| Photos (see all 48 | slideshow) | Videos (see all 18) |
Matt Greenberg (screenplay) and
Scott Alexander (screenplay) ...
(more)
22 June 2007 (USA) more
Based on the terrifying story by Stephen King more
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror. full summary | full synopsis
2 wins & 4 nominations more
Weinstein Company Announces '1408' Blu-ray
(From Bloody-Disgusting.com. 28 June 2008, 11:36 AM, PDT)
Harry Potter and the Scourge of the Cannibals
(From Studio Briefing - Film News. 24 July 2007)
Great Film more (476 total)
| John Cusack | ... | Mike Enslin | |
| Samuel L. Jackson | ... | Gerald Olin | |
| Mary McCormack | ... | Lily | |
| Tony Shalhoub | ... | Sam Farrell | |
| Len Cariou | ... | Mike's Father | |
| Isiah Whitlock Jr. | ... | Hotel Engineer | |
| Jasmine Jessica Anthony | ... | Katie | |
| Paul Birchard | ... | Mr. Innkeeper | |
| Margot Leicester | ... | Mrs. Innkeeper | |
| Walter Lewis | ... | Book Store Cashier | |
| Eric Meyers | ... | Man #1 at Book Signing | |
| David Nicholson | ... | Man #2 at Book Signing | |
| Holly Hayes | ... | Lady at Book Signing | |
| Alexandra Silber | ... | Young Woman at Book Signing | |
| Johann Urb | ... | Surfer Dude | |
| Andrew Lee Potts | ... | Mailbox Guy | |
| Emily Harvey | ... | Secretary | |
| William Armstrong | ... | Clay the Lawyer | |
| Kim Thomson | ... | Desk Clerk | |
| Drew Powell | ... | Assistant Hotel Manager | |
| Noah Lee Margetts | ... | Bellboy | |
| Gil Cohen-Alloro | ... | Maitre D' | |
| Benny Urquidez | ... | Claw Hammer Maniac | |
| Ray Nicholas | ... | Factory Owner | |
| Tina Maskell | ... | 1950s Lady | |
| Paul Kasey | ... | Kevin O'Malley | |
| George Cottle | ... | Mailbox Worker | |
| Julian Spencer | ... | Mailbox Worker | |
| William Willoughby | ... | Mailbox Worker (as Will Willoughby) | |
| Angel Oquendo | ... | Taxi Cab Driver | |
| Thomas A. McMahon | ... | Cop #1 | |
| Anthony C. Mazza | ... | Cop #2 (as Anthony Mazza) | |
| Chris Carey | ... | Fireman | |
| Kevin Dobson | ... | Priest | |
| Lily Grace Alexander | ... | 10 Year Old Girl (in director's cut only) | |
| rest of cast listed alphabetically: | |||
| Peter Conboy | ... | Man outside Hotel Fire (uncredited) | |
| Bernadette Lords | ... | Hotel Guest (uncredited) | |
| Jacob White | ... | Bellboy (uncredited) | |
Directed by | |||
| Mikael Håfström | |||
Writing credits(WGA) | ||
| Matt Greenberg | (screenplay) and | |
| Scott Alexander | (screenplay) & | |
| Larry Karaszewski | (screenplay) | |
| Stephen King | (short story) | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| Benoît Delhomme | (director of photography) (as Benoit Delhomme) | ||
Film Editing by | |||
| Peter Boyle | |||
Casting by | |||
| Elaine Grainger | |||
Production Design by | |||
| Andrew Laws | |||
Art Direction by | |||
| Stuart Kearns | |||
| Doug J. Meerdink | |||
| Mark Raggett | |||
Set Decoration by | |||
| Daniel B. Clancy | |||
| Marina Morris | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Luisa Abel | .... | key makeup artist: Los Angeles | |
| Allan A. Apone | .... | makeup artist: Mr. Jackson (as Allan Apone) | |
| John Coppinger | .... | sculptor | |
| Victor DeNicola | .... | key hair stylist: New York (as Victor De Nicola) | |
| Karl Derrick | .... | makeup effects supervisor | |
| Karl Derrick | .... | special makeup designer | |
| Jo Emberson | .... | mould maker | |
| Cindy Gardner | .... | makeup artist: New York | |
| Linda Grimes | .... | key makeup artist: New York | |
| Anthony Gueli | .... | hair stylist: New York (as Anthony Guieli) | |
| Shaune Harrison | .... | effects makeup artist | |
| Catherine Heys | .... | hair stylist | |
| Catherine Heys | .... | makeup artist (as Catherine Heyes) | |
