Jean-Claude Carrière (writer)
21 December 2006 (Canada) more
1 nomination more
Technically great but sketchy and superficial more (2 total)
Directed by | |||
| Francis Leclerc | |||
| Yves Simoneau | |||
Writing credits(in alphabetical order) | ||
| Jean-Claude Carrière | writer | |
Produced by | |||
| Alex Sliman | .... | executive producer | |
| Christophe Valette | .... | executive producer | |
Cinematography by | |||
| Guy Dufaux | |||
Film Editing by | |||
| Isabelle Malenfant | |||
Production Design by | |||
| Richard Cunin | |||
Costume Design by | |||
| Pierre Bechir | |||
| Nicoletta Massone | |||
| Sylvie de Segonzac | |||
Makeup Department | |||
| Madeleine Bourassa | .... | hair stylist: Canada | |
| Julie Casault | .... | makeup artist: Canada | |
| Claudette B. Casavant | .... | assistant makeup artist | |
| Diane Geraldine Courchesne | .... | hair stylist: Canada (as Géraldine Courchesne) | |
| Mélina Di Christo | .... | key extra department | |
| Mélina Di Christo | .... | makeup artist | |
| Linda Gordon | .... | hair stylist: Canada | |
| Catherine Jabes | .... | key hair stylist (as Cathy Vidal-Jabes) | |
| Manon Joly | .... | hair stylist: Canada | |
| Raymonde Laliberté | .... | hair stylist: Canada | |
| Anne-Louise Landry | .... | hair stylist: Canada | |
| Nicole Lapierre | .... | key makeup artist | |
| Catherine Lavoie | .... | makeup artist | |
| Sophie Lebeau | .... | makeup artist: Canada | |
| Josée Lemire | .... | hair stylist: Canada | |
| Serge Morache | .... | hair stylist: Canada | |
| Denis Parent | .... | hair stylist: Canada | |
| Claudie Vandenbroucque | .... | makeup artist: Canada | |
Production Management | |||
| Cédric Bourdoncle | .... | unit manager | |
| Raoul Chatellier | .... | unit manager | |
| Danielle Fontaine | .... | production manager: Canada | |
| Frédéric J. Lozet | .... | post-production supervisor | |
Art Department | |||
| Ilinca Balaban | .... | assistant set decorator: Canada | |
| Pierre Balducchi | .... | assistant decorator | |
| Pascal Chatton | .... | assistant art director | |
| Pascal Chatton | .... | first assistant decorator | |
| René Forest | .... | assistant set decorator: Canada | |
| Serge Nadon | .... | assistant set decorator: Canada | |
Sound Department | |||
| Olivier Audivert | .... | sound mixer | |
| Daniel Bisson | .... | foley editor | |
| Gregory Bolduc | .... | walla recordist | |
| Martin Cazes | .... | sound supervisor | |
| Alexis Duceppe | .... | sound: Canada | |
| Véronique Gabillaud | .... | sound: Canada | |
| Bernard Gariépy Strobl | .... | sound re-recording mixer | |
| Edith Labbe | .... | assistant foley artist | |
| Hans Laitres | .... | assistant sound mixer | |
| Patrick Lalonde | .... | assistant sound mixer | |
| France Leduc | .... | dialogue editor | |
| Simon Meilleur | .... | foley artist | |
| Vincent Riendeau | .... | assistant sound mixer | |
Visual Effects by | |||
| Patrice-Alain Barrette | .... | digital compositor | |
| Michel Barrière | .... | digital compositor | |
| Olivier Beaulieu | .... | digital compositor | |
| Pierre Blain | .... | digital compositor | |
| Xavier Bourque | .... | digital compositor: Hybride | |
| Caroline Brien | .... | digital compositor | |
| Wayne Brinton | .... | digital compositor | |
| Matthieu Chatelier | .... | digital artist | |
| Joanie Croteau | .... | post-production assistant: Hybride | |
| Olivier Debert | .... | digital compositor | |
| Thierry Delattre | .... | visual effects supervisor | |
| Luc Desmarais | .... | production assistant: Hybride | |
| Anouk Deveault-Moreau | .... | visual effects coordinator: Hybride | |
| Mathieu Dupuis | .... | lead digital compositor: Hybride | |
| Stephan Gervais | .... | production assistant: Hybride | |
| Myléne Guérin | .... | visual effects coordinator | |
| Nadine Homier | .... | digital compositor | |
| Jean-Francois Houde | .... | digital compositor: Hybride | |
| Evelyne Leblond | .... | digital compositor | |
| Francois Leduc | .... | digital compositor: Hybride (as François Leduc) | |
| Martin Lipmann | .... | digital compositor | |
| Jocelyn Maher | .... | digital compositor | |
| Richard Martin | .... | visual effects supervisor | |
| Christian Morin | .... | digital compositor | |
| Sean O'Connor | .... | production assistant: Hybride | |
