| Photos (see all 2 | slideshow) |
| Isabelle Huppert | ... | Hélène, the Mother | |
| Louis Garrel | ... | Pierre, the Son | |
| Emma de Caunes | ... | Hansi | |
| Joana Preiss | ... | Réa | |
| Jean-Baptiste Montagut | ... | Loulou | |
| Dominique Reymond | ... | Marthe | |
| Olivier Rabourdin | ... | Robert | |
| Philippe Duclos | ... | The Father | |
| Pascal Tokatlian | ... | Klaus | |
| Théo Hakola | ... | Ian | |
| Nuno Lopes | ... | The Doctor | |
| Patrick Fanik | ... | Eric | |
| Susi Egetenmeier | ... | Woman in dunes | |
| Sylvia Johnson | ... | Woman of couple |
Directed by | |||
| Christophe Honoré | |||
Writing credits(in alphabetical order) | ||
| Georges Bataille | novel | |
| Christophe Honoré | writer | |
Cinematography by | |||
| Hélène Louvart | |||
Film Editing by | |||
| Chantal Hymans | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Laurent Allaire | |||
Costume Design by | |||
| Pierre Canitrot | |||
Makeup Department | |||
| Paul de Fisser | .... | hair stylist | |
| Delphine Jaffart | .... | key makeup artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
Production Management | |||
| Joaquim Carvalho | .... | unit production manager | |
| Laetitia Fèvre | .... | production supervisor | |
| Sylvain Monod | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Julie Gouet | .... | assistant director | |
| Sylvie Peyre | .... | first assistant director | |
| Carlos Conceição | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Yannick Heuveline | .... | assistant decorator | |
| Arnaud Roth | .... | first assistant decorator | |
Sound Department | |||
| Jean-Claude Brisson | .... | sound | |
| Pascal Despres | .... | boom operator | |
| Frédéric Fichefet | .... | sound editor | |
| Bernhard Maisch | .... | sound | |
| Joaquim Pinto | .... | sound | |
Camera and Electrical Department | |||
| Hugues Espinasse | .... | focus puller | |
| Jean-François Hensgens | .... | first assistant camera | |
Casting Department | |||
| Margarida Roberto | .... | casting: Portugal | |
Other crew | |||
| Helena Gonçalves | .... | production assistant | |
| Maureen Meyer | .... | script supervisor | |
Thanks | |||
| Diastème | .... | thanks | |
| Gaël Morel | .... | thanks | |
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| Caligola | Salò o le 120 giornate di Sodoma | Temps qui reste, Le | Baise-moi | Basic Instinct |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
If you like French existentialist movies (which in this case is also a perverse "coming of age" movie), this is one of the better ones; if not, don't bother. The first half is slow and cumbersome with the scenes more like vignettes to reveal the Son's naiveté, while the Mother remains inaccessible until the very end. While the second half remains cumbersome through choppy editing, it is more interesting with the introduction of Hansi and Loulou. Most people seem to get hung up over the Libertine attitudes portrayed through deviant sexual activities, but what I took away was the idea that the psyche of willing participants, and particularly the young or immature, can be damaged by any emotionally charged experience, be it sexual or religious. The struggle is to rise above it. The one scene of particular interest revealed the blurred distinctions between dominant and submissive personalities (Hansi & Loulou), with the Sadist revealed as a Masochist by the emotional damage they were inflicting on themselves through the physical damage inflicted on someone they cared about. The Sadist/Masochist roles are easily reversed as seen through Loulou's comment when he throws himself in the pool in the deleted scene.