| Pauline Heys | .... | key makeup artist (as Pauline Heyes) | |
| Deborah Hyde | .... | makeup effects buyer | |
| Deborah Hyde | .... | makeup effects coordinator | |
| Giacomo Iovino | .... | senior mould maker | |
| James Kernot | .... | mould maker | |
| Douglas Noe | .... | makeup artist: Los Angeles | |
| Marie Salandra | .... | manicurist: New York | |
| Steve Scotton | .... | mould maker | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson (as Robert Stevenson) | |
| Suzanne Stokes-Munton | .... | hair department head | |
| Suzanne Stokes-Munton | .... | makeup department head | |
| Xanthia White | .... | hair stylist: second unit | |
| Xanthia White | .... | makeup artist: second unit | |
| Pippa Woods | .... | effects makeup artist | |
| Denise Wynbrandt | .... | hair stylist: Mr. Cusack | |
| Denise Wynbrandt | .... | makeup artist: Mr. Cusack | |
Production Management | |||
| John Anthony | .... | production supervisor | |
| Mark Grimwade | .... | unit manager | |
| Michael Jackman | .... | executive in charge of post-production | |
| Dana Robin | .... | unit production manager | |
| Jessie Thiele | .... | post-production supervisor | |
| Gabriela Vázquez | .... | unit production manager | |
| Elena Zokas | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Daniela Barbosa | .... | second second assistant director: New York | |
| Sarah Brand | .... | third assistant director: second unit | |
| Joey Coughlin | .... | third assistant director | |
| John Greaves | .... | second unit director | |
| Sean Guest | .... | first assistant director (as Sean Cameron Guest) | |
| James Haven | .... | second assistant director | |
| Kyle Hollingsworth | .... | dga trainee | |
| Jessica Hurles-Laws | .... | first assistant director: second unit (as Jessica Hurles) | |
| Sarah MacFarlane | .... | second second assistant director | |
| John M. Morse | .... | second second assistant director: Los Angeles (as John Morse) | |
| Kenyon Noble | .... | additional second assistant director: New York | |
| Richard Oswald | .... | second assistant director: Los Angeles | |
| David 'Wex' Wechsler | .... | first assistant director: reshoots/additional photography | |
| Jane Chase Wells | .... | second assistant director: New York | |
Art Department | |||
| Scott Bauer | .... | property master: additional photography | |
| Tristan Carlisle-Kitz | .... | dressing props | |
| John Coppinger | .... | sculptor | |
| Julia Dehoff | .... | assistant art director | |
| Laura Dishington | .... | graphic designer | |
| Todd Ellis | .... | property master: Los Angeles | |
| Dave Fisher | .... | chargehand stand-by props | |
| Dean Fisher | .... | stand-by prop | |
| Gordon Fitzgerald | .... | propmaster | |
| Sarah Forbes | .... | assistant production buyer | |
| Colin H. Fraser | .... | construction manager | |
| Emma Godwin | .... | assistant production buyer | |
| John Greaves | .... | storyboard artist | |
| Kate Halsall | .... | art department assistant | |
| Lee Hedges | .... | dressing prop daily | |
| Mark Hedges | .... | prop storeman | |
| Roxy Konrad | .... | art department coordinator | |
| Dougie Lankston | .... | dressing prop daily | |
| Eric Luling | .... | on-set dresser: Los Angeles unit | |
| Nick Milner | .... | stand-by props: second unit | |
| Rhian Nicholas | .... | stand-by art director (as Rhian Nicolas) | |
| Steve Payne | .... | dressing prop | |
| Mike Piccirillo | .... | art department coordinator: re-shoots | |
| Chris Samp | .... | stand-by painter: Los Angeles unit | |
| Bob Sherwood | .... | chargehand dressing prop | |
| Julie Smith | .... | set decorator: Los Angeles | |
| Chris Snyder | .... | construction coordinator: re-shoots | |
| Adrian Start | .... | supervising painter | |
