| Photos (see all 56 | slideshow) | Videos (see all 12) |
| Rory Cochrane | ... | Charles Freck | |
| Robert Downey Jr. | ... | James Barris | |
| Mitch Baker | ... | Brown Bear Lodge Host | |
| Keanu Reeves | ... | Bob Arctor | |
| Sean Allen | ... | Additional Fred Scramble Suit Voice (voice) | |
| Cliff Haby | ... | Voice from Headquarters (voice) | |
| Steven Chester Prince | ... | Cop | |
| Winona Ryder | ... | Donna Hawthorne | |
| Natasha Valdez | ... | Waitress | |
| Mark Turner | ... | Additional Hank Scramble Suit Voice (voice) | |
| Woody Harrelson | ... | Ernie Luckman | |
| Chamblee Ferguson | ... | Medical Deputy #2 | |
| Angela Rawna | ... | Medical Deputy #1 | |
| Eliza Stevens | ... | Arctor's Daughter #1 | |
| Sarah Menchaca | ... | Arctor's Daughter #2 | |
| Melody Chase | ... | Arctor's Wife | |
| Leif Anders | ... | Freck Suicide Narrator (voice) | |
| Turk Pipkin | ... | Creature | |
| Alex Jones | ... | Street Prophet | |
| Lisa Marie Newmyer | ... | Connie | |
| Wilbur Penn | ... | Medical Officer #1 | |
| Ken Webster | ... | Medical Officer #2 | |
| Hugo Perez | ... | New Path Staff Member #1 | |
| Rommel Sulit | ... | New Path Staff Member #2 | |
| Dameon Clarke | ... | Mike | |
| Christopher Ryan | ... | New Path Resident #1 | |
| Leila Plummer | ... | New Path Resident #2 | |
| Jason Douglas | ... | New Path Farm Manager | |
| Marco Perella | ... | Donald | |
| rest of cast listed alphabetically: | |||
| Jack Cruz | ... | Police Officer (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Philip K. Dick | (novel "A Scanner Darkly") | |
| Richard Linklater | (screenplay) | |
Produced by | |||
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Erin Ferguson | .... | co-producer | |
| Jennifer Fox | .... | executive producer | |
| Sara Johnson | .... | associate producer (as Sara Greene) | |
| Tommy Pallotta | .... | producer | |
| John Sloss | .... | executive producer | |
| Jonah Smith | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
| Erwin Stoff | .... | producer | |
| Anne Walker-McBay | .... | producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Graham Reynolds | |||
Cinematography by | |||
| Shane F. Kelly | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Bruce Curtis | |||
Set Decoration by | |||
| Joaquin A. Morin | |||
Costume Design by | |||
| Kari Perkins | |||
Makeup Department | |||
| Katina Gilkey | .... | hair stylist | |
| Darylin Nagy | .... | hair department head | |
| Darylin Nagy | .... | makeup department head | |
Production Management | |||
| Susan Kirr | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Rodney Becker | .... | lead | |
| Brad Blei | .... | set dresser (as Bradley Blei) | |
| Raymond Consing | .... | storyboard artist | |
| Fred Daniel | .... | art department coordinator | |
| Melanie Ferguson | .... | on-set dresser | |
| Erick Garibay | .... | assistant property master | |
| Ian Sebastian Kasnoff | .... | construction coordinator | |
| Kara Sutherlin | .... | lead scenic | |
| Pierre Vial | .... | set dresser | |
| Stefan Wilcox | .... | property master | |
| Bart Bryant | .... | carpenter (uncredited) | |
| Jarrette Moats | .... | property assistant (uncredited) | |
Sound Department | |||
| Ethan Andrus | .... | production sound mixer | |
| Gregg Barbanell | .... | foley artist | |
| Wayne Bell | .... | additional sound effects editor | |
| Paul Berolzheimer | .... | additional sound effects editor | |
| Ajae Clearway | .... | adr editor | |
| Ajae Clearway | .... | dialogue editor | |
| Tom Hammond | .... | sound designer | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | sound designer | |
| Justin Hennard | .... | sound effects editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr mixer (as Tom O'Connell) | |
| Jeremy Peirson | .... | sound re-recording mixer (as Jeremy Pierson) | |
| Jason Piatt | .... | foley mixer | |
| Tom Sturgis | .... | boom operator (as Tom 'Sturge' Sturgis) | |
| Michael Swanner | .... | utility sound | |
| Peter Germansen | .... | sound engineer: ICON (uncredited) | |
| Bob Kellough | .... | additional sound effects recordist (uncredited) | |
Special Effects by | |||
| Steve Krieger | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Richard Gordoa | .... | visual effects supervisor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jerry Poynton | .... | digital post-production manager (as Jerome Poynton) | |
| Ruedi Schick | .... | digital film recording supervisor | |
| Randy Cole | .... | 3D modeler and compositor (uncredited) | |
