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Adrienne Shelly (written by)
25 May 2007 (USA) more
If only life were as easy as pie. more
Jenna is a pregnant, unhappily married waitress in the deep south. She meets a newcomer to her town and falls into an unlikely relationship as a last attempt at happiness. full summary | full synopsis
5 wins & 3 nominations more
Holiday Preview: Anywhere But a Movie Theater
(From IFC. 4 November 2009, 11:14 AM, PST)
Aff Review: Serious Moonlight
(From Cinematical. 29 October 2009, 6:32 PM, PDT)
Perfect Mother's Day Movie more (181 total)
Directed by | |||
| Adrienne Shelly | |||
Writing credits | ||
| Adrienne Shelly | (written by) | |
Original Music by | |||
| Andrew Hollander | |||
Cinematography by | |||
| Matthew Irving | (director of photography) | ||
Film Editing by | |||
| Annette Davey | |||
Casting by | |||
| Sunday Boling | |||
| Meg Morman | |||
Production Design by | |||
| Ramsey Avery | |||
Art Direction by | |||
| Jason E. Baldwin | (as Jason Baldwin) | ||
Set Decoration by | |||
| Susan Lynch | |||
Costume Design by | |||
| Ariyela Wald-Cohain | |||
Makeup Department | |||
| Paula Jane Hamilton | .... | key makeup artist | |
| Tanja Hrast | .... | hair assistant | |
| Tanja Hrast | .... | makeup assistant | |
| Ralis Kahn | .... | prosthetic effects | |
| Lesley Poling | .... | key hair stylist | |
Production Management | |||
| Scott Fort | .... | production supervisor (as Robert Fort) | |
Second Unit Director or Assistant Director | |||
| Mark G. Mathis | .... | first assistant director | |
| Ryan Ramos | .... | second assistant director | |
| Jon Recher | .... | second second assistant director (as Johnny Recher) | |
Art Department | |||
| Megan J. Baptiste | .... | scenic artist (as Megan Baptiste) | |
| Rick Belosic | .... | construction coordinator | |
| Phillip Bouchard | .... | swing crew | |
| Jonathan Buchanan | .... | scenic painter | |
| Dianne Chadwick | .... | graphic designer | |
| Jim Dultz | .... | graphic designer | |
| Erin Eagleton | .... | property master | |
| Justin Fisher | .... | lead man | |
| Stephanie Furr | .... | scenic artist | |
| Matthew Gerovac | .... | swing crew | |
| Matt Hausmann | .... | swing crew (as Matt Hausman) | |
| Melanie Hubbard | .... | shopper | |
| Glenn Jacinto | .... | swing crew | |
| Brandon Jay | .... | set dresser | |
| Brandon Jay | .... | swing crew | |
| Eddie Jimenez | .... | construction | |
| Eric LaBonte | .... | swing crew | |
| Theodore Liscinski | .... | art department assistant (as Ted Liscinski) | |
| Ryan Lorie | .... | art department assistant | |
| Nikolai Loveikis | .... | art department assistant | |
| Greg Manke | .... | swing crew | |
| Stephanie Mann | .... | shopper | |
| David Moultrie | .... | construction (as Dave Moultrie) | |
| Sarah Osborne | .... | assistant property master | |
| Glenn Relphs | .... | construction | |
| Samantha Seigelman | .... | assistant art director | |
| Sean Stack | .... | art department assistant | |
| Sofia Strehlow | .... | scenic artist | |
| Michael Timman | .... | art department assistant | |
| Adam Tyler | .... | swing crew | |
| Miriam Gilbert | .... | lead woman (uncredited) | |
| Jim Jerome | .... | scenic painter (uncredited) | |
Sound Department | |||
| Neil Cedar | .... | foley recordist | |
| Patrick Donahue | .... | sound re-recording mixer | |
| Chris Foster | .... | foley recordist | |
| Fredrick Helm | .... | supervising sound editor (as Frederick W. Helm) | |
| Bill Ivie | .... | adr recordist | |
| James Nichols | .... | sound consultant: Dolby | |
| Matthew Nicolay | .... | sound mixer | |
| Eric Offin | .... | dialogue editor | |
| Brian O'Hara | .... | sound effects editor | |
| Jared Seidman | .... | adr recordist | |
| Trevor Sperry | .... | adr mixer | |
| Brian Vancho | .... | foley artist | |
| Stacey A. Washer | .... | boom operator (as Stacey Washer) | |
Visual Effects by | |||
| Tim Montijo | .... | digital artist | |
Camera and Electrical Department | |||
| Michael Druez | .... | best boy electric (as Mike Druez) | |
| Jennifer Gingery | .... | film loader | |
| Amos James | .... | key grip | |
| Marcos O. Lopez | .... | camera operator (as Marcos Lopez) | |
| Alan Markfield | .... | still photographer | |
| Wes Meilandt | .... | electrician | |
| Kevin Mucha | .... | best boy electric | |
| Darby Newman | .... | second assistant camera | |
| Stephen Olsen | .... | pie gaffer | |
| Martine Pourner | .... | grip | |
| Michael Roy | .... | gaffer | |
| Grant Smith | .... | grip | |
| Chris Vinopal | .... | electrician | |
| Craig Wadlin | .... | dolly grip | |
| Tyler Anderson | .... | additional electrician (uncredited) | |
| Shaun Drees | .... | additional electrician (uncredited) | |
| Kelly C. Gallamore | .... | additional electrician (uncredited) | |
| Matt Kubas | .... | grip (uncredited) | |
| Conan Mastrangelo | .... | additional electrician (uncredited) | |
| John Matysiak | .... | additional electrician (uncredited) | |