| Keith Stevenson | .... | props | |
| Eric Sundahl | .... | art director: Los Angeles | |
| Anthony Szuch | .... | drapes master | |
| Daniel Thompson | .... | stand-by carpenter | |
| Oscar Thompson | .... | leadman | |
| Kate Venner | .... | production buyer | |
| Howard Weaver | .... | scenic artist | |
| Adam L. Barker | .... | paint supervisor: re-shoots (uncredited) | |
| Derek Scouler | .... | set dresser (uncredited) | |
Sound Department | |||
| Philip Alton | .... | adr editor | |
| Philip Alton | .... | dialogue editor | |
| Ricky Butt | .... | foley artist | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Jeff Erdmann | .... | boom operator | |
| Amber Howorth | .... | cable person | |
| Craig Irving | .... | sound re-recording mixer | |
| Alex Joseph | .... | foley supervisor | |
| Richard Kondal | .... | assistant foley editor | |
| Mark Lafbery | .... | foley mixer | |
| Cecilia Lanzi | .... | sound | |
| Francis Ward Lindsay | .... | foley | |
| Conor Mackey | .... | assistant sound editor | |
| Steve Mayer | .... | sound effects editor | |
| Kevin McCue | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Nigel Mills | .... | sound designer | |
| Nigel Mills | .... | supervising sound editor | |
| Abel Schiro | .... | boom operator | |
| Brian Simmons | .... | sound mixer | |
| Steve Single | .... | sound re-recording mixer | |
| Greg Steele | .... | adr mixer | |
| Ruth Sullivan | .... | foley artist | |
| Colin Wood | .... | boom operator | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Andy Aitken | .... | special effects technician: second unit | |
| Mark Bero | .... | special effects coordinator: New York | |
| Caimin Bourne | .... | special effects technician | |
| Gordon Cave | .... | special effects engineer | |
| Lisa Chadwick | .... | special effects modeler | |
| Paige Chaytor | .... | special effects buyer | |
| Ryan Conder | .... | special effects assistant technician | |
| Ian Corbould | .... | special effects floor supervisor | |
| Jamie Corbould | .... | special effects trainee | |
| Christopher Corbould Jr. | .... | special effects trainee (as Chris Corbould Jr.) | |
| Paul Corbould | .... | special effects supervisor | |
| David Dunsterville | .... | senior special effects technician | |
| Joe Halford | .... | special effects technician (as Joseph Halford) | |
| Simon Hewitt | .... | special effects technician | |
| Matthew Horton | .... | senior special effects technician | |
| Robert Jones | .... | special effects technician | |
| Stuart Kerr | .... | special effects technician | |
| David Kirshoff | .... | special effects technician: New York | |
| Ian Lowe | .... | senior special effects technician | |
| Roger Mann | .... | special effects technician | |
| Jason McCameron | .... | special effects workshop supervisor | |
| Neil McKelvey | .... | assistant special effects buyer | |
| Huw Millar | .... | special effects assistant | |
| Hugh Miller | .... | special effects technician: second unit | |
| Tim Mitchell | .... | special effects senior technician (as Timothy Mitchell) | |
| Greg Morgan | .... | senior technician | |
| Roy Savoy | .... | special effects technician: New York | |
| Steve Scotton | .... | special effects makeup | |
| Ty Senior | .... | lead special effects technician | |
| Nigel Sinclair | .... | special effects engineer | |
| Steven Warner | .... | special effects floor supervisor: second unit (as Steve Warner) | |
| Steven Warner | .... | special effects technician | |
| Daniel Williams | .... | special effects engineer | |
| Gareth Wingrove | .... | special effects senior technician | |
Visual Effects by | |||
| Eri Adachi | .... | rotoscope artist: Rainmaker | |
