The Golden Compass (2007)

User Rating:

6.3/10   

Director:

Chris Weitz

Writers (WGA):

Chris Weitz (screenplay)
Philip Pullman (novel)

Release Date:

7 December 2007 (USA)

Genre:

Adventure | Family | Fantasy

Tagline:

"It is the Alethiometer. It tells the truth. As for how to read it, you'll have to learn by yourself."

Plot:

In a parallel universe, young Lyra Belacqua journeys to the far North to save her best friend and other kidnapped children from terrible experiments by a mysterious organization.

Plot Keywords:

Oxford | College | Compass | Uncle | Orphan

Awards:

Won Oscar. Another 3 wins & 26 nominations

Cast

Nicole Kidman	...	Mrs. Coulter
Daniel Craig	...	Lord Asriel
Dakota Blue Richards	...	Lyra
Ben Walker	...	Roger
Freddie Highmore	...	Pantalaimon (voice)
Ian McKellen	...	Iorek Byrnison (voice)
Eva Green	...	Serafina Pekkala
Jim Carter	...	John Faa
Tom Courtenay	...	Farder Coram
Ian McShane	...	Ragnar Sturlusson (voice)
Sam Elliott	...	Lee Scoresby
Christopher Lee	...	First High Councilor
Kristin Scott Thomas	...	Stelmaria (voice)
Edward de Souza	...	Second High Councilor
Kathy Bates	...	Hester (voice)

MPAA:

Rated PG-13 for sequences of fantasy violence.

Runtime:

113 min

Country:

USA | UK

Language:

English | Icelandic | Russian | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS | DTS

Certification:

South Korea:All | Ireland:12A | Finland:K-11 | Sweden:11 | Canada:PG (Alberta/British Columbia/Manitoba/Ontario) | UK:PG | Canada:G (Quebec) | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Singapore:PG | Malaysia:U | Taiwan:PG-12 | Philippines:PG-13 (MTRCB) | Argentina:13 | Germany:12 | Australia:PG | USA:PG-13 (certificate #43880) | Brazil:10 | New Zealand:PG | Netherlands:12

Filming Locations:

BCE Place, Toronto, Ontario, Canada

Company:

New Line Cinema

Trivia:

Director Chris Weitz has himself adapted Philip Pullman’s work, citing the film and its sequels to be influenced by Barry Lyndon (1975) and Star Wars (1977). He also mentioned that the film would make no direct mention of religion or God, two of the key themes of the books - a decision attacked by fans of the trilogy. According to Weitz, New Line Cinema feared that "perceived anti-religiosity" would make the film financially unviable in the USA. However, Weitz reassured fans by saying that religion would appear in euphemistic terms.

Goofs:

Revealing mistakes: When Iorek, with Lyra atop of him, is bounding across an arctic plane, the CGI breaks down for a second, for his left hind leg flickers as he runs.

Quotes:

[first lines]
Serafina Pekkala: There are many universes and many Earths parallel to each other. Worlds like yours, where people's souls live inside their bodies, and worlds like mine, where they walk beside us, as animal spirits we call daemons.
Stelmaria: Are we going to see the child?
Lord Asriel: I should think so.
Serafina Pekkala: So many worlds. But connecting them all is Dust. Dust was here before the witches of the air, the Gyptians of the water, and the bears of the ice. In my world, scholars invented an alethiometer - a golden compass - and it showed them all that was hidden. But the ruling power, fearing any truth but their own, destroyed these devices and forbade the very mention of Dust. One compass remains, however, and only one who can read it.

Movie Connections:

Spin off The Golden Compass (2007) (VG)

Soundtrack:

Lyra

Really fun, engaging and fast moving fantasy spectacle

I went in cynical about this, especially after the travesty that was the Narnia film, but i was quickly converted: it's great fun. A really entertaining and immersive film that intelligently builds a fantastical world that the uninitiated can marvel and thrill in. I have to say i haven't read the books so can't comment on a book to film comparison.

