| Christopher Eccleston | ... | Doctor Who | |
| Billie Piper | ... | Rose Tyler | |
| Kate Harvey | ... | Nightclub Singer | |
| Albert Valentine | ... | The Child | |
| Florence Hoath | ... | Nancy | |
| Cheryl Fergison | ... | Mrs. Lloyd | |
| Damian Samuels | ... | Mr. Lloyd | |
| John Barrowman | ... | Jack Harkness | |
| Robert Hands | ... | Algy | |
| Joseph Tremain | ... | Jim | |
| Jordan Murphy | ... | Ernie | |
| Brandon Miller | ... | Alf | |
| Richard Wilson | ... | Dr. Constantine | |
| Noah Johnson | ... | The Empty Child (voice) | |
| Dian Perry | ... | Computer (voice) |
| Episode Crew |
Directed by | |||
| James Hawes | |||
Writing credits | ||
| Steven Moffat | (written by) | |
Produced by | |||
| Phil Collinson | .... | producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
| Helen Vallis | .... | associate producer | |
| Mal Young | .... | executive producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Ernest Vincze | (director of photography) (as Ernie Vincze) | ||
Film Editing by | |||
| Liana Del Giudice | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Stephen Nicholas | (supervising art director) | ||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Lucinda Wright | |||
Makeup Department | |||
| Linda Davie | .... | makeup supervisor | |
| Davy Jones | .... | makeup designer | |
| Claire Pritchard | .... | makeup artist | |
| Steve Williams | .... | makeup artist | |
| Jo Grover | .... | special makeup effects lab work (uncredited) | |
Production Management | |||
| Marie Brown | .... | post-production supervisor | |
| Justin Gyphion | .... | unit manager | |
| Tracie Simpson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Steffan Morris | .... | second assistant director | |
| Dan Mumford | .... | third assistant director | |
| Jon Older | .... | first assistant director | |
Art Department | |||
| Adrian Anscombe | .... | property master | |
| Jenny Bowers | .... | graphic artist | |
| Bryan Hitch | .... | concept artist | |
| Trystan Howell | .... | stand-by props | |
| Arwel Jones | .... | stand-by art director | |
| Gwenllian Llwyd | .... | art department coordinator | |
| Catherine Samuel | .... | production buyer | |
| Phil Shellard | .... | stand-by props (as Phill Shellard) | |
| Andrew Smith | .... | construction manager | |
| Matthew North | .... | forward dresser (uncredited) | |
Sound Department | |||
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | dialogue editor | |
| Damian Richardson | .... | boom operator | |
| Ian Richardson | .... | sound recordist | |
| Tim Ricketts | .... | dubbing mixer | |
| Julie Ankerson | .... | foley artist (uncredited) | |
| Andy Hagon | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| Sara Bennett | .... | digital compositor | |
| David A.T. Bowman | .... | lead compositor (as David Bowman) | |
| Paul Burton | .... | 3D visual effects artist | |
| Astrid Busser-Casas | .... | 2D visual effects artist | |
| Will Cohen | .... | visual effects producer | |
| Jean-Claude Deguara | .... | 3D visual effects artist | |
| Alex Fort | .... | digital matte painter (as Alexander Fort) | |
| Michael Harrison | .... | digital compositor | |
| Jennifer Herbert | .... | 2D visual effects artist | |
| Nicolas Hernandez | .... | 3D visual effects artist | |
| Simon C. Holden | .... | lead compositor | |
| Dave Houghton | .... | visual effects supervisor | |
| Andy Howell | .... | 3D visual effects artist | |
| Matthew McKinney | .... | 3D visual effects artist (as Matt McKinney) | |
| Alberto Montañés | .... | compositor (as Alberto Montanes) | |
| Chris Petts | .... | lead cgi artist | |
| Nick Webber | .... | 3D visual effects artist | |
Stunts | |||
| Kim McGarrity | .... | stunt performer | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Chester | .... | best boy | |
| Mark Hutchings | .... | gaffer | |
| Mark Isaac | .... | focus puller | |
| John Robinson | .... | grip | |
| Martin Stephens | .... | camera operator | |
Casting Department | |||
| Kirsty Robertson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Yolanda Peart-Smith | .... | wardrobe supervisor | |
Editorial Department | |||
| Jamie Adams | .... | assistant editor | |
| Zoe Cassey | .... | on-line editor | |
| Matt Clarke | .... | on-line editor (as Matthew Clarke) | |
| Ceres Doyle | .... | assistant editor | |
| Jamie Wilkinson | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: theme music | |
Other crew | |||
| Kath Blackman | .... | assistant production accountant | |
| Debi Griffiths | .... | assistant production accountant | |
| Non Eleri Hughes | .... | continuity | |
| Llyr Morus | .... | location manager | |
| Richard Pugsley | .... | finance manager | |
| Helen Raynor | .... | script editor | |
| Jess Van Niekerk | .... | production coordinator | |
| Endaf Emyr Williams | .... | production accountant | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Adventure section |
| IMDb UK section | Add this title to MyMovies |
It's impossible to mention this two part story without discussing its popularity within DOCTOR WHO fandom . This was the most popular story from season one and some fan forums included surveys that considered the Eccleston series as the twenty seventh season where The Empty Child /The Doctor Dances is considered one of the top three greatest Who stories to have been broadcast since the show's inception in 1963 . I have to disagree because it's nowhere that good
Looking at the good points you genuinely believe The Doctor and Rose have visited 1941 London . Imagine this being produced in the old series where we'd see a closed camera in close up trying and failing to convince us that the Tardis has travelled back in time ( Also watch Dalek invasion Of Earth and Frontier In Space for failed futuristic equivalents ) and the production team deserves much praise for the night filming . Can anyone else name a location based story that took place entirely at night ?
Where the story fails in some places can be attributed to writer Steven Moffat , a scriptwriter who has a large fan base but a writer who I have never warmed to . In every story this series there's a line which previous producers would never have got away with , in this one there's two lines , one where a young boy makes blatant assertions to have been abused by a paedophile while another insinuates that one of the supporting characters is gay . There's also a bit too many easy escapes for the heroes: " Go to your room ! "
All in all a fairly good story which casual viewers will remember as " The one during the Blitz " but for more hardcore fans it will be remembered as one of the high points of British television since its creation and I'm something at a loss to know why