| Lucy Ainsworth-Taylor | .... | visual effects | |
| Louie Alexander | .... | digital compositor: Framestore-CFC | |
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Kate Auld | .... | digital compositor: main opening title | |
| Richard Bain | .... | digital artist: BainVFX | |
| Graeme Baitz | .... | rotoscope artist: Rainmaker | |
| Ben Baker | .... | head of digital lab: Framestore-CFC DI | |
| Andrew Barker | .... | visual effects line producer | |
| Rodrigo Bernardo | .... | systems engineer | |
| Julian Blom | .... | animation coordinator: MPC | |
| William Blunden | .... | visual effects editor | |
| Turea Blyth | .... | visual effects editorial: Framestore | |
| Izet Buco | .... | compositing artist: MPC | |
| Andy Burrow | .... | scanning & recording manager | |
| Earle Stuart Callender | .... | visual effects producer: Rainmaker UK | |
| Francesca Canducci | .... | retouch and restoration | |
| Felipe Canfora | .... | digital artist | |
| James Clarke | .... | scanning and recording supervisor: LipSync Post | |
| Tom Collier | .... | digital compositor: LipSync Post | |
| Neil Culley | .... | compositing supervisor: LipSync Post | |
| Mark Curtis | .... | composite artist: MPC | |
| David Dozoretz | .... | visual effects supervisor: Persistence of Vision | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| Michael Elson | .... | executive producer: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Sean Farrow | .... | visual effects supervisor (as Sean H. Farrow) | |
| Marco Fiorani Parenzi | .... | digital artist: The Senate VFX | |
| Richard Fox | .... | digital artist: The Senate VFX | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker UK | |
| Adam Glasman | .... | DI colourist | |
| Richard Gomes | .... | CG artist: MPC | |
| Metin Gungor | .... | visual effects artist: Senate Visual Effects | |
| Jeremy Hall | .... | visual effects producer | |
| Alistair Hamer | .... | film mastering engineer | |
| Mick Harper | .... | digital artist: The Senate VFX | |
| Mark Harrison | .... | digital artist | |
| Pete Hartless | .... | visual effects coordinator: The Senate VFX (as Peter Hartless) | |
| Adam Hawkes | .... | digital compositor: Framestore-CFC | |
| James Heath | .... | visual effects artist: Senate Visual Effects | |
| Barrie Hemsley | .... | visual effects executive producer | |
| Sarah Hemsley | .... | visual effects producer: The Senate VFX | |
| Paul Hendriks | .... | roto artist | |
| Jeremy Hey | .... | digital compositor | |
| Matt Hicks | .... | visual effects supervisor: MPC | |
| Richard Higham | .... | digital artist: The Senate VFX | |
| Jan Hogevold | .... | executive producer: Framestore CFC | |
| Uel Hormann | .... | visual effects supervisor | |
| Greg Howe-Davies | .... | digital compositor: LipSync Post | |
| Lorea Hoye | .... | visual effects producer: LipSync Post | |
| Simon Hughes | .... | lead digital compositor: Rainmaker UK | |
| Henry Jefferson | .... | digital compositor: LipSync Post | |
| Christian Jelen | .... | digital artist | |
| Yan Jennings | .... | film mastering engineer | |
| Merrin Jensen | .... | visual effects producer: MPC (as Merrin Jenson) | |
| David Johnston | .... | digital lab operator | |
| Elaine Kieran | .... | software research and development: MPC | |
| Tom Kimberley | .... | compositor: Rainmaker UK | |
| Dean Koonjul | .... | digital compositor: Rainmaker UK | |
| Brian Krijgsman | .... | additional colourist: Framestore CFC | |
| Paul Kulikowski | .... | compositing artist: MPC | |
| Danius Kvedaras | .... | digital compositor: LipSync Post | |
| Sharon Lark | .... | visual effects producer | |
| Aaron Lear | .... | digital cleanup artist: Framestore CFC | |
| Simon Leech | .... | visual effects supervisor: The Senate VFX | |
