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IMDb > U-Carmen e-Khayelitsha (2005)

U-Carmen e-Khayelitsha (2005) More at IMDb Pro »


Overview

User Rating:
6.8/10   325 votes
Director:
Mark Dornford-May
Writers:
Mark Dornford-May (writer)
Ludovic Halévy (opera)
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Release Date:
1 April 2005 (Greece) more
Genre:
Musical | Drama | Romance more
Plot:
A version of Georges Bizet's Carmen, set in a modern-day South African township. full summary | add synopsis
Awards:
1 win more
NewsDesk:
South African 'Carmen' Wins at Berlinale (From Studio Briefing. 21 February 2005)
User Comments:
There is hope more

Cast

 (Credited cast)
Pauline Malefane ... Carmen
Andile Tshoni ... Jongikhaya
Lungelwa Blou ... Nomakhaya
Zweilungile Sidloyi ... Lulamile Nkomo (as Zorro Sidloyi)
Andries Mbali ... Bra Nkomo
Zamile Gantana ... Captain Gantana
Andiswa Kedama ... Amanda
Ruby Mthethwa ... Pinki
rest of cast listed alphabetically:
Ross Garland ... Policeman
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Additional Details

Also Known As:
U-Carmen (South Africa: English title) (DVD title)
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Runtime:
USA:122 min | Germany:120 min
Country:
South Africa
Language:
Xhosa
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital
Certification:
Netherlands:12 | Singapore:PG | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Ireland:PG
Filming Locations:
Khayelitsha, South Africa
MOVIEmeter: ?
V 37% since last week why?
Company:
Spier Films more

Fun Stuff

Movie Connections:
Version of Carmen (1913/I) more
Soundtrack:
Carmen more

FAQ

This FAQ is empty. Add the first question.
2 out of 2 people found the following comment useful:-
There is hope, 12 June 2008
10/10
Author: vanwilgen from United States

Call me a softy, or sentimental, but merging two ancient traditions to see it not only work but enforce each other is nothing short of a miracle. I think it's a victory for the human experience to discover that boundaries are artificial and should be disposed of. I think the clinking and clonking of the stairs and the passing trains during the final scene are plea for honesty and integrity in contemporary cinema. It also shows how stuck up we are in today's operatic environment. The ability to suggest leniency towards what is real in this movie is absolutely brilliant. Watching a movie like this one gives me hope that there are still people out there who believe movie making is a form of expression of what we believe freedom should feel like. Another encouraging element is the sense of community that this movie is exhaling without romanticizing the life of the poor; they're proud of their community, they're proud of their traditions and they love to show it (although no animals were harmed). The only problem I have is that I will never be able to see Carmen, the opera, in the traditional way again. On the other hand, think of the possibilities, Hamlet in the rain forest, Ibsen in Tehran, Brecht in Mumbai - thinks are looking up in the world.

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