| William Hartnell | ... | Dr. Who | |
| William Russell | ... | Ian Chesterton | |
| Jacqueline Hill | ... | Barbara Wright | |
| Carole Ann Ford | ... | Susan Foreman | |
| Mark Eden | ... | Marco Polo | |
| Derren Nesbitt | ... | Tegana | |
| Zienia Merton | ... | Ping-Cho | |
| Leslie Bates | ... | Man at Lop | |
| rest of cast listed alphabetically: | |||
| Bill Brandon | ... | Mongol Warrior (uncredited) | |
| Clou Choy | ... | Mongol Warrior (uncredited) | |
| O. Ikeda | ... | Yeng (uncredited) | |
| Violet Leon | ... | Chinese Lady (uncredited) | |
| Zohra Sehgal | ... | Attendant to Ping-Cho (uncredited) | |
| Suk Hee Shng | ... | Attendant (uncredited) | |
| John Woodcock | ... | Marco Polo's Hand (uncredited) | |
| Episode Crew |
Directed by | |||
| Waris Hussein | |||
Writing credits(in alphabetical order) | ||
| John Lucarotti | writer | |
Produced by | |||
| Verity Lambert | .... | producer | |
| Mervyn Pinfield | .... | associate producer | |
Production Design by | |||
| Barry Newbery | |||
Makeup Department | |||
| Ann Ferriggi | .... | key makeup artist | |
Camera and Electrical Department | |||
| Jack Brummitt | .... | studio lighting | |
Music Department | |||
| Tristram Cary | .... | composer: incidental music | |
| Ron Grainer | .... | composer: title music | |
Other crew | |||
| David Whitaker | .... | script editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits | ||
| Sydney Newman | (creator) uncredited | |
Produced by | |||
| Peter Bryant | .... | associate producer (1966) | |
Film Editing by | |||
| John Dunstan | |||
| Glenn Hyde | |||
| Ian McKendrick | |||
| Dan Rae | |||
| Sheila S. Tomlinson | |||
Costume Design by | |||
| James Acheson | (1973-1976) | ||
| Nicholas Bullen | |||
| Richard Croft | |||
| Anushia Nieradzik | |||
| Dee Robson | |||
Makeup Department | |||
| Dorka Nieradzik | .... | makeup designer (1982, 1984-1988) | |
Art Department | |||
| Peter Brachaki | .... | production designer: TARDIS interior | |
Sound Department | |||
| John Tellick | .... | sound | |
Special Effects by | |||
| Mat Irvine | .... | special effects (1970s-1980s) | |
| Ian Scoones | .... | special effects (1960s-1980s) | |
| Ron Thornton | .... | special effects (1980s) | |
| Bernard Wilkie | .... | special effects (1960s-1970s) | |
Visual Effects by | |||
| Mitch Mitchell | .... | special video effects (1960's-1970's) (as A. J. Mitchell) | |
| Oliver Elmes | .... | title sequence designer (1987-1989) (uncredited) | |
| Bernard Lodge | .... | title sequence designer (1963-1979) (uncredited 1963-1969) | |
| Sid Sutton | .... | title sequence designer (1980-1986) (uncredited) | |
Stunts | |||
| Alan Chuntz | .... | stunts (1960's-1970's) | |
| Peter Diamond | .... | stunts (1960s) | |
| Max Faulkner | .... | stunts (1960's-1970's) | |
| Stuart Fell | .... | stunts (1970s-1980s) | |
| Alf Joint | .... | stunts (1960s-1980s) | |
| Derek Martin | .... | stunts (1960s-1970s) | |
| Roy Scammell | .... | stunts (1960s-1980s) | |
| Lee Sheward | .... | stunt coordinator | |
| Terry Walsh | .... | stunts (1960s-1970s) | |
| Derek Ware | .... | stunts (1960s-1970s) | |
Camera and Electrical Department | |||
| Stewart A. Farnell | .... | camera operator (1 episode) | |
| Peter Hamilton | .... | camera operator (12 episodes) | |
| Alan Jonas | .... | camera operator (6 episodes) | |
| Reg Poulter | .... | senior camera operator | |
| Robert Sleigh | .... | camera operator (pilot episode) | |
| Ken Westbury | .... | camera operator (4 episodes) | |
Music Department | |||
| Mark Ayres | .... | composer: incidental music (1988-1989) | |
| Carey Blyton | .... | composer: incidental music (1970-1973) | |
| Paddy Kingsland | .... | composer: incidental music (1980-1985) | |
| Keff McCulloch | .... | composer: incidental music (1987-1989) | |
| Humphrey Searle | .... | composer: incidental music (1965) | |
| Dudley Simpson | .... | composer: incidental music (1964-1980) | |
Other crew | |||
| Christopher Baker | .... | production assistant | |
| Ali Bongo | .... | magic advisor | |
| Terry Brett | .... | technical manager | |
| Kenneth J. Bussanmas | .... | creative consultant (1979-1985) | |
| Patricia Greenland | .... | production assistant | |
| Jeremy Hare | .... | assistant floor manager (three episodes) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Adventure section |
| IMDb UK section | Add this title to MyMovies |
Prior to watching the Loose Cannon reconstruction of "Marco Polo" I had only read scriptwriter John Lucarotti's Target novelization of his own story. One thing is clear after seeing this reconstruction and that is that the novelization is a criminal treatment of this gorgeously detailed, lush epic of a historical story. Where the televised story features wonderful characterization, entertaining dialogue, and richly detailed settings the novelization basically cuts it down to the plot alone, which is frankly quite unremarkable and ordinary.
What makes Marco Polo such a special story is the exemplary performances from just about everyone involved, the wonderful script and especially, as the Loose Cannon reconstruction thankfully captures in colourful photographs, the extraordinary detail that went into the wonderful sets and costumes. If ever discovered at any point "Marco Polo" may very well be the best-looking Doctor Who story of the 60's, and it is my current pick even though it is lost currently. The story was directed by the wonderful Warris Hussein so it would have undoubtedly been quite excellent on a visual level. What a shame. This is probably the missing story most deserving of being found. Even though I like some of the missing Troughton adventures a little better than this one, one doesn't feel that as much is lost with those straightforward adventures as with this one.
Loose Cannon have really done a superb job with the reconstruction, using either color or colorized photographs which emphasize the excellence of the production. The acting from the guest stars, particularly Mark Eden, is as good as the acting from the regulars.
"Marco Polo" is a wonderful historical story which may not even be the best historical of the first season with "The Aztecs", by the same writer, strongly challenging for first place, but it remains excellent all the way through and just exemplary in spots.
Episode 1: 9/10, Episode 2: 8/10, Episode 3: 8/10, Episode 4: 8/10, Episode 5: 8/10, Episode 6: 9/10, Episode 7: 9/10.
Average: 8.43/10