| Richard Little | .... | senior compositor: Baseblack | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Kevin Lowery | .... | high definition engineer | |
| Alasdair MacCuish | .... | scanning and recording producer: Lipsync Post | |
| Tom Mangat | .... | rotoscope artist | |
| Veronica Marcano | .... | scanning and recording operator: Framestore | |
| David Margolis | .... | visual effects artist: Senate Visual Effects | |
| Marlin McGlone | .... | data operative | |
| Andy Middleton | .... | CG artist: MPC | |
| Warren J. Mills | .... | roto artist: The Senate VFX (as Warren Mills) | |
| James Nicholl | .... | digital artist: LipSync Post | |
| Stuart Nippard | .... | conform editor | |
| Collette Nunes | .... | visual effects editor: Rainmaker UK | |
| Roma O'Connor | .... | executive producer: Rainmaker UK | |
| Jonathan Opgenhaffen | .... | lead CG artist: Rainmaker UK | |
| Kim Phelan | .... | visual effects line producer: LipSync Post | |
| Glen Pratt | .... | senior compositor: LipSync Post | |
| Ingo Putze | .... | lead matte painter | |
| Edward Randolph | .... | visual effects coordinator: Baseblack | |
| Gareth Repton | .... | digital artist: The Senate VFX | |
| Angela Rose | .... | digital compositor: LipSync Post | |
| Jimmy Saul | .... | scanning and recording | |
| Liz Scully | .... | lighting lead: MPC | |
| Ben Shepherd | .... | visual effects supervisor: Cinesite | |
| Jennifer Silver | .... | visual effects producer | |
| Samantha Spacey | .... | visual effects line producer: The Senate VFX | |
| Nick Stanley | .... | retouch and restoration | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Giuseppe Tagliavini | .... | digital compositor: MPC (as Guiseppe Tagliavini) | |
| Odean Thompson | .... | retouch and restoration: Framestore-CFC | |
| Matthew Tinsley | .... | digital compositor (as Mathew Tinsley) | |
| Luigi Tommaseo | .... | network and operations: The Senate VFX | |
| Samantha Tracey | .... | visual effects coordinator: LipSync Post | |
| Tom Truscott | .... | digital artist: The Senate VFX | |
| Adam Valdez | .... | CG artist: MPC | |
| John Van Hoey Smith | .... | digital compositor | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Simon Whalley | .... | producer: title sequence | |
| Sheila Wickens | .... | head of compositing: LipSync Post | |
| Robert A. Willis | .... | visual effects producer: MPC | |
| Doug Winder | .... | texture/matte painter | |
| Max Wood | .... | CG artist: MPC | |
| Rachel Wright | .... | digital artist: The Senate VFX | |
| Anton Yri | .... | digital artist: The Senate VFX | |
| Nikos Gatos | .... | digital artist: previz, The Senate VFX (uncredited) | |
| John Inch | .... | retouch and restoration (uncredited) | |
| Sam Lucas | .... | cg artist: Cinesite (uncredited) | |
| Dan Warder | .... | data operator (uncredited) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator: Los Angeles (as Greg Barnett) | |
| Jeffrey G. Barnett | .... | stunts | |
| Christian Eric Billings | .... | stunt double | |
| Todd Bryant | .... | stunts | |
| Chris Carey | .... | stunts | |
| George Cottle | .... | stunt performer | |
| Jamie Edgell | .... | safety diver | |
| Sarah Franzl | .... | stunt performer | |
| David Garrick | .... | stunt double | |
| Paul Herbert | .... | stunt coordinator | |
| Rob Inch | .... | stunt performer | |
| Rob Inch | .... | utility stunts | |
| Rowley Irlam | .... | stunts | |
| Chris Kerner | .... | surf stunts | |
| Mark Kubr | .... | stunts and water safety | |
| Derek Lea | .... | stunt performer | |
| Tina Maskell | .... | stunts | |
| Tim Mikulecky | .... | stunt double | |
| Mark Mottram | .... | stunt performer | |
| Mark Mottram | .... | stunt supervisor: second unit | |