| Bob Sabiston | .... | animation software (uncredited) | |
Camera and Electrical Department | |||
| Tod Campbell | .... | loader | |
| Matt Cowan | .... | best boy grip | |
| Matt Lankes | .... | still photographer | |
| Mikey Reyes | .... | grip | |
| Robert B. Reynolds | .... | chief lighting technician | |
| Peter Simonite | .... | first assistant camera | |
| Josh Taylor | .... | assistant chief lighting technician | |
| Atom Vyvial | .... | key grip (as Aaron Atom Vyvial) | |
| Ralph Watson | .... | camera operator | |
| Patrick B. Coate | .... | camera production assistant (uncredited) | |
| Wes Dixon | .... | electrical intern (uncredited) | |
| Donald R. Howe Jr. | .... | additional second assistant camera (uncredited) | |
| Peter Simonite | .... | camera operator (uncredited) | |
| Ezra Venetos | .... | grip (uncredited) | |
Casting Department | |||
| Scout Masterson | .... | casting associate: Los Angeles | |
| Beth Sepko | .... | local casting | |
| Sheila Steele | .... | casting associate: Austin | |
Costume and Wardrobe Department | |||
| Melanie Armstrong Fletcher | .... | costume supervisor | |
Editorial Department | |||
| Christopher Roldan | .... | first assistant editor | |
| David Gil Jr. | .... | post-production assistant (uncredited) | |
| Ryan Gronquist | .... | post-production assistant (uncredited) | |
| Charles Harrison | .... | editorial intern (uncredited) | |
| Allegra Kolber | .... | apprentice editor (uncredited) | |
| Kate Ridgway | .... | editorial intern (uncredited) | |
| Yusef Svacina | .... | post-production assistant (uncredited) | |
| Jessica Tong | .... | editorial intern (uncredited) | |
Music Department | |||
| Bruce Colson | .... | musician: violin | |
| Jonathan Dexter | .... | musician: cello | |
| Jason Elinoff | .... | musician: viola | |
| The Golden Arm Trio | .... | featured performer: score | |
| Erik Grostic | .... | musician: upright bass | |
| Buzz Moran | .... | score mixer | |
| Buzz Moran | .... | score recordist | |
| Nic Ratner | .... | music supervisor | |
| Graham Reynolds | .... | musician: various instruments | |
| Graham Reynolds | .... | score mixer | |
| Graham Reynolds | .... | score recordist | |
Transportation Department | |||
| Ronnie D. Chambers | .... | transportation coordinator (as Ronald D. Chambers) | |
| Russell E. Scott | .... | picture cars | |
| Jesus F. Tellez | .... | transportation captain | |
Other crew | |||
| Molly Ainsley | .... | additional staff assistant | |
| Peter Atherton | .... | location manager | |
| Janey Bergam | .... | assistant: Keanu Reeves | |
| Shannon Blackburn | .... | production secretary | |
| Dominic Cancilla | .... | production coordinator | |
| Eric Cepeda | .... | additional staff assistant | |
| Casey Chapman | .... | additional staff assistant (as Lauren Casey Chapman) | |
| Erik Davis | .... | consultant | |
| Gil Dean | .... | animal wrangler | |
| Lisa Del Dotto | .... | assistant craft service | |
| Wes Dixon | .... | additional staff assistant | |
| Colin Edlund | .... | craft service | |
| Sonia Farrell | .... | assistant: Woody Harrelson | |
| Michael P. Garza | .... | title designer: end titles | |
| David Gil Jr. | .... | additional staff assistant (as David Gil) | |
| Leigh Green | .... | additional staff assistant | |
| Erin Hagerty | .... | assistant: Mr. Smith and Mr. West | |
| Heather Hanna | .... | additional staff assistant | |
| Charles Harrison | .... | additional staff assistant | |
| Marshall Hopkins | .... | additional staff assistant | |
| Katherine Isham | .... | additional staff assistant | |
| Marike Jainchill | .... | staff assistant (as Marike Z. Jainchill) | |
| Tatiana Jitkoff | .... | additional staff assistant | |
| Jesse Johnston | .... | executive: Thousand Words | |
| Allegra Kolber | .... | staff assistant (as Allegra McCoy) | |
| Sarah Lankenau | .... | staff assistant | |
| Jonathan Lethem | .... | consultant | |
| Stephanie Lewis | .... | executive: Thousand Words | |
| Stephen Light | .... | assistant production office coordinator | |
| Melody Lloyd | .... | set medic | |
| Taylor Lovell | .... | additional staff assistant | |
| Kirsten McMurray | .... | staff assistant | |
| Morgan Miles | .... | production accountant | |
| Jarrette Moats | .... | additional staff assistant | |
| Kimberly Murphy | .... | staff assistant (as Kim Murphy) | |
| Jubal Palmer | .... | assistant: Winona Ryder | |
| Jennifer Ramirez | .... | additional staff assistant | |
