| Jean Coulter | .... | stunts | |
| Tom Elliott | .... | stunts | |
| Chuck Hicks | .... | stunts | |
| Pat Romano | .... | stunts | |
| Rick Sawaya | .... | stunt performer | |
| Jesse Wayne | .... | stunt double: Harry Morgan and Gary Burghoff (1975-1983) | |
Camera and Electrical Department | |||
| Curtis Foster | .... | rigging gaffer (1979-1980) | |
| Dave Friedman | .... | still photographer | |
| Michael Hofstein | .... | additional camera operator | |
| Michael Hofstein | .... | aerial director of photography | |
| Al LaVerde | .... | key grip (1978-1982) | |
| Jim Sellars | .... | first assistant camera | |
Music Department | |||
| Joseph Silver | .... | supervising music editor | |
Other crew | |||
| Elias Davis | .... | executive story consultant (1981-1983) | |
| Rita Hudis | .... | technical advisor: medical | |
| David Pollock | .... | executive story consultant (1981-1983) | |
| Lee Sollenberger | .... | animal handler | |
30 min
1.33 : 1 more
Mono (RCA Photophone Sound Recording)
Gary Burghoff played his character's own mother. more
Crew or equipment visible: Boom mic briefly visible just before Margaret reaches her tent after the "war horse" argument with Frank. DVD time 19:41. more
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| Company credits | IMDb TV section | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
The opening clip of "Mail Call, Again" had Colonel Potter preparing himself to shave in his tent. Corporal O'Reilly entered the tent and delivered the mail. He handed him a letter; and he found out that Jeanee Potter would have a baby in their family. Colonel Potter was all excited about the pleasant news. Both of them would plan a pool to determine -- for one dollar -- the weight, date, birth, and sex of the baby. Major Houlihan would reluctantly agree to participate in the pool -- despite her disapproval to gambling -- after it was known Colonel Potter was formatting this event.
Corporal O'Reilly would enter "The Swamp" to deliver the mail. Corporal O'Reilly had a letter opened by accident. He told Captains Pierce and Hunnicutt about Major Burns's divorce from his wife -- Louise -- discreetly. Major Burns would -- as predicted -- scold Corporal O'Reilly for being nosy about the letter he looked inside "The Swamp." He read his letter about his situation in Fort Wayne, Indiana -- obviously in frustration ... with the result in ripping his pillow into shreds.
Colonel Potter had Corporal O'Reilly place the call to Ohio in preparation to find out about the baby. In contrast, Major Burns acted snotty at Corporal O'Reilly for not placing the call to Indiana. Colonel Potter told him to stop shooting off his mouth at camp ... or he would face problems for his misconduct. Only then did Colonel Potter realized that Major Burns's wife wanted a divorce. Towards the end, he asked Colonel Potter if he could his own phone to contact his wife in Indiana. He reluctantly agreed to the situation. After the call, Major Houlihan found out that she did not appreciate the comments he made to her about being a "War Horse" or an "Army Mule." He would be whacked without warning if he did not remove his hand off her arm.
The finishing touch to the episode would be a movie of Corporal O'Reilly's Family in Colonel Potter's Office. Captains Pierce and Hunnicutt saw the glimpses of milk and chocolate cake in the film. The film also had his mother, his relatives, his dog, and his clergy master recognizing him in the movie. His mother said -- in silent tone -- goodbye to his son. In the end, Father Mulcahy won the betting pool. The baby was actually a girl in the Potter Family. The end grade: A High "C+" !! A quality episode recommended for viewing from the 1975-1976 Television Season. An 8.6!!