| Benny Urquidez | .... | fight coordinator | |
| Benny Urquidez | .... | stunts | |
| Bill Weston | .... | stunt performer | |
| William Willoughby | .... | stunts | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting (as Louis Ellman) | |
| Sylvia Fay | .... | extras casting: New York | |
| Lee Genick | .... | extras casting: New York | |
| Karen Meisels | .... | casting: Los Angeles | |
| Ali Merhi | .... | casting associate | |
| Kate Ringsell | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jill Anderson | .... | costume supervisor: New York | |
| Natalie Arango | .... | costumer | |
| Nigel Boyd | .... | costume supervisor: Los Angeles | |
| Barbara Brady | .... | wardrobe assistant | |
| Mark Ferguson | .... | assistant costume designer | |
| Lotta Haggqvist | .... | costume fabricator (as Lotta Haggkvist) | |
| Askia Won-Ling Jacob | .... | dresser: Mr. Jackson (as Askia Jacob) | |
| Askia Won-Ling Jacob | .... | stylist: Mr. Jackson (as Askia Jacob) | |
| Amber Jordyn | .... | assistant to costume designer | |
| Rachel Leek | .... | set costumer: New York | |
| Veronica Murtagh | .... | costume fabricator | |
| David Otzen | .... | costume assistant | |
| Vicente Parada | .... | set costumer: Los Angeles | |
| Jane Petrie | .... | assistant costume designer | |
| Martin Rezard | .... | design illustrator | |
| Tara Sanovich | .... | set costumer: Los Angeles | |
| Laura Sewrey | .... | costumer | |
| Tamsin Wright | .... | wardrobe assistant | |
| Esme Young | .... | costume maker | |
| Katie Hill | .... | costume assistant: 2nd Unit (uncredited) | |
Editorial Department | |||
| Alex Anstey | .... | second assistant editor | |
| William Blunden | .... | assistant editor: shoot only | |
| Stephen Boucher | .... | first assistant editor | |
| Cara Cheeseman | .... | post-production coordinator | |
| Adam Glasman | .... | digital film colourist | |
| Brian Krijgsman | .... | additional digital film colorist | |
| Kathryn Morey | .... | trainee assistant editor | |
| Maria Stroka | .... | digital intermediate producer | |
| Liz Richards | .... | assistant post-production coordinator (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Becky Bentham | .... | music coordinator | |
| Sophie Cornet | .... | music editor: temp music | |
| Crouch End Festival Chorus | .... | musician: choir | |
| Andrew Dudman | .... | music mixer | |
| Andrew Dudman | .... | music scoring engineer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Allan Jenkins | .... | additional music editor | |
| Lewis Jones | .... | music mixer assistant | |
| Stephen Marshall | .... | assistant music engineer | |
| Gerard McCann | .... | music editor: temp music | |
| Jill Meyers | .... | music business affairs | |
| David Temple | .... | chorus master | |
| Charlotte Trinder | .... | assistant orchestra contractor | |
| Robin Urdang | .... | music consultant | |
| Kirsty Whalley | .... | music arranger | |
| Kirsty Whalley | .... | music editor | |
| Kirsty Whalley | .... | synthesizer programmer | |
| Rolf Wilson | .... | musician: violin solos | |
| Rolf Wilson | .... | orchestra leader | |
| Gabriel Yared | .... | music arranger | |
Other crew | |||
| Darren Agnew | .... | title designer | |
| Claire Alderton | .... | stand-in: Mary McCormack | |
| Catherine Allinson | .... | script supervisor | |
| Cassandra Barbour | .... | rights and clearances | |
| Holly Bates | .... | cashier | |
| Julian Beattie | .... | set runner | |
| Danielle Bennett | .... | production runner | |
| Caroline Bowker | .... | script supervisor: second unit | |
| Michael T. Brady | .... | marine safety: Los Angeles (as Mike Brady) | |
| Kate Brontë-Stewart | .... | set production assistant | |