On the cast, I don't know how it works in the book but the adults are barely in this. Nicole has the most significant work and Sam Elliott, while a late arrival, is a great presence once he's around. However Daniel Craig and Eva Green are barely in it and Christopher Lee has one blink-and-you'll miss him scene. That said the casting is excellent. Green is suitably witchy and Craig makes an impact in his one/two dialogue scenes early on which, along with a couple of wordless inserts of his storyline, put him enough into your mind to wonder about him. He feels set up for a more significant role in future instalments. Elliott is great. That sonorous voice sneaking out from underneath that bushy moustache feels exactly right for Lee Scorsby.

Kidman is perfect. There's something indelibly creepy about her rigid manner that works for the elegant but sinister Mrs Coulter. Meanwhile Simon McBurney is magnificently slimy and loathsome as the magisterium main face. You know he's a villain from the moment he enters frame.

Dakota Blue Richards is a great find as Lara. While the first two Potter films and Lion, the Witch & the Wardrobe were significantly hampered by the incredibly mannered, unrealistic, wooden acting of the young leads (most of the Potter cast got better, time will tell on Narnia) Richards is a winner from the outset. Precocious and feisty without seeming too forced she is generally believable whether is her rebellion or her loyalty. This is just as well as the film is really entirely on her shoulders. It will work or not for people based on whether you like her. She's in virtually every scene and has a lot of different emotions to get across as well as having to have significant interaction with CGI creations like her spirit animal Pan (the ubiquitous Freddie Highmore) and the polar bear played by Ian McKellen. She has a couple of slightly actorly moments but does incredibly well for a first timer under this kind of pressure.

Of the voice-only cast McKellen is a perfect choice for the honourable polar bear while Highmore is either getting less annoying or it's just beneficial not being able to see him, as he is nicely understated as Pan. My only note on this casting would be once or twice I couldn't tell is Lyra or Pan was speaking in their interaction as in quiet moments Highmore and Richards' voices are remarkably similar!

The effects are good but not great. I had worried they'd be as weak as Narnia and they aren't. The world is beautifully created and always feels real, whether Scorsby's flying ship or the blimp thing from the trailer, or stunning Arctic landscapes and big cities. The smaller creatures are also brilliantly rendered, Pan in particular. Some of the bigger creatures are less perfect. The polar bears have a cartoony unreal feel but in a fantasy setting with battle armour and stuff they work well enough. Certainly better than Aslan in Narnia. However the leopard creature with Daniel Craig doesn't look right at all.

As for the film itself it really zips along quickly. The uninitiated (like me) may occasionally lose track of what's going on early on as strange terms and names are thrown back and forth but it soon settles down and makes sense. Rather than frustrating me that I might be missing key elements of what this world was about I felt happy going with it and was left thinking I'll watch it again when it's released just to be sure I didn't miss anything. It's a relief to see a fantasy film that brings it in at almost exactly two hours and has a cracking momentum, as opposed to the seemingly endless drag of Lord of the Rings, Harry Potter and Narnia. Don't get me wrong taking time can work. I really liked Fellowship of the Ring but the pace of the Potters really tests my patience. Golden Compass moves so fast before you know it it's over and it leaves you wanting more. Indeed at the end of this film I could say it had succeeded in doing something the Potter franchise has never done: it left me desperate to see the next one.

However what really made me like this film more than those others is the tone and some of the things they do in it. There are moments in this, that i won't spoil for those like me who didn't know the plot, that really surprised me that they'd do in a family film.

A big fight scene between polar bears and the end battle are suitably exciting and i found myself really invested. I cared about the characters. Whereas in Narnia they hadn't done enough to make you care about Aslan's fate (criminal given how effectively the book and the 80s BBC TV serial managed it) this really has you on the edge of your seat for the good guys.

Overall I really liked Golden Compass and would give it an 8/10 – compared to LOTR 10/10, 9/10, 7/10 for the series, Potter 5/10, 6/10, 8/10, 7/10, 7/10 for the series and Narnia 4/10. I will be watching this again when it comes out (something I never did for Potter or Narnia) and am looking forward to the next instalment. I hope Daniel Craig and Eva Green get bigger roles in the next film, but all round a great start to a potential franchise that I had middling hopes for.