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The Omen (2006)
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Overview
User Rating:
Director:
Writer (WGA):
David Seltzer (written by)
Release Date:
6 June 2006 (USA)
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Tagline:
His Day Will Come more
Plot:
A remake of the 1976 horror classic The Omen (1976), an American official realizes that his young son may literally be the devil incarnate. full summary | add synopsis
Plot Keywords:
Priest
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Antichrist
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Omen
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Remake
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Photographer
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Awards:
5 nominations
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NewsDesk:
(44 articles)
Julia Stiles is latest to be linked to role in Spider-Man 4
(From The Geek Files. 18 November 2009, 7:08 AM, PST)
Lionsgate opens for Solomon Kane, Genius takes Tell Tale
(From Fangoria. 10 November 2009, 12:05 PM, PST)
(From The Geek Files. 18 November 2009, 7:08 AM, PST)
Lionsgate opens for Solomon Kane, Genius takes Tell Tale
(From Fangoria. 10 November 2009, 12:05 PM, PST)
User Comments:
Quality spooky story, better production values - a worthy remake
more (528 total)
Cast
(Cast overview, first billed only)| Predrag Bjelac | ... | Vatican Observatory Priest (as Pedja Bjelac) | |
| Carlo Sabatini | ... | Cardinal Fabretti | |
| Bohumil Svarc | ... | Pope | |
| Liev Schreiber | ... | Robert Thorn | |
| Giovanni Lombardo Radice | ... | Father Spiletto | |
| Baby Zikova | ... | Damien - Newborn | |
| Baby Morvas | ... | Damien - Newborn | |
| Baby Muller | ... | Damien - Newborn | |
| Baby Litera | ... | Damien - Newborn | |
| Julia Stiles | ... | Katherine Thorn | |
| Tomas Wooler | ... | Damien - 2 Years Old (as Tomas Wooller) | |
| Rafael Sallas | ... | Rome Embassy Marine | |
| Marshall Cupp | ... | Ambassador Steven Haines | |
| Martin Hindy | ... | Haines' Limo Driver (as Martin 'Mako' Hindy) | |
| Seamus Davey-Fitzpatrick | ... | Damien |
Additional Details
Also Known As:
The Omen 666 (USA) (working title)
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MPAA:
Rated R for disturbing violent content, graphic images and some language.
Parents Guide:
Runtime:
110 min | Philippines:105 min (cut)
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
UK:15 |
Finland:K-15 |
Ireland:15A |
Germany:16 |
Malaysia:18PL |
Philippines:R-13 |
Norway:15 |
Australia:MA |
Switzerland:16 (canton of Geneva) |
Switzerland:16 (canton of Vaud) |
Argentina:16 |
Hungary:18 |
Italy:VM14 |
Denmark:15 |
South Korea:18 |
Hong Kong:IIB |
Singapore:PG (cut version) |
USA:R (certificate #42658) |
France:-12 |
Sweden:15 |
Netherlands:16 |
Singapore:M18 |
Portugal:M/16 |
Iceland:16 |
New Zealand:R16 |
Brazil:16 |
Japan:R-15 |
South Korea:15 (cable rating)
Filming Locations:
Fun Stuff
Trivia:
The day after they filmed the scene where Robert cuts his son hair to reveal the birthmark, the entire scene was completely destroyed.
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Goofs:
Continuity: During the final chase scene, Robert is seen holding Damien down with his left hand while Damien kicks and screams. However, when he is shown driving, he is using both of his hands to steer the car. With each cut back to Damien, he is being held down again.
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Quotes:
Keith Jennings:
No atheists in foxholes.
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Movie Connections:
Referenced in The Omen: Prophecy Fulfilled (2006) (TV)
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Soundtrack:
A DOCTOR, PLEASE
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FAQ
How do the death sequences differ from the original?Who survives in the film?
Why were there police at the gates of Robert's house at the film's finale?
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Sure, we often find it sad that Hollywood can't find something original to produce... but what-the-hey, how many new productions of Shakespeare's works come out every year? ...Maybe David Seltzer is not quite the same as Shakespeare (History will decide!!!) but you get my drift. It's nice that the kiddies can be brought a classic spooky-tale that they are otherwise unlikely to dig up on video, much less see on a big screen.
The special effects are more convincing, the sets are less set-like, and the acting is more natural and less mannered (though I detect a bit of a Greg Peck voice/intonation imitation from Shreiber) and it's these sort of weaknesses that can distance today's audiences.
This is really the best sort of remake - keeping all the best elements from the original without over-reaching to take the material in some other direction for the sake of being different, or without over-flexing today's FX muscles. There's a slight updating of the premise amid current world events but it's brief, welcome and not over-labored.
The cast is first-rate. How great to see the best of British (David Thewlis, Michael Gambon, Pete Postlethwaite) and American (Julia Stiles is always good, though sometimes chooses poor material) young hot things and older, stately actors having a ball (Mia Farrow is very effective - playing very much against type).
The creepy kid does good creepy too.
I liked it. It's not horror so much as spooky, and that's no bad thing.