The Painted Veil (2006)

User Rating:

7.6/10   

Director:

John Curran

Writers (WGA):

Ron Nyswaner (screenplay)
W. Somerset Maugham (novel)

Release Date:

19 January 2007 (USA)

Genre:

Drama | Romance

Tagline:

Sometimes the greatest journey is the distance between two people

Plot:

A British medical doctor fights a cholera outbreak in a small Chinese village, while also being trapped at home in a loveless marriage to an unfaithful wife.

Plot Keywords:

Bathtub | Expatriate | Marriage | Orphanage | Mother Superior

Awards:

Won Golden Globe. Another 4 wins & 3 nominations

Cast

Catherine An	...	Hostess
Bin Li	...	Te-Ming
Bin Wu	...	Student 1
Alan David	...	Mr. Garstin
Marie-Laure Descoureaux	...	Sister St. Joseph
Sally Hawkins	...	Mary
Juliet Howland	...	Dorothy Townsend
Toby Jones	...	Waddington
Lorraine Laurence	...	Sister Maryse
Johnny Lee	...	Angry Chinese Man
Li Feng	...	Sung Ching
Gesang Meiduo	...	Amah
Edward Norton	...	Walter Fane
Yin Qing	...	Student 2
Ian Renwick	...	Geoffrey Denison

MPAA:

Rated PG-13 for some mature sexual situations, partial nudity, disturbing images and brief drug content.

Runtime:

USA:125 min | Argentina:125 min

Country:

China | USA

Language:

Mandarin | English | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital

Certification:

Malaysia:(Banned) | Singapore:NC-16 | Finland:K-11 | Ireland:12A | Hong Kong:IIA | Denmark:11 | UK:12 (DVD rating) | UK:12A (original rating) | South Korea:15 | Canada:G (Quebec) | Portugal:M/12 (Qualidade) | Canada:PG (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | USA:PG-13 (certificate #42973) | France:U | Argentina:13 | Australia:M | Sweden:11

Filming Locations:

Beijing Film Studio, Beijing, China

Company:

WIP

Trivia:

Nicole Kidman was considered for the leading role.

Goofs:

Continuity: In the scene in the orphanage where Walter kisses Kitty goodbye before he leaves for the camp, Kitty is sleeping with a child in her arms. The child is lying on his side as Walter kisses her, then a wider angle is shown and the child is all of a sudden sleeping on his back.

Quotes:

Walter Fane: It was silly of us to look for qualities in each other that we never had.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2007-01-06)" (2007)

Soundtrack:

A La Claire Fontaine

Exquisitely Layered, Haunting, and Clever Period Romance

John Curran's nearly pitch perfect film adaptation of W. Somerset Maugham's "The Painted Veil" begins slowly and patiently, with leisurely flashbacks that elliptically bring us to a singularly absurd predicament: circa 1925, a British doctor (Edward Norton in his second romantic lead following "The Illusionist") has brought his lovely young wife (an entrancing Naomi Watts) into the middle of a Chinese cholera epidemic purely out of spite. It's a wickedly clever little set-up that becomes increasingly more complex and absorbing.

The note-perfect and delicately layered performances of Watts and Norton, two thespians typically acclaimed for their edgy and independent work and playing against type, are anchored with the literary genius of Maugham and Curran's keen eye and steady hand behind the camera. It's all perfectly accentuated by the brilliantly subversive music score by Alexandre Desplat (doing his best work since "Birth"). These cleverly designed elements coalesce deliciously into a fully fleshed-out whole, and allow "The Painted Veil" to grow in your mind organically and slowly slip under your skin like an infectious disease.

Ron Nyswaner does a great job of translating Maugham's writing to the screen. Virtually nothing is lost. That keen British wit, the dramatic sense of irony, and the sincere exploration of many heady themes including loveless marriages, adultery, imperialism, charity, religion, and redemption are all captured beautifully by director Curran and screenwriter Nyswaner. Watts and Norton are given plenty to chew on, not only great lines, but great scenes full of lush scenery, and beautiful and textured visual details that serve as perfect backdrops for their complex and unpredictable relationship.

Back in the heyday of Merchant-Ivory, it seemed like this type of literary minded period-piece was a dime a dozen. There hasn't been a hugely successful film of this type since 1996's "The English Patient." We haven't seen a worthwhile film in this genre since Neil Jordon's underrated "The End of the Affair" in 1999, which not coincidentally was an adaptation of one of the great novels from Maugham's fellow Brit and contemporary, Graham Greene, and addressed many of the same themes.

What "The Painted Veil" lacks in epic sweep it makes up for in scores with its nuanced performances and subversive outlook on romance and true love. Its finely landscaped images of China are transfixing, but it's the look on Norton's face when he realizes the woman his wife has become, and the glimmer of a tear forming in Watts' eye when she realizes what she's done that will haunt you.