South by Southwest
AUSTIN -- A solidly crafted and commercial-issue film, Kimberly Peirce's Stop-Loss drags a couple of the Iraq War's uglier aspects into the light, personalizing them in a highly soldier-sympathetic way that has resonance for peaceniks and those who support the war -- though each camp might view it as skewed toward the other's agenda.
A young cast and hotheaded melodramatic streak make it broadly accessible... Read the full review and more at hollywoodreporter.com.
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