| Briana Burke | .... | location manager | |
| Jennifer Clark | .... | accountant: re-shoot | |
| Susan d'Arcy | .... | unit publicist (as Sue Darcy) | |
| Doug Dearth | .... | assistant: Mr. Cusack | |
| Giles Edleston | .... | location scout | |
| Peter Edwards | .... | fire safety | |
| Adam Englander | .... | hands double | |
| Adam Feingold | .... | office production assistant: additional photography | |
| Ray Felipe | .... | clearances | |
| Paul Fischer | .... | work experience runner | |
| Dave Fishlock | .... | fire safety | |
| Russell Ford | .... | assistant: Mr. Håfström | |
| Lily Garcia | .... | set production assistant: Los Angeles | |
| Audra Gorman | .... | location manager | |
| David Hensher | .... | floor runner: Mr. Håfström | |
| Rick Hicks | .... | boat wrangler: Los Angeles | |
| Una Hill | .... | production coordinator | |
| Isabella Hyams | .... | assistant: Mr. di Bonaventura (as Izzy Hyams) | |
| Jim Jaffe | .... | product placement | |
| Kris A. Jeffrey | .... | marine safety: Los Angeles (as Kris Jeffrey) | |
| Stuart Johnson | .... | fire safety | |
| Pat Karam | .... | location manager | |
| Rita Kozma | .... | first assistant accountant | |
| Katie Kramer | .... | production assistant | |
| Ashley Kravitz | .... | clearances | |
| Alex Krimm | .... | marine technician: Los Angeles | |
| Francis Lambert | .... | construction medic | |
| Jennifer Lambert | .... | unit nurse | |
| Harry Lapham | .... | key unit production assistant | |
| Lee David Lee | .... | location scout | |
| Aurelie Levy | .... | assistant: Mr. Cusack | |
| Michael J. Linowes | .... | legal counsel | |
| Sandrine Loisy | .... | set production assistant | |
| Casey Madigan | .... | set production assistant | |
| Faya Madrid | .... | production: second unit | |
| Emma Mallett | .... | assistant production coordinator | |
| Aine McAteer | .... | chef: Mr. Cusack | |
| Tyrone McCoy | .... | assistant: Mr. Jackson (as Ty McCoy) | |
| Andrew McCulloch | .... | assistant production coordinator: additional photography | |
| Isaac Mejía | .... | set production assistant: Los Angeles | |
| Tenita Murray | .... | first accountant | |
| Jean Nakahara | .... | production coordinator: Los Angeles | |
| Laurence Newman | .... | fire safety | |
| Matthew H. O'Connor | .... | marine technician: Los Angeles (as Matt O'Connor) | |
| Lexie Otto | .... | assistant: Mr. Di Bonaventura | |
| Greg Outcalt | .... | production coordinator: New York | |
| Chris Papajohn | .... | marine coordinator: Los Angeles | |
| Michelle Pianca | .... | assistant location manager | |
| Linda Pianigiani | .... | assistant: Mr. di Bonaventura | |
| Julie Platner | .... | assistant production office coordinator | |
| Frances Richardson | .... | payroll accountant | |
| Tricia Ronten | .... | script supervisor | |
| Laura Sevier | .... | rights and clearances | |
| Colby Shrefler | .... | location assistant: New York | |
| Bertie Spiegelberg | .... | production secretary | |
| Roy Squires | .... | fire safety | |
| Suzy Strawn | .... | set tutor | |
| Taylor Thompson | .... | production assistant: re-shoots | |
| Kevin Tuffley | .... | fire safety | |
| Benny Urquidez | .... | personal trainer: Mr. Cusack (as Benny 'The Jet' Urquidez) | |
| Sara Webster | .... | office production assistant | |
| Simon Whalley | .... | title producer | |
| Nicole Willared | .... | product placement | |
| Gabe Caldera | .... | production assistant: additional photography (uncredited) | |
| Keegan Wilcox | .... | production assistant (uncredited) | |
Thanks | |||
| Wendy Neel Brogan | .... | special thanks | |
Rated PG-13 for thematic material including disturbing sequences of violence and terror, frightening images and language.
