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Michael Pressman (written by)
Television director/producer Michael Pressman mounts a production of Frankie and Johnny in the Clare de Lune starring his wife... more | add synopsis
2 wins more
Loved the Film more (6 total)
| Lou Antonio | ... | Himself | |
| Jillian Armenante | ... | Cynthia | |
| Kathy Baker | ... | Herself | |
| Lisa Chess | ... | Herself | |
| Hector Elizondo | ... | Himself | |
| Steven Glick | ... | Himself | |
| Nicole Gomez-Fisher | ... | 2nd A.D. (as Nicole Gomez Fisher) | |
| Elizabeth Hayden | ... | Casting Assistant | |
| Ann Hearn | ... | Constance | |
| Lanre Idewu | ... | Paramedic | |
| David E. Kelley | ... | Himself | |
| Linda Klein | ... | 'Chicago Hope' Paramedic | |
| Ken Lerner | ... | Rob the Production Manager | |
| Jerry Levine | ... | Himself | |
| Debra Magit | ... | Mother | |
| Leslie Moonves | ... | Himself | |
| Vahan Moosekian | ... | Man on Street | |
| Morgan Nagler | ... | Sally | |
| Natalia Nogulich | ... | Theater Patron | |
| James Oliver | ... | Billy | |
| Jeffery Passero | ... | Himself | |
| Mandy Patinkin | ... | Himself | |
| Brooks Pressman | ... | Himself | |
| Michael Pressman | ... | Himself | |
| Barry Primus | ... | Himself | |
| Alan Rosenberg | ... | Himself | |
| Maury Sterling | ... | Roger | |
| Nina Tassler | ... | Herself | |
| Stephen Tobolowsky | ... | Murray Mintz | |
| Alice West | ... | Herself |
Directed by | |||
| Michael Pressman | |||
Writing credits(WGA) | ||
| Michael Pressman | (written by) | |
Produced by | |||
| Kelly Arrand | .... | associate producer | |
| Donella Coffey | .... | associate producer | |
| Matt Grayson | .... | supervising producer | |
| Danny Irom | .... | co-producer | |
| Anne M. Uemura | .... | post-production producer | |
| Alice West | .... | line producer | |
Original Music by | |||
| Don Peake | |||
Cinematography by | |||
| Jacek Laskus | |||
Film Editing by | |||
| Jeff Freeman | |||
| Michael Rafferty | |||
Casting by | |||
| Jeffery Passero | |||
Production Design by | |||
| Lauren Hersholt-Nole | |||
Set Decoration by | |||
| Bianca Ferro | |||
Costume Design by | |||
| Van Broughton Ramsey | |||
Makeup Department | |||
| Laura Leppanen | .... | key makeup artist | |
| Nicole Porreco | .... | assistant makeup artist | |
Production Management | |||
| Alice West | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ronnie Fisher | .... | second assistant director | |
| Danny Irom | .... | first assistant director | |
| Carrie Rudolph | .... | second second assistant director: reshoots | |
Art Department | |||
| Rebecca Sundell | .... | property master | |
| Gaylene West | .... | property master: additional scenes | |
Sound Department | |||
| Dicken Berglund | .... | adr mixer | |
| Kenneth R. Burton | .... | sound re-recording mixer (as Ken Burton) | |
| Steve Copley | .... | foley recordist | |
| Justin Crowe | .... | boom operator (as Justin R. Crowe) | |
| Rose Gregoris | .... | assistant sound | |
| Mark Kaim | .... | sound recordist | |
| Jim Machowski | .... | production sound mixer (as James W. Machowski) | |
| Tom Manion | .... | sound recordist | |
| Rob Nokes | .... | supervising sound editor | |
| Andre Perreault | .... | sound re-recording mixer | |
| Jill Purdy | .... | supervising sound editor | |
| John Sievert | .... | foley artist | |
| Fidel Susman | .... | sound transfer | |
Stunts | |||
| Mary Albee | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James Atkins | .... | grip | |
| David Chameides | .... | Steadicam operator | |
| Marc Cole | .... | Steadicam operator | |
| Jay Galione | .... | loader | |
| Ben Gamble | .... | chief lighting technician | |
| Cranston Gobbo | .... | key grip | |
| Joshua Harper | .... | electrician | |
| Trevor Houghton | .... | electrician | |
| Jay Hunter | .... | second assistant camera | |
| Joel Ides | .... | grip | |
| Milan Janicin | .... | electrician (as Milan Janicin 'Miki') | |
| Jeremiah Johnson | .... | assistant chief lighting technician (as Bullfrog Johnson) | |
| Tim Merrill | .... | key grip: additional scenes | |
| Onofrio Nino Pansini | .... | first assistant camera | |
| Omar Pena | .... | grip | |
| Andy Shuttleworth | .... | Steadicam operator | |
| Holly Stein | .... | still photographer | |
| Gregg Thompson | .... | grip | |
| Ian Whitney | .... | grip | |
Casting Department | |||
| Pete Sutton | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Cone | .... | set costumer | |
| Loree Parral | .... | wardrobe stylist: Ms. Chess | |
| Dana Rosenberg | .... | assistant costume designer | |
Editorial Department | |||
| Andy Kaplan | .... | post-production coordinator (as Andrew S. Kaplan) | |
| Jim McQueen | .... | on-line editor | |
| Dan Pearce | .... | on-line editor | |
| Steven Sjolund | .... | on-line editor (as Steve Sjolund) | |
| Tony Teresi | .... | on-line editor | |
| Ed Twiford | .... | colorist | |
Music Department | |||
| Michael Rafferty | .... | music editor | |
Other crew | |||
| Evelyn Dubuc | .... | stand-in | |
| Paul Fraga | .... | production assistant | |
| Orin Kennedy | .... | location manager | |
| Kis Knekt | .... | theatrical set designer | |
| Brooks Peterson | .... | production assistant | |
| Sarah Quam | .... | stand-in | |
| Robert D. Rodela | .... | craft service (as Robert D. Rodela II) | |
| Alvaro Ron | .... | production assistant | |
| Nobu Shima | .... | production assistant (as Nobuo Shima) | |
| Jack Stallings | .... | assistant: Mr. Pressman | |
| Devin Sterling | .... | project manager | |
| Babette Stith | .... | script supervisor | |
| Michael Sudmeier | .... | production executive | |
| John H. Tobin | .... | stand-in | |
Rated R for language including sexual references, and brief drug use.
USA:95 min
References Looking for Richard (1996) more
Frankie and Johnny more
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| Peter's Friends | Topsy-Turvy | Music from Another Room | Naked in New York | 8½ |
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We loved this movie. It maintained its heart while expressing the frustration with the realities of the creative process and creative people. In contrast with many films about the entertainment business it accomplishes all this without a hint of cynicism.
Michael Pressman was endearing playing himself -- trying against all odds to be a supportive husband. Lisa Chess, also playing herself, was wonderful --
especially in the scenes with Alan Rosenberg. Their acting exercises and "creative differences" were hysterical. Alan Rosenberg plays the "I'm as good as Pacino" role to the hilt, and Jillian Armenante was also very funny as the inept producer.