Directed by | |||
| Pierre Aknine | |||
Writing credits(in alphabetical order) | ||
| Pierre Aknine | writer | |
| Alexandre Dumas père | novel | |
| Gérard Walraevens | writer | |
Original Music by | |||
| Matt Dunkley | |||
Cinematography by | |||
| Allen Smith | |||
Film Editing by | |||
| Thierry Rouden | |||
Casting by | |||
| Tatiana Vialle | |||
| Cornelia von Braun | |||
Production Design by | |||
| Michèle Abbé-Vannier | (as Michèle Abbé) | ||
Art Direction by | |||
| Réal Proulx | |||
Costume Design by | |||
| Gilles Bodu-Lemoine | |||
| Pierre-Jean Larroque | |||
Makeup Department | |||
| Reynald Desbant | .... | hair stylist | |
| Václav Frank | .... | hair stylist | |
| Barbara Kichiova | .... | hair stylist | |
| Martin Lapointe | .... | hair stylist | |
| Marie Lastennet | .... | makeup artist | |
| Jonathan Lavallée | .... | makeup artist | |
| Gabriela Polakova | .... | makeup artist | |
| Marie-Angèle Protat | .... | key makeup artist (as Marie-Angèle Breitner-Protat) | |
| Rene Stejskal | .... | makeup artist | |
| Ghislaine Tortereau | .... | key hair stylist | |
Production Management | |||
| Andreas Bajohra | .... | production manager | |
| Daniel Boudreau | .... | assistant production manager: Montreal | |
| Daniel Boudreau | .... | unit manager: Montreal | |
| Thierry Cretagne | .... | unit manager | |
| Sébastien Giorgetti | .... | unit manager | |
| Ginette Guillard | .... | production manager | |
| Hana Jenny | .... | unit manager | |
| Jim Lévesque | .... | unit manager | |
| Frédéric Lozet | .... | post-production manager (as Frédéric J. Lozet) | |
| Daniel Malenfant | .... | unit manager | |
| Michel Mollicone | .... | assistant unit manager | |
| Vanessa Odde | .... | unit manager | |
| Zbynek Pippal | .... | unit manager | |
| Michal Prikryl | .... | production manager | |
| David Seaton | .... | unit manager | |
| Marc Vadé | .... | executive production manager | |
Art Department | |||
| Frédéric Amblard | .... | assistant decorator | |
| Marine Antoine | .... | assistant decorator | |
| Serge Archambault | .... | construction crew | |
| Cyrille Autissier | .... | assistant decorator | |
| Anne Bourleyre | .... | assistant decorator | |
| Beata Brendtnerovà | .... | assistant decorator | |
| Jean-Pierre Chevalier | .... | assistant decorator | |
| François Combastel | .... | construction crew | |
| Stephen Craig | .... | construction crew | |
| Francine Danis | .... | assistant decorator | |
| Jean-Claude Davignon | .... | assistant decorator | |
| Luc Gagnier | .... | construction crew | |
| François Gascon | .... | construction crew | |
| Annie Gilhooly | .... | assistant decorator | |
| Craig Gleeson | .... | construction crew | |
| François Gosselin | .... | construction crew | |
| Clint Hellyer | .... | construction crew | |
| Radan Kapinos | .... | assistant decorator | |
| Radan Kapinos | .... | stand-by props | |
| Petra Kobedova | .... | assistant decorator | |
| Jessica Labet | .... | assistant decorator | |
| Fabien Lacai | .... | storyboard artist | |
| Bruno Lahaye | .... | assistant decorator | |
| Jean Larose | .... | construction crew | |
| Marie-France Lavoie | .... | construction crew | |
| Claude Leclair | .... | assistant decorator | |
| Virginie Le Romain | .... | property buyer | |
| Josée Létourneau | .... | construction crew | |
| Sacha Malheraux | .... | construction crew | |
| Philippe Margottin | .... | assistant decorator | |
| Harry Metcalfe | .... | construction crew | |
| Christian-Paul Peyron | .... | assistant decorator | |
| Fabien Raymondaud | .... | assistant decorator | |
| Brigitte Renard | .... | construction crew | |
| Gabriela Rezacova | .... | assistant decorator | |
| Alfie Smith | .... | assistant decorator | |
| Philippe Veron | .... | construction crew | |
| Catherine Werner-Schmidt | .... | assistant decorator | |
Sound Department | |||
| Sébastien Adamczak | .... | post-synchronization | |
| Peter Burgis | .... | foley artist (as Pete Burgis) | |
| Craig Butters | .... | sound effects editor | |
| Ricky Butt | .... | foley artist | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| David Donaldson | .... | sound programmer | |
| Alex Ellerington | .... | foley artist | |
| Marc Haefner | .... | foley artist | |
