| Tom Baker | ... | Doctor Who | |
| Elisabeth Sladen | ... | Sarah Jane Smith | |
| rest of cast listed alphabetically: | |||
| Michael Barrington | ... | Sir Colin Thackeray | |
| Tony Beckley | ... | Harrison Chase | |
| John Challis | ... | Scorby | |
| Kenneth Gilbert | ... | Richard Dunbar | |
| John Gleeson | ... | Charles Winlett | |
| Seymour Green | ... | Hargreaves | |
| Mark Jones | ... | Arnold Keeler | |
| Michael McStay | ... | Derek Moberley | |
| Hubert Rees | ... | John Stevenson | |
| Episode Crew |
Directed by | |||
| Douglas Camfield | |||
Writing credits(in alphabetical order) | ||
| Robert Banks Stewart | writer | |
Produced by | |||
| Philip Hinchcliffe | .... | producer | |
Sound Department | |||
| Dick Mills | .... | special sound | |
Music Department | |||
| Geoffrey Burgon | .... | composer: incidental music | |
Other crew | |||
| Robert Holmes | .... | script editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits | ||
| Sydney Newman | (creator) uncredited | |
Produced by | |||
| Peter Bryant | .... | associate producer (1966) | |
Film Editing by | |||
| John Dunstan | |||
| Glenn Hyde | |||
| Ian McKendrick | |||
| Dan Rae | |||
| Sheila S. Tomlinson | |||
Production Design by | |||
| David Buckingham | |||
| Roger Cann | |||
| Bob Cove | (1970s) | ||
| Nigel Curzon | |||
| Don Giles | |||
| Victor Meredith | |||
| Geoff Powell | |||
| Anne Ridley | |||
| Stephen Scott | |||
| Rochelle Selwyn | |||
| Michael Trevor | |||
Costume Design by | |||
| James Acheson | (1973-1976) | ||
| Anushia Nieradzik | |||
| Dee Robson | |||
Makeup Department | |||
| Dorka Nieradzik | .... | makeup designer (1982, 1984-1988) | |
Art Department | |||
| Peter Brachaki | .... | production designer: TARDIS interior | |
Sound Department | |||
| John Tellick | .... | sound | |
Special Effects by | |||
| Mat Irvine | .... | special effects (1970s-1980s) | |
| Ian Scoones | .... | special effects (1960s-1980s) | |
| Ron Thornton | .... | special effects (1980s) | |
| Bernard Wilkie | .... | special effects (1960s-1970s) | |
Visual Effects by | |||
| Mitch Mitchell | .... | special video effects (1960's-1970's) (as A. J. Mitchell) | |
| Oliver Elmes | .... | title sequence designer (1987-1989) (uncredited) | |
| Bernard Lodge | .... | title sequence designer (1963-1979) (uncredited 1963-1969) | |
| Sid Sutton | .... | title sequence designer (1980-1986) (uncredited) | |
Stunts | |||
| Alan Chuntz | .... | stunts (1960's-1970's) | |
| Peter Diamond | .... | stunts (1960s) | |
| Max Faulkner | .... | stunts (1960's-1970's) | |
| Stuart Fell | .... | stunts (1970s-1980s) | |
| Alf Joint | .... | stunts (1960s-1980s) | |
| Derek Martin | .... | stunts (1960s-1970s) | |
| Roy Scammell | .... | stunts (1960s-1980s) | |
| Lee Sheward | .... | stunt coordinator | |
| Terry Walsh | .... | stunts (1960s-1970s) | |
| Derek Ware | .... | stunts (1960s-1970s) | |
Camera and Electrical Department | |||
| Stewart A. Farnell | .... | camera operator (1 episode) | |
| Peter Hamilton | .... | camera operator (12 episodes) | |
| Alan Jonas | .... | camera operator (6 episodes) | |
| Reg Poulter | .... | senior camera operator | |
| Robert Sleigh | .... | camera operator (pilot episode) | |
| Ken Westbury | .... | camera operator (4 episodes) | |
Music Department | |||
| Mark Ayres | .... | composer: incidental music (1988-1989) | |
| Carey Blyton | .... | composer: incidental music (1970-1973) | |
| Paddy Kingsland | .... | composer: incidental music (1980-1985) | |
| Keff McCulloch | .... | composer: incidental music (1987-1989) | |
| Humphrey Searle | .... | composer: incidental music (1965) | |
| Dudley Simpson | .... | composer: incidental music (1964-1980) | |
Other crew | |||
| Christopher Baker | .... | production assistant | |
| Ali Bongo | .... | magic advisor | |
| Terry Brett | .... | technical manager | |
| Kenneth J. Bussanmas | .... | creative consultant (1979-1985) | |
| Patricia Greenland | .... | production assistant | |
| Jeremy Hare | .... | assistant floor manager (three episodes) | |
| Main series | Episode guide | Full cast and crew |
| IMDb TV section | IMDb Adventure section | IMDb UK section |
| Add this title to MyMovies |
*** This comment may contain spoilers ***
Doctor Who: The Seeds of Doom: Part 1 starts in Antartica where World Ecology Berau scientists Derek Moberley (Michael McStay), Charles Winlett (John Gleeson) & John Stevenson (Hubert Rees) find a mysterious alien pod buried deep in the permafrost that they cannot identify. Back in London & politician Richard Dunbar (Kenneth Gilbert) has called in UNIT to assist & they send the Doctor (Tom Baker) to meet him, Dunbar show's the Doctor a photo of the mysterious pod & he recognises it & says he'll investigate. Along with his assistant Sarah Jane Smith (Elisabeth Sladen) the Doctor travels to Antartica & to the bureau's base, there Charles has been infected by the pod which is turning him into a living plant with a strong dislike of humans...
Episode 21 from season 13 & not to be confused with similarly titled Doctor Who story The Seeds of Death (1969) from the Patrick Troughton era this Doctor Who adventure was originally aired here in the UK during January 1976 this six parter was the sixth & final story from Tom Baker's second season as the Doctor. directed by Douglas Camfield this is one of the absolute classics in mine, & many other's, opinion. The script by Robert Banks Stewart is in keeping with a lot of the rest of season 13 in that it has significant horror overtones which I've alway liked, here the parallels to The Thing From Another World (1951), John Carpenter's brilliant remake The Thing (1982) was still 6 years away, are obvious with the Antartic setting & the discovery of an alien in the ice along with a touch of Day of the Trffids (1962) with it's killer plants who want to take over the world. Both aspects are integrated very well, there's also another sub plot about someone wanting to steal the pod which means there's more going on than usual, more than enough to maintain ones interest & at only 25 minutes to cram it in this episode moves along like a rocket & is never less than entertaining.
The production values on The Seeds of Doom are unusually high for a low budget Doctor Who, don't get me wrong it's still cheap but it looks good which is where so many Doctor Who stories fail. From the atmospheric night time exterior shots of the Artic base to the shocking & scary revelation as the Doctor removes Charles bed-sheet to reveal him becoming a living plant to better than usual model work (it's still not very good though) & good well lit sets that create atmosphere. The only things which aren't that great in The Seeds of Doom is the extremely fake looking snow, it looks like polystyrene chips & in truth probably was!
The Seeds of Doom: Part 1 is a fantastic opener to a fantastic horror themed story from a time when Doctor Who actually tried to be scary & a serious production rather than the camp pantomime it would later become. Great stuff although I'm not sure about Sarah Jane's yellow flared overalls!