104 min | 112 min (director's cut)
2.35 : 1 more
SDDS | Dolby Digital | DTS
Canada:13+ (Quebec) | USA:PG-13 (certificate #43561) | UK:15 | Ireland:15A | Singapore:PG | South Korea:15 | Hong Kong:IIB | Finland:K-13 | Germany:16 | Netherlands:16 | Portugal:M/16 | Philippines:PG-13 | Taiwan:PG-12 | Malaysia:18PL | Italy:T | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Chile:Y7 | Argentina:13 | France:U (with warning) | Norway:15 | Sweden:15 | Israel:16 | New Zealand:M | Australia:M | Iceland:16 | South Africa:13V | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Denmark:15
Elstree Film Studios, Borehamwood, Hertfordshire, England, UK more
At one point in the movie Mike wears a hat that says "Paranoia is total awareness". This is a nod to one of Stephen King's favorite quotes, "Perfect paranoia is perfect awareness". more
Plot holes: If the room receives a "light turn" once every month, why are there bloodstains showing up on the sheets under the UV light? more
Mike Enslin: [after the toilet paper has been turned down, and the chocolates appear] Finally! Something to for me to write about! A ghost that offers turn down service! more
Referenced in 2007 MTV Movie Awards (2007) (TV) more
We've Only Just Begun more
|
|
|
|
|
| Mirrors | Kaidan | The Shining | L'uccello dalle piume di cristallo | King of the Rocket Men |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
First of all a few months ago, I wrote a review for Dead Silence. I don't remember a lot of what I said for that movie, but I do know that in a world of Saw, Hostel, and other movies that try to be horror but can't make the grade, I felt that Dead Silence was a breath of fresh air.
After watching 1408 I know that the REAL breath of fresh air is the amazing almost 1 man performance of John Cusack, as well as the great support work by Samuel L. Jackson and Mary McCormack.
This is a movie that not only made me jump at certain times like Dead Silence did, but it also made me legitimately scream out in fear of a particular scene involving John Cusack on a ledge on the 14th story of a building. I guess my fear of heights also had something to do with it.
This is a movie for guys to take women that they like to, so that when the real scary parts do kick in, the classic jump-into-your-lap-in-terror will happen.
Don't be fooled by the pansy PG-13 rating. It is very scary and even though I didn't read the Steven King book of the same name, I feel that this totally captures King's own personal sense of fear. I definitely give this 10 out of 10 because this is without a doubt one of the most frightening (and I mean that in a good way, not in a crappy slit your wrists because Showgirls sucks kind of way) movies to come out in a very long time.
So go and see it, enjoy it,and let's hope that maybe Hollywood can give us REAL horror movies instead of the cheap, lame wannabes that have disgraced our movie screens before this film came out.