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Lady Chatterley (2006)
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Overview
User Rating:
Release Date:
1 November 2006 (France) moreTagline:
Based on one of the most scandalous novels of our timePlot:
A French adaptation of the second (and much less well-known) version of D.H. Lawrence's erotic tale. full summary | full synopsisAwards:
10 wins & 6 nominations moreNewsDesk:
(8 articles)
Claude Miller Pairs Isabelle Carre and Marina Hands for a 'Dance' (From ioncinema. 2 July 2009)
Stephan Elliott--The Hollywood Interview
(From The Hollywood Interview. 26 May 2009, 12:30 AM, PDT)
User Comments:
A beautiful movie about the awakening of a woman's senses! moreCast
(Cast overview, first billed only)| Marina Hands | ... | Constance | |
| Jean-Louis Coullo'ch | ... | Parkin (as Jean-Louis Coulloc'h) | |
| Hippolyte Girardot | ... | Clifford | |
| Hélène Alexandridis | ... | Mrs. Bolton | |
| Hélène Fillières | ... | Hilda | |
| Bernard Verley | ... | Le père de Constance | |
| Sava Lolov | ... | Tommy Dukes | |
| Jean-Baptiste Montagut | ... | Harry Winterslow | |
| Fanny Deleuze | ... | Tante Eva | |
| Michel Vincent | ... | Marshall | |
| Colette Philippe | ... | Mrs. Marshall | |
| Christelle Hes | ... | Kate | |
| Jade Bouchard | ... | La jeune bonne | |
| Joël Vandael | ... | Field, le chauffeur | |
| Jacques De Bock | ... | Le médecin (as Jacques de Bock) |
Additional Details
MPAA:
Rated R for sexuality and graphic nudity.Parents Guide:
Add content advisory for parentsRuntime:
168 min | 220 min (TV version) (2 parts)Language:
FrenchColor:
ColorAspect Ratio:
1.66 : 1 moreCertification:
Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Portugal:M/16 (Qualidade) | Norway:11 | Ireland:16 | Finland:K-13 | Australia:M | UK:18 | South Korea:18 | USA:R | Taiwan:R-12 (original rating) | Brazil:16 | Sweden:15 | Japan:R-18 | Argentina:16 | Singapore:R21 | Hong Kong:III | Netherlands:16 | Germany:16 | New Zealand:R16Fun Stuff
Trivia:
Director Pascale Ferran scheduled six weeks of intensive rehearsal to help put the actors at ease with each other in preparation for the explicit scenes. moreGoofs:
Continuity: On the cabin porch, while drinking water, the two different glasses are switched from one character to the other between takes. moreSoundtrack:
Well-tempered Clavichord, Book I, Fugue No.2, BWV.847 moreFAQ
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I have seen the BBC adaptation of the DH Lawrence novel made by Ken Russell with Joely Richardson and Sean Bean and there is no comparison: I prefer the French adaptation even if the film is not always faithful to the book on some points (for example, in the book, Sir Clifford is having problems with his miners and his employees because he is very arrogant but in the film, Pascale Ferran does not mention these problems). The actors are maybe a little more good-looking in the BBC version but that's about it (sorry, Sean Bean). And if you want to see a film about a beautiful but bored, aristocratic woman whose sensuality is suddenly re-awakened by her meeting with the sullen, unsociable but virile Parkin/Mellors, then this film is for you. Pascale Ferran seemed to have focused her film on the love-story between Lady Constance/Connie and Parkin, the gamekeeper and the discovery or re-discovery of one's senses. That is why you have beautiful shots of nature, of magnificent trees in spring and why you have many scenes in which Constance is walking in the forest and just listening to the songs of birds. The forest is also the place where she discovers her own sensuality. The actors are brilliant, they magnificently show all sorts of emotions on their faces and the love-making scenes are all made with much reserve, with subtlety...It is all refined and very beautifully-done. I loved this Connie, I could relate to her and I loved the long pauses and the looks between the two leads, the big shots on the hands, on some legs or other parts of the body and some refined clothes. The costumes are also important. This movie reminds me a little of some scenes of The Piano by Jane Campion and if you enjoyed The Piano, I am sure you will like this French adaptation. Definitely a 'must-see'. It is a little long, more than 2 hours and a half, I think but if you are used to watching long BBC period dramas like me, you will have no fear in watching this!