| Pierre Raymond | .... | visual effects producer | |
| Benjamin Ribière | .... | Inferno artist | |
| Sébastien Rioux | .... | digital compositor | |
| Katy Savoie | .... | production assistant: Hybride | |
| Laurent Spillemaecker | .... | Flame compositor: Hybride | |
| Guillaume St-Aubin-Seers | .... | digital compositor | |
| Sean Stranks | .... | digital compositor: Hybride | |
| Vincent Toussaint | .... | production assistant: Hybride | |
| Raphael Valle | .... | digital compositor | |
Camera and Electrical Department | |||
| Pierre Beaulieu | .... | best boy | |
| Pierre Beaulieu | .... | electrician | |
| Pascal Courchesne | .... | grip | |
| Amélie Douville | .... | grip | |
| Jean-François Dubé | .... | grip | |
| Amelie Duceppe | .... | second assistant camera | |
| Sylvaine Dufaux | .... | camera operator: "a" camera | |
| Joel Gariépy | .... | grip | |
| Stephanie Girard Hamelin | .... | assistant camera: Canada (as Stéphanie Girard-Hamelin) | |
| Robert LaCroix | .... | grip | |
| Jean Legrand | .... | first assistant camera | |
| Charles Marcotte | .... | electrician: Canada | |
| Christian Navennec | .... | assistant camera: Canada | |
| Dany Racine | .... | first assistant camera: "a" camera | |
| Serge Raymond | .... | electrician: Canada | |
| Paul Viau | .... | gaffer | |
Casting Department | |||
| Murielle Laferrière | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Catherina Chamberland | .... | costumer: Canada (as Caterina Chamberland) | |
| Sylvie Charbonneau | .... | costumer: Canada | |
| Julie Chenard | .... | costumer: Canada (as Julie Chénard) | |
| Lorianne Chenel | .... | costumer (as Laurianne Chenel) | |
| Nathalie Chretien | .... | costumer: Canada (as Nathalie Chrétien) | |
| Priscilla Collin | .... | costumer: Canada | |
| Jacques Doucet | .... | costumer: Canada | |
| Geneviève Hébert | .... | costumer: Canada | |
| Naima Lagrange | .... | wardrobe | |
| Michel L'Heureux | .... | costumer: Canada | |
| Chantal Simard | .... | costumer: Canada | |
| John Stowe | .... | costumer: Canada | |
| Madeleine Tremblay | .... | costumer: Canada | |
| Alain Vallée | .... | costumer: Canada | |
| Michael Vottero | .... | wardrobe | |
Transportation Department | |||
| Victor Labelle | .... | driver: cast | |
Other crew | |||
| Caroline Barrette | .... | production administrator: Canada | |
| Audrey Dauman | .... | press attache | |
| Nathalie A. Deprez | .... | script supervisor: Canada | |
| Nicolas Gay | .... | production administrator | |
| Elisa Gougoux | .... | production coordinator | |
| Francine Lebrun | .... | production coordinator | |
| Gilles Pontbriand | .... | production administrator: Canada | |
| Anh Roquet | .... | production administrator | |
| Dominik Schmelck | .... | finance director | |
Marie-Antoinette, la véritable histoire (France) (DVD title)
more
Canada:90 min | Argentina:90 min
1.78 : 1 more
Version of Marie Antoinette (2006) more
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| Full cast and crew | Company credits | IMDb Canada section |
| Add this title to MyMovies |
I finally got from amazon.fr the French DVD of this Canadian production with Marie Antoinette expert Chantal Thomas as historical consultant.
It is technically quite stunning when you think that ALL scenes are virtually recreated: just the actors and a few pieces of furniture are real. It really seems shot on location.
As a movie (a docu-fiction?) it is far too sketchy and superficial (just a succession of key moments in Marie Antoinette's life commented by a voice-over with a few dialog by the actors) to be absorbing. The acting is overall competent with Canadian actress Karine Vanasse really quite appreciable as the queen (her final reading of the testament letter is moving).
No Austrian childhood is shown: the movie starts just before the queen leaves her prison for the scaffold and starts remembering her first arrival in Versailles.
The film is historically quite valid (facts and period costume design are respected), even though Marie Antoinette is described as being a little too "tête à vents" even in her mature years. I also found one big historical error: Marie Antoinette is shown in the Conciergerie with both her children (the dauphin is taken from her in the Conciergerie) while it is universally known that she left the Temple prison for the Conciergerie alone.