Mongol (2007)

User Rating:

7.4/10   

Director:

Sergei Bodrov

Writers:

Arif Aliyev (writer) &
Sergei Bodrov (writer)

Release Date:

20 September 2007 (Russia)

Genre:

Biography | Drama | Romance | War

Tagline:

Greatness comes to those who take it.

Plot:

The story recounts the early life of Genghis Khan who was a slave before going on to conquer half the world including Russia in 1206. |

Plot Keywords:

Slave | Genghis Khan | Thunderstorm | Poison | Mongol

Awards:

Nominated for Oscar. Another 11 wins & 4 nominations

Cast

Tadanobu Asano	...	Temudjin
Honglei Sun	...	Jamukha
Khulan Chuluun	...	Börte
Aliya	...	Oelun - Temudjin's Mother
Ba Sen	...	Esugei - Temudjin's Father
Amadu Mamadakov	...	Targutai
Ying Bai	...	Merchant with Golden Ring
He Qi	...	Dai-Sechen
Ben Hon Sun	...	Monk
Ji Ri Mu Tu	...	Boorchu
You Er	...	Sorgan-Shira (as A You Er)
Ba Tu	...	Altan (as Hong Jong Ba Tu)
Deng Ba Te Er	...	Daritai (as E Er Deng Ba Te Er)
Bao Di	...	Todoen
Su Ya La Su Rong	...	Girkhai (as Su You Le Si Ren)

Also Known As:

Монгол (Russia)
Der Mongole (Germany)
Mongol: The Rise to Power of Genghis Khan (UK)

MPAA:

Rated R for sequences of bloody warfare.

Runtime:

126 min

Country:

Kazakhstan | Russia | Mongolia | Germany

Language:

Mongolian | Mandarin

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:R | Canada:14A | Germany:12 | Ireland:15A | Italy:T | UK:15 | Australia:MA | Netherlands:16 | New Zealand:R16 | Singapore:NC-16 | Finland:K-15

Filming Locations:

China

Company:

Andreevsky Flag Film Company

Trivia:

During the shooting of scenes involving a lot of extras, it was discovered that many of the extras were drinking alcohol between takes, which was causing problems amongst the mixed nationalities when shooting began. As such, the production purchased some footballs and the extras played soccer amongst themselves. However, after several weeks, they became bored with this, and soon returned to drinking, until second assistant director Zhao Meng had the idea to hire some female dancers and singers, and bring them onto location to perform for the extras.

Goofs:

Factual errors: The Mongolian tribes, including the hordes that conquered their vast empire, rode on a very peculiar race of horses, stocky build, with relatively short legs and a large head. The horses used in the movie look like ordinary western horses

Quotes:

Temudjin: [Indicates Borte] She is carrying my son.
Jamukha: [Notes Chiledu's corpse and laughs] I see!

Movie Connections:

Featured in The 80th Annual Academy Awards (2008) (TV)

Weak on writing, but gorgeous to watch

The first installment of a prospective trilogy, Mongol chronicles the early life of Temudjin, from his childhood on the Asian steppe to his ascension to Khan in 1206.

The performances are passable – with special thanks to Honglei Sun, with an engaging turn as Temudjin's long-time friend and ally Jamukha – but the film has a rushed quality to it that is predominantly the fault of the screenplay. We jump too quickly from one scene to the next, the tension is constantly disrupted, and the characters are, for the most part, one-dimensional, void of quirks and personal histories and any of the other qualities that might make them relatable. I'm not asking for anything fancy: theirs was a tribal culture constantly engaged in the act of survival, and any philosophical rants or emotive confessionals would feel forced and inorganic, but none of that pardons the film for the simple crime of not giving its characters enough to do. The needs of the plot seem to dictate their actions, rather than the needs of the characters driving the plot.

The biggest casualty, as always, is the love story. Ironically enough, Temudjin and Borte generate the most chemistry when they meet as children, Borte commanding him – with a freeness of spirit that gets less and less visible as the movie progresses – to pick her as his bride. Unfortunately, their subsequent romance is more about desperate rescues and long-winded goodbyes than it is the simple moments of intimacy that make a relationship believable.

That said, the cinematography is tremendous and the costumes top-notch, and the casting department deserves a couple extra bushels of brownie points for picking actors who – unlike many a Hollywood ensemble – look like they could actually survive the conditions they supposedly inhabit. The combat scenes are captivating and cleverly shot, and despite the inevitable comparison to such battle-heavy epics as Lord of the Rings and Gladiator, Bodrov keeps a handle on things, never letting any of the battles run beyond the five minute mark, endowing the film with an element of realism and restraint where many of the other so-called epics go completely over the top. True, the movie relies a bit more heavily on CGI than I would prefer, but the Mongolian landscape, the real star of the show, is so gorgeous, so demanding, so jaw-droppingly authentic that we quickly forget our visual grievances and get lost in the rudimentary act of watching.

A pity we can never lose ourselves completely.