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Daniel Berendsen (written by)
Tony Gilroy (characters)
7 February 2006 (USA) more
Every ice princess needs her prince.
Jackie Dorsey is the daughter of 1992 Winter Olympics Gold medalists Kate Moseley and Doug Dorsey. She grows up with ambitions of winning her own Olympic gold but that ambition seems to come to an end when she has a career threatening injury. Enter Alex Harrison as her new pairs skate partner and a new chance at Olympic Gold. But can they set aside their stubbornness long enough to actually win the game? full summary | add synopsis
1 nomination more
Groan... more (64 total)
| Christy Carlson Romano | ... | Jackie Dorsey | |
| Ross Thomas | ... | Alex Harrison | |
| Scott Thompson Baker | ... | Doug Dorsey | |
| Kim Kindrick | ... | Heidi Clements | |
| Stepfanie Kramer | ... | Kate Mosley-Dorsey | |
| Erik Aude | ... | Pool Waiter | |
| Oksana Baiul | ... | Nationals Commmentator | |
| Matt Gallant | ... | Nationals Commmentator | |
| Kayla Carlson | ... | Girl Fan | |
| Sharon Carz | ... | Female Skater | |
| Natasha Kuchiki | ... | Female Skater | |
| Faune A. Chambers | ... | Elisa Proctor (as Faune Chambers) | |
| Tom Dugan | ... | Surgeon | |
| Rebecca Grant | ... | Sports Correspondant | |
| Jack Haley | ... | Sports Correspondant | |
| Patrick Hancock | ... | Pinata Guy | |
| Ryan Hansen | ... | Scottie | |
| Rory Knox Johnston | ... | Official | |
| Giuseppe Manzella | ... | Italian Waiter | |
| Sean McNamara | ... | Mr. Orange | |
| Christine Lakin | ... | Luanne King | |
| Sydney Park | ... | Skating Girl | |
| Mary Strong | ... | Sports Commentator | |
| Don Swayze | ... | Obnoxious Guy | |
| rest of cast listed alphabetically: | |||
| Alia Rhiana Eckerman | ... | Surfer girl | |
| Olga Kay | ... | Natasha - Fan (as Olga Karavaeva) | |
| Michael Kuluva | ... | Skater | |
Directed by | |||
| Sean McNamara | |||
Writing credits(WGA) | ||
| Daniel Berendsen | (written by) (as Dan Berendsen) | |
| Tony Gilroy | (characters) | |
Produced by | |||
| David Brookwell | .... | producer | |
| David Buelow | .... | producer | |
| Steve Ecclesine | .... | co-executive producer | |
| David Grace | .... | producer | |
| Scott Immergut | .... | executive producer | |
| Christina Lambert | .... | co-producer | |
| Sean McNamara | .... | producer | |
| Sabrina Sipantzi | .... | line producer (as Sabrina Sipantzi Ballard) | |
| Dean Valentine | .... | executive producer | |
Original Music by | |||
| John Coda | |||
Cinematography by | |||
| Mark Doering-Powell | |||
Film Editing by | |||
| Jonathan Brayley | |||
| Jeff Canavan | |||
| Greg Faluszczak | (video) | ||
| Craig Veytia | |||
Casting by | |||
| Joey Paul | |||
Production Design by | |||
| Yvette Taylor | |||
Art Direction by | |||
| Tom Lisowski | |||
Set Decoration by | |||
| Britt Woods | |||
Costume Design by | |||
| Miye Matsumoto | |||
Makeup Department | |||
| RaMona Fleetwood | .... | hair department head | |
| Kerry Mendenhall | .... | key hair stylist | |
| Karen Toole-Rentrop | .... | key makeup artist (as Karen D. Toole) | |
| Teresa Vest | .... | makeup department head | |
Production Management | |||
| David Grace | .... | unit production manager | |
Art Department | |||
| Susan Frontiera | .... | art department coordinator | |
| Julie Heuer | .... | property master | |
| Michael E. Johnson | .... | leadman | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Louis Creveling | .... | dialogue editor | |
| Alan Freedman | .... | adr mixer | |
| Robert Getty | .... | sound supervisor | |
| Danielle Ghent | .... | dialogue editor | |
| Frederick Howard | .... | sound effects editor (as Fred Howard) | |
| James Key | .... | digital transfer engineer | |
| Jared Marshack | .... | digital transfer engineer | |
| Diane Marshall | .... | foley artist (as S. Diane Marshall) | |
| Matthew J. Mondrick | .... | foley mixer (as Matt Mondrick) | |
| Michael Sanchez | .... | cable person | |
| Jason Schmid | .... | sound re-recording mixer | |
| Solange S. Schwalbe | .... | sound editor | |
| Anne Slack | .... | first assistant sound editor | |
| Brian Slack | .... | sound re-recording mixer | |
| Christopher Sposa | .... | boom operator | |
| Lucy Sustar | .... | foley mixer | |
