| Pamela Reed | ... | Esther Shapiro | |
| John Terry | ... | Vince Peterson | |
| Melora Hardin | ... | Linda Evans | |
| Ritchie Singer | ... | Richard Shapiro | |
| Nicholas Hammond | ... | Aaron Spelling | |
| John Atkinson | ... | Les Markowitz | |
| Bartholomew John | ... | John Forsythe | |
| Alice Krige | ... | Joan Collins | |
| Rel Hunt | ... | Al Corley | |
| Tim Draxl | ... | Joe | |
| Julian Garner | ... | Peter Holm | |
| Holly Brisley | ... | Heather Locklear | |
| Rory Williamson | ... | Michael Nader | |
| Rachael Taylor | ... | Catherine Oxenberg | |
| Phillip Hinton | ... | Leonard Goldenson | |
| Robert Coleby | ... | Rock Hudson | |
| John Gregg | ... | Lloyd Bochner | |
| Tim Campbell | ... | P.A. | |
| Felicity Price | ... | Dottie | |
| Troy Planet | ... | Lou | |
| Allan Chapple | ... | Director (Dynasty) | |
| Lewis Fitz-Gerald | ... | Winston Fletcher | |
| Anna Lee | ... | Candy Spelling | |
| Stefani Stankovic | ... | Annie | |
| Renaud Jadin | ... | Businessman | |
| Tom Lanni | ... | Nolan Miller | |
| Brian McDermott | ... | Executive | |
| Tony Sloman | ... | Event Coordinator | |
| Clodagh Crowe | ... | Reporter #1 | |
| Carla Aquilla | ... | Woman with Baby (as Carla Aquilia) | |
| Wayne McDaniel | ... | Male Reporter | |
| Adrian Brown | ... | Doctor | |
| Shingo Usami | ... | Japanese Fan | |
| John Boxer | ... | Moldavian Guy (as Johnny Boxer) | |
| Genevieve Davis | ... | Reporter #2 | |
| Nick Tsakonas | ... | Yanni | |
| Lance Strauss | ... | Charlie's Angels Director | |
| Troy Follington | ... | Gay Bar Patron #1 | |
| Nick Flint | ... | Gay Bar Patron #2 | |
| rest of cast listed alphabetically: | |||
| Jamie Cohen | ... | Sam 'Sammy' B' (uncredited) | |
| Ronald Reagan | ... | Himself - On TV (archive footage) (uncredited) | |
Directed by | |||
| Matthew Miller | |||
Writing credits(WGA) | ||
| Matthew Miller | (written by) | |
Original Music by | |||
| Richard Marvin | |||
Cinematography by | |||
| John Stokes | (director of photography) | ||
Film Editing by | |||
| Sandra Montiel | |||
Production Design by | |||
| Lawrence Eastwood | (as Laurence Eastwood) | ||
Art Direction by | |||
| Scott Bird | |||
Set Decoration by | |||
| Faith Robinson | |||
Costume Design by | |||
| Terry Ryan | |||
Makeup Department | |||
| Angela Conte | .... | hair designer | |
| Angela Conte | .... | key makeup artist | |
| Wendy De Waal | .... | key hair stylist | |
| Kellie Griffin | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Troy Clarke | .... | unit manager | |
| Irene Dobson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Colin Fletcher | .... | first assistant director | |
| Paul Sullivan | .... | second assistant director | |
| Joshua Watkins | .... | third assistant director (as Josh Watkins) | |
Art Department | |||
| Halcyon Pratt | .... | assistant designer | |
| Matilda Wainwright | .... | prop buyer | |
| Alex Holmes | .... | art painter (uncredited) | |
Sound Department | |||
| Robert L. Harman | .... | sound re-recording mixer | |
| Allen Hurd | .... | sound re-recordist | |
| Dean Okrand | .... | sound re-recording mixer | |
| Martin Pashley | .... | sound recordist | |
| Burton Weinstein | .... | sound supervisor (as Burt Weinstein) | |
| Bob Costanza | .... | sound effects editor (uncredited) | |
| Tommy Goodwin | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| Doug Spilatro | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| Paul Booth | .... | gaffer | |
| Michael Rich | .... | key grip | |
| David Williamson | .... | camera operator: "a" camera | |
| Seth Larney | .... | video playback operator (uncredited) | |
| Matt Windon | .... | key first assistant camera (uncredited) | |
Casting Department | |||
| Donna Rosenstein | .... | casting | |
| Michaela Kalowski | .... | extras casting coordinator (uncredited) | |
Costume and Wardrobe Department | |||
| Mel Dykes | .... | costume supervisor | |
Editorial Department | |||
| Marc Brunswick | .... | post-production coordinator | |
| Greg Podunovich | .... | assistant editor | |
| J.R. Post | .... | negative cutter (as JR Post) | |
Music Department | |||
| Terri Fricon | .... | music supervisor | |
| Tom Villano | .... | music editor | |
| Bill Conti | .... | composer: show theme (uncredited) | |
Other crew | |||
| Robin Clifton | .... | location manager | |
| Judy Hallin | .... | production coordinator | |
| Jill Ryan | .... | production accountant | |
| Jo Weeks | .... | script supervisor | |
| Fernando Alessandri | .... | assistant: Stanley M. Brooks (uncredited) | |
| Sandy Gardiner | .... | assistant to director (uncredited) | |
| Milli Howson | .... | production assistant (uncredited) | |
| Craig McMahon | .... | first assistant accountant (uncredited) | |
| Reza Mokhtar | .... | caterer (uncredited) | |
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| News articles | IMDb Drama section | IMDb Australia section |
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Interesting how the show used news cuts of Reagan embroiled in Iran-Contra or other derogatory reports in order to mark the time frame of the scene. The show ended with a Voice-over attesting to how Reagan's everlasting legacy will be making a creditor nation into a debtor nation.
Will Hollywood never tire of spinning political agenda instead of making good entertainment?
The characters were all parodies and the show seemed to be only about the wish of the creator to create a legacy. The actors chosen looked like John Forsythe, Linda Evans, and Joan Collins and were passable lookalikes - but were not credible acting impersonators. The show seemed aimed at defining the creator and producer - everything else was unimportant. Even the average viewers who were cut to every so often were parodies. If an unemployed overweight couch potato grousing at everything and his wife were the target demographic group then how the show ever made it past the first season is unknown. It seems "Muldavia" and "Crystal's evil twin" were Dynasty's self proclaimed Fonzie jumping the shark on waterskis wearing his leather jacket.
The Australian and New Zealand actors and camera teams seemed to distance the work from the Hollywood elites - but they are what they are. I noticed none of the directors or producers allowed their names to be attached to the actual presentation. They must have feared for their reputations or careers - yet put their idealogy out front.