| Graham Headicar | .... | sound editor | |
| Stuart Hilliker | .... | sound mixer | |
| Gareth John | .... | sound recordist: second unit | |
| Claude La Haye | .... | sound | |
| Bruno Lecoeur | .... | post-synchronization | |
| Jean-Max Morise | .... | post-synchronization | |
| Francis Péloquin | .... | sound | |
| André Schmidt | .... | sound editor | |
Special Effects by | |||
| Vania Alban-Zapata | .... | special effects | |
| Eric D'Souza | .... | special effects | |
| Jan Holub | .... | special effects crew | |
| Emmanuelle Lecchi | .... | special effects | |
| Miroslav Miclik | .... | special effects | |
| Pavel Policar | .... | special effects crew | |
Visual Effects by | |||
| Vania Alban-Zapata | .... | CG supervisor | |
| Baptiste Andrieux | .... | visual effects producer | |
| Luc Julien | .... | digital compositor | |
| Diego Vazquez Lozano | .... | Flame artist | |
| Clare Tinsley | .... | visual effects coordinator | |
| Matthew Tinsley | .... | digital compositor | |
| Amanda Finkelberg | .... | digital compositor (uncredited) | |
| Kurt Lawson | .... | digital compositor (uncredited) | |
| Jay Robinson | .... | digital compositor (uncredited) | |
Stunts | |||
| Jean-Marc Bellu | .... | stunts | |
| Sybille Blouin | .... | stunt double | |
| Radek Bruna | .... | stunts | |
| William Cagnard | .... | stunt double | |
| Michel Carliez | .... | stunt and fight arranger | |
| Jean Girard | .... | stunt double | |
| Yves Girard | .... | stunt double | |
| Albert Goldberg | .... | stunt double | |
| Christian Hening de Franceschi | .... | stunts | |
| Martin Hub | .... | stunt coordinator | |
| Jindrich Klaus | .... | stunt rigger | |
| Patrick Médioni | .... | stunts | |
| Philippe Morel | .... | stunts | |
| Roman Spacil | .... | sword fight stunts | |
| Patrick Steltzer | .... | stunts | |
| Frédéric Vallet | .... | stunt rigger | |
Casting Department | |||
| Daniel Ben Loulou | .... | extras casting | |
| Cornelia von Braun | .... | casting: Germany | |
Costume and Wardrobe Department | |||
| Nathalie Chretien | .... | costume assistant (as Nathalie Chrétien) | |
| Ilona Holeckova | .... | costume assistant | |
| Hana Jelinková | .... | costume assistant | |
| Lenka Koutková | .... | costume assistant | |
| Brigitte Masson | .... | costume assistant | |
| Maritza Reitzman | .... | costume assistant | |
| John Stowe | .... | costume assistant | |
| Sylvia Vanicková | .... | costume assistant | |
| Christophe Vialaret | .... | costume assistant | |
Editorial Department | |||
| Duncan Russell | .... | color timer | |
| David Whelton | .... | color timer | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Matt Dunkley | .... | orchestrator | |
| Anthony Vanger | .... | music supervisor | |
Transportation Department | |||
| Karim Djerbi | .... | transportation coordinator | |
| Daniel Malenfant | .... | driver | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Angel Heart | Bitter Moon | Tirante el Blanco | The Beach | Excalibur |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb France section | Add this title to MyMovies |
Much better than Hollywood versions. Excellent timing. No time wasted on accessory adventures or hiper-detailed beginnings and clumsy and too keep with budget. This film spends viewer time on what's important. Sign of the times, perhaps, lots of «kung fu» and «buffy the vampire slayer».. Some people like to re-invent the wheel.. but the book is all adventure anyway and we can't blame Dumas for not having thought of everything, can we?! The taste of the 21st century spectator is as much reflected in this film as that of the 19th reader is satisfied in the book. To the dread of the purist, this movie may in fact remain true to the original; certainly not in «form», but in «logic». All in all a good movie and among best of the several (though not all) of «Les Trois Mousquetaires» that I have seen so far. The «garde robe» is exquisite and it's historic accuracy (or at least the look of it) marks the different to Hollywood amateurism in these more serious aspects of show-business. If they colored the story, these people at least new what they were filming about. Last, but not least, the cast: Awesome babes! I mean.. I'd buy that soul if I could afford it. :-)
Rui Duarte