| Dennis Twitty | .... | dialog editor | |
| Ed White | .... | sound mixer | |
Visual Effects by | |||
| Michael Caplan | .... | visual effects producer | |
| Miguel A. Guerrero | .... | visual effects | |
| Michael Roderick | .... | digital compositor | |
| Dan Schmidt | .... | visual effects supervisor | |
| Dan Schmit | .... | visual effects supervisor | |
| Craig Veytia | .... | digital compositor | |
| Craig Veytia | .... | visual effects editor | |
| Eric Heavens | .... | digital compositor (uncredited) | |
Stunts | |||
| Christopher Doyle | .... | stunt coordinator (as Chris Doyle) | |
| Chris Mitchell | .... | action stunt coordinator | |
Camera and Electrical Department | |||
| Shana Barry | .... | camera production assistant | |
| Harry C. Box | .... | camera operator | |
| Roger Chingirian | .... | gaffer | |
| Rocky W. Ford | .... | key grip (as Rockey Ford) | |
| Ken Glassing | .... | camera operator: "b" camera | |
| Danny Gonzalez | .... | electrician | |
| George Hesse | .... | first assistant camera | |
| Andrew Korner | .... | best boy electric | |
| Brian Lofthouse | .... | rigging gaffer | |
| Nicholas S. McLean | .... | additional first assistant camera | |
| Erik Messerschmidt | .... | chief lighting technician | |
| Robert Truitt | .... | first assistant camera | |
| Peter Villani | .... | electrician | |
Casting Department | |||
| Niner Parikh | .... | casting associate | |
| Jamie Rash | .... | casting assistant | |
| Kathryn Taylor | .... | casting associate | |
Editorial Department | |||
| Jonathan Brayley | .... | assistant editor | |
| Keith Roddy | .... | colorist | |
| Jonathan Slater | .... | on-line editor | |
| Jerome White | .... | post-production assistant | |
Music Department | |||
| Richard Bowers | .... | composer: additional music | |
| Jeff Canavan | .... | music editor | |
| Aaron J. Goldstein | .... | composer: additional music | |
Transportation Department | |||
| Rod Bearden | .... | transportation coordinator | |
| Harold L. Woods | .... | driver generator operator | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Jill Becker | .... | production coordinator | |
| Brandon Greenwood | .... | assistant production coordinator | |
| Larissa Grudt | .... | set production assistant | |
| Raymond Hernandez | .... | production assistant | |
| Chris Munday | .... | location manager | |
| Tasha Oldham | .... | script supervisor | |
| Steven D. Reese | .... | production assistant | |
| Laura Sevier | .... | rights and clearances | |
| Sandy Sfeir | .... | production accountant | |
The Cutting Edge 2 (USA) (working title)
The Cutting Edge 2: Going for the Gold (USA) (TV title)
more
Rated PG-13 for sexual situations, nudity and language.
Argentina:98 min
1.85 : 1 more
USA:PG-13 | UK:12 | Argentina:13 | Australia:PG | Singapore:PG | Iceland:L | Netherlands:AL
Oksana Baiul appears as a commentator in the opening scene of the movie. more
Continuity: When Jackie swims in the beach and is warned by Alex that she looks like she is losing her top she is wearing a large gemstone necklace. When she covers herself with her arms after losing her top, the necklace has disappeared. more
Doug Dorsey:
[after seeing Alex pick up Jackie] How come we never had to do that?
Kate Mosley Dorsey:
You were easier to train.
more
Followed by The Cutting Edge 3: Chasing the Dream (2008) (TV) more
We'll Awaken more
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| European Vacation | Trzy kolory: Bialy | The Cutting Edge | Cool Runnings | Athlete |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
The original The Cutting Edge has been a guilty pleasure for over a decade, so of course I had to see the sequel as well. I pretty much knew it would be an embarrassment from the start, and Going for the Gold certainly lived down to expectations.
I guess it would be watchable for really tolerant people (my mom enjoyed it) and it didn't quite manage to offend my cinematic sensibilities to the point where I'd start wishing plagues on every crew and cast member, but it's full of bad acting, REALLY bad dialogue, bad editing and just... ugh. It doesn't have half the charm that made the original movie a favourite among so many.
If you're craving some Cutting Edge goodness, just watch the original again.