Babel (2006)

User Rating:

7.7/10   

Director:

Alejandro González Iñárritu

Writers (WGA):

Guillermo Arriaga (written by)
Guillermo Arriaga (idea) ...

Release Date:

10 November 2006 (USA)

Genre:

Drama

Tagline:

If You Want to be Understood...Listen

Plot:

Tragedy strikes a married couple on vacation in the Moroccan desert, touching off an interlocking story involving four different families.

Plot Keywords:

Rifle | Children | Mexican | Morocco | Mexico

Awards:

Won Oscar. Another 27 wins & 75 nominations

Cast

Brad Pitt	...	Richard Jones
Cate Blanchett	...	Susan Jones
Mohamed Akhzam	...	Anwar
Peter Wight	...	Tom
Harriet Walter	...	Lilly
Trevor Martin	...	Douglas
Matyelok Gibbs	...	Elyse
Georges Bousquet	...	Robert
Claudine Acs	...	Jane
André Oumansky	...	Walter
Michael Maloney	...	James
Dermot Crowley	...	Barth
Wendy Nottingham	...	Tourist #1
Henry Maratray	...	Tourist #2
Linda Broughton	...	Tourist #3

Also Known As:

Babel (France)

MPAA:

Rated R for violence, some graphic nudity, sexual content, language and some drug use.

Runtime:

143 min

Country:

France | USA | Mexico

Language:

English | Arabic | Spanish | Japanese | Japanese Sign Language | Berber | French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Ireland:16 | Finland:K-15 | Canada:18A (British Columbia) | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | USA:R (certificate #42677) | Sweden:11 | Canada:13+ (Quebec) | Canada:14A (Alberta/Manitoba/Ontario) | Denmark:15 | UK:15 | Norway:15 | Australia:MA | New Zealand:R16 | Singapore:M18 | Iran:18+ | Germany:16 | Hong Kong:IIB | Brazil:16 | South Africa:16 (LN) | Portugal:M/12 | Argentina:18 | South Korea:18 | Malaysia:18PL | France:U | Philippines:PG-13 (MTRCB) | Japan:PG-12 | Netherlands:12 | Netherlands:12 (DVD rating) | Czech Republic:15 | Iceland:16

Filming Locations:

Azabu-Juban, Tokyo, Japan

Company:

Paramount Pictures

Trivia:

The shallow depth of field in Chieko's sequences is a nod to the photography of Mona Kuhn. Most of Kuhn's photos have shallow focus, a concept used by the filmmakers to emphasize Chieko's deafness and isolation.

Goofs:

Continuity: When Chieko and Detective Mamiya are out on the balcony, there are no buildings close to hers when he is looking at the view they have from above the 30th floor. Later Chieko is on the balcony, nude, and her father comes to comfort her. As the movie ends, a long shot of their balcony is shown from their balcony's height and there are two buildings, one the same height, and one taller, right next to theirs that were not there earlier.

Quotes:

[first lines]
Hassan: It's almost new. Three hundred cartridges. The guy who gave it to me said you can hit as far as three kilometers.

Movie Connections:

Referenced in "Saturday Night Live: Alec Baldwin/Christina Aguilera (#32.5)" (2006)

Soundtrack:

Can I Be Forgiven?

A Powerful Conclusion to Iñárritu's Trilogy

"Babel" represents director Alejanrdo Gonzalez Iñárritu's conclusion to a trilogy that begins with "Amores Perros" and continues with "21 Grams". That being said, if you have seen either of those films and did not like them, it is probably fair to assume that you will not like "Babel" either. Thematically and stylistically, this film continues in the same direction, but increases in scope, illustrating that one incident can trigger a devastating series of events all around the globe.

Like "21 Grams", "Babel" is constructed as a puzzle, with different pieces transpiring during different times and in different places. Many viewers will no doubt see similarities to Paul Haggis' "Crash" which explores similar issues; however Iñárritu's piece places more emphasis on human emotion and requires the viewer to be much more participative in the interpretation of themes and ideas.

The film is set into motion when the young sons of a Moroccan goat herder get careless with a new rifle and accidentally shoot an American tourist (Cate Blanchett) traveling with her husband (Brad Pitt). This one act sets off a series of tragedies with global implications. American officials interpret this as an act of terrorism and of course the media reflects this accordingly. There is a story of the couple's undocumented nanny who juggles taking care of their kids while attending her own son's wedding in Mexico. In my favorite story, a deaf Japanese girl (Rinko Kikuchi) struggles with her mother's recent suicide and a father who is emotionally distant. This story doesn't reveal its connection to the others until late in the film, but it is undoubtedly the most poignant.

At its core, "Babel" is about the difficulty of human communication and even though stories unfold in four different countries and in five languages (English, Arabic, Spanish, Japanese, and Sign); language is far from the principal obstacle. This film is more concerned with cultural assumptions and biases that tend to obscure reality and how our perceived differences keep us from connecting to each other. There are many reasons to recommend "Babel", but most of all because of its astounding ability to cope with issues of global importance while also presenting characters whose individual struggles are no less compelling.