| Martin Torner | .... | dolly grip (uncredited) | |
| Raul Vasquez | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Susanne Klein | .... | key costumer | |
| Cynthia Obsenares | .... | assistant costume designer | |
| Erin Tanaka | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Marion Grau | .... | digital colorist | |
| Leslie King | .... | assistant editor | |
| Robert Mead III | .... | assistant editor | |
| Robert Mead | .... | assistant editor (as Bob Mead) | |
| Mike Mertens | .... | color timer | |
Music Department | |||
| Gerry Cueller | .... | music supervisor | |
| Greg Danylyshyn | .... | music supervisor | |
| Annette Davey | .... | music editor | |
| Francis Garcia | .... | additional music consultant | |
| Andrew Hollander | .... | orchestrator | |
| Leigh Hurwitz | .... | recording coordinator | |
| Sean John | .... | music editor assistant | |
| Brigitte Mueller | .... | music consultant | |
| Robert L. Smith | .... | score mixer | |
| Robert L. Smith | .... | score recordist | |
| Rachelle Way | .... | recording coordinator | |
| Gil Garcia | .... | music supervisor intern (uncredited) | |
Transportation Department | |||
| Mitchell Bergman | .... | transportation coordinator | |
| Dorian England | .... | driver | |
| Jeff Freitas | .... | driver | |
| Charles Gatson | .... | transportation captain | |
| Gabriel Shub | .... | driver | |
| Billy Acquaviva Jr. | .... | driver: Andy Griffith (uncredited) | |
Other crew | |||
| Billy Acquaviva Jr. | .... | assistant: Mr. Griffith (as Billy Acquaviva) | |
| Anatole Brattson Jr. | .... | office production assistant (as Anatole Brattson) | |
| Susan Buliavac | .... | script supervisor | |
| Greg Cooper | .... | key set production assistant | |
| Laura Donnelly | .... | pie mistress | |
| Jessica Drake | .... | dialogue coach | |
| Michael J. Escobar | .... | assistant production coordinator (as Michael Escobar) | |
| Alex Farrington | .... | medic | |
| Alex Farrington | .... | set production assistant | |
| Mathew Ferrante | .... | office production assistant | |
| Paul Gebeau | .... | set production assistant | |
| Andrew Herwitz | .... | president: The Film Sales Company, worldwide sales agent | |
| Myisha Jimerson | .... | assistant production accountant | |
| David Lazarus | .... | craft service | |
| George W. Lee Jr. | .... | assistant: Ms. Shelly (as George Lee) | |
| Todd Colby Pliss | .... | studio teacher (as Todd Pliss) | |
| Nick Principe | .... | set production assistant | |
| Irwin M. Rappaport | .... | legal services | |
| Jesse Rivard | .... | location manager | |
| Brent Sandrock | .... | office production assistant | |
| Jennifer Stoefen | .... | office production assistant | |
| Aquil Fudge | .... | production accountant (uncredited) | |
Thanks | |||
| Luis Aguilar | .... | special thanks | |
| Bobbi Anschutz | .... | special thanks | |
| Edward Avery | .... | special thanks | |
| Elizabeth Benjamin | .... | special thanks (as Liz Benjamin) | |
| Conor Duffy | .... | special thanks | |
| Sasha Eden | .... | thanks | |
| Sophie Estella | .... | special thanks | |
| Andrew Husband | .... | special thanks | |
| Joshua Newman | .... | special thanks | |
| Milan Popelka | .... | special thanks | |
| Reid Rosefelt | .... | special thanks | |
| Adrienne Shelly | .... | in memory of | |
| Gary Warshaw | .... | special thanks | |
| Elaine Zita | .... | special thanks | |
Rated PG-13 for sexual content, language and thematic elements.
108 min
1.85 : 1 more
USA:PG-13 | Ireland:15A | UK:12A | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Singapore:NC-16 | Brazil:12 | Germany:6 | Sweden:7 | Argentina:13 | Finland:K-7 | New Zealand:M | Australia:M
Had a 20-day shoot. more
Continuity: During the wedding procession, Jenna appears NOT to be wearing her "pregnancy bump". later when she is dancing with Joe, it is all too obvious. more
Jenna: Dear Baby, I hope someday somebody wants to hold you for 20 minutes straight and that's all they do. They don't pull away. They don't look at your face. They don't try to kiss you. All they do is wrap you up in their arms and hold on tight, without an ounce of selfishness in it. more
References Modern Times (1936) more
OVERTURE, THE MARRIAGE OF FIGARO more
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My boyfriend took me and my 15 year old daughter to see this for Mother's Day and it was PERFECTION. Beautifully written and acted, a movie with heart and a story. We all walked out singing the sweet song at the end of the movie. (I hope the soundtrack comes out soon.) Yes, there were some predictable plot lines but who cares? When a movie is handcrafted like a good pie (ok, slightly hokey but so is the movie), it stands on its own.
Keri Russel is lit like an angel and the storyline between her and her doctor is sweet, slightly silly and tinged with sadness. Andy Griffith gives a great character performance, delivering salty bits of wisdom and memories with equal doses.
I hope this gets a wider release - more people should see it.