| Mike Reyes | .... | additional staff assistant | |
| Jimmy Rich | .... | assistant: Robert Downey Jr. | |
| Kate Ridgway | .... | additional staff assistant | |
| Brandon Roberts | .... | additional staff assistant | |
| Ryan Ross | .... | additional staff assistant | |
| Brooke Satrazemis | .... | script supervisor | |
| Steven Schaefer | .... | additional staff assistant | |
| Scott Snyder | .... | additional staff assistant | |
| Yusef Svacina | .... | additional staff assistant | |
| Jessica Tong | .... | additional staff assistant | |
| Sef Tsauousis | .... | staff assistant | |
| Fernanda Valentina | .... | additional staff assistant | |
| Dustin Weaver | .... | assistant location manager | |
| Tara Weaver | .... | support staff: Woody Harrelson | |
| Jenni Wieland | .... | assistant production accountant | |
| Tracey Zemitis | .... | unit publicist | |
| David Appelbaum | .... | office intern (uncredited) | |
| Loreto Caro-Valdes | .... | intern: production office (uncredited) | |
| Tai-San Choo | .... | office intern (uncredited) | |
| Jeff Guerrero | .... | additional set production assistant (uncredited) | |
| Sandy Lizaola-Hernandez | .... | physical production coordinator (uncredited) | |
| Jamie Preyer | .... | location intern (uncredited) | |
| Vernon Smith | .... | office intern (uncredited) | |
Thanks | |||
| Bobby Bates | .... | thanks | |
| Louis Mackey | .... | dedicatee: in eternal memory | |
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1 Corinthians 13:12
"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known".
In 1977 I was digging through a pile of books that had their front covers pulled off and thrown in the garbage. In this pile I found a book by Phillip K Dick.
That book happened to be A Scanner Darkly.
This made me pick up the book and take it home and read it. And what I read was one of the most depressing stories I have ever read in my life: I can honestly say that at the time I read it, I really did not have any idea what Dick was trying to say. But for some reason, I was attracted to the story and I read the whole book in about 2 days. 30 Years Later, I believe I understand now. Which validates the bible verse on which this whole work is based: What we do not understand will eventually be revealed to us.
Part of this film has to do with how we perceive reality, another part touches on what we do to lessen our daily pain. I really was not surprised by how the story ended. The book is not an exciting (and boring) tale of space opera, but it is one of the best works of speculative fiction ever written. And as such, it had become one of the most important books I have ever read.
And so I was surprised to find that this book was being filmed. I was interested in it when I saw that it was following the styles of such films as Sin City, Sky Captain and the World of Tomorrow, and Linklatter's "Waking Life" - However, I did not know how deep the animation well was.
As I watched this story unfold, I saw that this film used more of Phillip K Dick's actual dialog than any other film based on his works. As I kept watching, I understood that the story that was filmed was almost exactly the same story I read 30 years ago. No gunfights, explosions, or chase scenes were inserted. There is only one large liberty Linklatter took with the story: It is at the end of the film, I do not think Phillip K Dick fans would mind this small liberty taken. I can't say what it is, due to it being a spoiler.
If anyone is scratching their head after seeing this film, they ought to avoid films with substance and go back to the Phillip K Dick books that have been destroyed: Bladerunner, Total Recall, and Impostor, which bear little or no resemblance to the original books and short stories they were taken from.
I always judge movies on their Honesty. This one is an Honest movie. The story it tells is a hard one to swallow: Do you believe in what you see, or do you see what you believe? Where does reality divert from hallucination? Although this film deals with drug use and abuse, it also challenges our perception of what is going on around us.
The animation is something else: It is a marvel. I was surprised to see how it was done, each frame animated by hand. If any other story was being told, this would not have worked.
Coming back to this comment after a couple of years, there is really nothing else I can add to this comment. This film is visually well done, which allows the viewer to absorb the story that is being told.