Good Night, and Good Luck. (2005)

User Rating:

7.7/10   

Director:

George Clooney

Writers (WGA):

George Clooney (written by) &
Grant Heslov (written by)

Release Date:

14 October 2005 (USA)

Genre:

Drama | History

Tagline:

We will not walk in fear of one another.

Plot:

Broadcast journalist 'Edward R. Murrow (I)' looks to bring down Senator Joseph McCarthy.

Plot Keywords:

Senator | Journalist | Communism | Wisconsin | 1950s

Awards:

Nominated for 6 Oscars. Another 22 wins & 61 nominations

Cast

Jeff Daniels	...	Sig Mickelson
David Strathairn	...	Edward R. Murrow
Alex Borstein	...	Natalie
Rose Abdoo	...	Millie Lerner
Dianne Reeves	...	Jazz Singer
Peter Martin	...	Pianist
Christoph Luty	...	Bassist
Jeff Hamilton	...	Drummer
Matt Catingub	...	Saxophonist
Tate Donovan	...	Jesse Zousmer
Reed Diamond	...	John Aaron
Matt Ross	...	Eddie Scott
Patricia Clarkson	...	Shirley Wershba
Robert Downey Jr.	...	Joe Wershba
George Clooney	...	Fred Friendly

Also Known As:

Good Night, and Good Luck (France)

MPAA:

Rated PG for mild thematic elements and brief language.

Runtime:

93 min

Country:

USA | UK | France | Japan

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

UK:PG | Ireland:PG | Finland:S | Australia:PG | Canada:G (British Columbia/Ontario/Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia) | Brazil:14 | Iceland:L | Argentina:Atp | Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | Portugal:M/12 | USA:PG (certificate #41985) | Singapore:PG | Hungary:14 | Spain:13 | Germany:o.Al. | South Korea:12 | Malaysia:18PL (DVD) | Malaysia:(Banned) (theatrical) | Sweden:Btl

Filming Locations:

CBS Television City - 7800 Beverly Blvd., Fairfax, Los Angeles, California, USA

Company:

Warner Independent Pictures (WIP)

Trivia:

The man introducing Edward R. Murrow's keynote address to the 1958 convention of the Radio-Television News Directors Association cites Murrow's reporting on, among other topics, the plight of migrant workers. In fact, Murrow did not report on the conditions of migrant workers until 1960. His documentary on the subject, "CBS Reports: Harvest of Shame" (1960), was the last project he worked on as a CBS broadcaster.

Goofs:

Anachronisms: Mention is made of the hotline telephone between Moscow and Washington, but this was installed in 1963, five years after Murrow's speech and ten years after the bulk of the film. (Fidel Castro's revolution hadn't even occurred at the time the film is set).

Quotes:

[first lines]
Sig Mickelson: In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here tonight, when television was in its infancy...

Movie Connections:

Featured in The 63rd Annual Golden Globe Awards (2006) (TV)

Soundtrack:

You're Driving Me Crazy

One of the very best films of the year.

"Good Night, And Good Luck" is one of the best films of the year. Beautifully directed by George Clooney (who also co-stars), this is a film that exercises a powerful message and social commentary that remains relevant today. Filmed in tight frames of black and white, "Good Night, And Good Luck" also brings back the smoke-filled atmosphere of broadcast journalism and television in the 1950s. The film focuses around CBS journalist Edward Murrow and his attempts to take down Senator Joseph McCarthy through his news program, "See it Now." David Strathairn, playing Edward Murrow, gives one of the best performances of the year and is surely swimming in Oscar territory. Clooney makes his biggest leap in the film industry yet. He, too, may join Strathairn for an Oscar nomination, but in the Best Director category. Filming in black and white, and interspersing news conferences with actual footage of McCarthy, Clooney is an emerging talent worth watching. The ending and the very last frame lets "Good Night, And Good Luck" stay with those who watch it. It ends very abruptly, as if Clooney wants to show the failing, yet lasting effort Murrow had--how he stands as a symbol for the continuation of truth and who is willing to bring it out to the public. The end has a very honest bleak tone to it--we want to see Murrow continue to let the public know what's actually going on in the country, but one man's fight isn't good enough. Clooney chooses a perfect and powerful ending. He makes a bold statement on how public interest in television has contributed to the decay of society, whether it is 1950 or 2005.