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122 out of 178 people found the following comment useful :-
The Better Half, 24 September 2004

Author: Bill Slocum (slokes@optonline.net) from Norwalk, CT USA

It's a matter of some debate which volume of Quentin Tarantino's "Kill Bill" is better. Let's end the argument right now: David Carradine doesn't even appear in "Volume 1." Hasn't the Academy mailed him his Best Supporting Actor Oscar already?

In the first volume of "Kill Bill," released only a few months before "Vol. 2" in the tail end of 2003, we met Uma Thurman, one peeded-off super-assassin taking out some folks from her past one at a time, with the occasional mega-posse thrown in for interest. "Vol. 1" had a lot of blood, violence, and wisecracks, and galloped across the screen like a rap video on steroids.

"Vol. 2" is way different. It makes sense it's a separate movie; the tone is such a departure from "Vol. 1" in two ways. One is style. Director Tarantino has fun stylistically quoting Sergio Leone and chop-fu cheapos from the late 1960s and early 1970s. Cinematic sampling is something he's good at and enjoys, but in "Vol. 2" he doesn't go as overboard as he does in "Vol. 1." He pulls back and lets the plot breathe, rather than filling every spare second with a homage-cum-parody that maybe a dozen lucky fans will get. Maybe some here wish he'd pile it on a bit more, but they have to make do with the goofy Pei Mai sequence, which is a flashback and hence not jarring in its "Vol. 1"-style comic-book treatment. Throughout "Vol. 2" the emphasis is on storytelling and character-building, which is where it should be given we are now being asked to deepen our commitment of interest to these people. "Vol. 1" is okay for what it is, but its flash and action are no match for the depth and nuance of "Vol. 2."

This gets to the second different tonal difference between the films, which is emotional. It all comes back to the characters. They don't quite become real people here, but they get close enough to get under your skin. Admittedly, the opening part of "Vol. 2" tests the viewer's patience a bit, there's some long bits that show the director hasn't really mastered self-discipline, like with Thurman's graveyard struggle, but the meandering usually has a purpose. Tarantino is building toward something here that has its payoff when Thurman's character finally has her face-to-face showdown with Carradine's Bill.

From that moment forward to the end, this is the best Tarantino has ever been.

Carradine and Thurman dominate the proceedings with two of the finest performances I've seen, certainly the best Tarantino has directed, playing off the mythology we've been taught in "Vol. 1" and developing resonances with the viewer both together and apart which will surprise those expecting a casual butt-kicking affair. We finally find out what Carradine means in the first line of "Vol. 1" where he tells a whimpering victim he is being masochistic, not sadistic, and its a powerful revelation, that this sinister baddie may have a heart buried under that cold exterior. Carradine is perfect in his phrasing, his pauses, the tired glint in his eye, or the way he says "Kiddo." You can't ask for a better veteran performance. For her part, Thurman presents a brilliantly conflicted character who can not stop either hating or loving Bill, and brings us not into a world of cartoon anguish, but real human pain.

"Kill Bill Vol. 2" is slow-moving, and needs "Vol. 1" in a way few sequels do, since it assumes you know nearly all the characters coming in. That's a weakness. So are some undeniably pointless bits, including the entire sequence with Bill's father figure, Esteban Vihaio, and some business at a bar involving Michael Madsen, who plays a former assassin now gone to seed.

Madsen's good, though, and so's Daryl Hannah as another rather mouthy assassin, Gordon Liu as Pei Mei, and especially Perla Haney-Jardine as a girl named B.B. The nice thing with Tarantino is for every scene that strikes a bum note, there's four or five that hit the right mark, and some manage to do much more. My favorite scene involves a Mexican standoff in an L.A. hotel room between Thurman's character and an anonymous hitwoman, at once grippingly suspenseful, hilarious, and life-affirming. Still, it's the final moments of this film that will stay with you, as Bill and his former pupil work out their "unfinished business" and we are left to ponder the results of their decisions and actions.

"Kill Bill Vol. 2" may not reach the heights of cinema to which it aspires, the level of "The Good, The Bad, And The Ugly" quoted in its score, but it's a fine film that will make most viewers glad they stuck around for the second installment. I am.

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72 out of 99 people found the following comment useful :-
Glad to see the split., 20 January 2005
Author: Walter Frith from Hamilton, Ontario, CANADA

When I first heard that this film was going to be split into two movies instead of being presented as one as originally planned, I was angry. I accused the powers that be of trying to squeeze two box office triumphs out of a single project. But after having seen both 'Kill Bill' and 'Kill Bill Vol.2', I am glad because both films are extremely different even though the stories are tied together with primarily the same actors and having the same director. Containing less action than 'Kill Bill', volume 2 is intelligent, bizarre and extremely engrossing. It absorbs all of its elements equally and David Carradine's performance as Bill is the best thing to happen in movie villain history since, well, I'll leave that up to individual interpretation.

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94 out of 147 people found the following comment useful :-
Master film-making!, 23 April 2004
Author: Noel Bailey (uds3@hotmail.com) from Baulkham Hills, New South Wales, Australia

Kill Bill: Vol 2 is a whole new ball-game. Whether you assess the film by virtue of its incisive dialog, its brilliant direction, acting par excellance or simply its `appeal,' there is but one factor - Tarantino. QT is to cinematic originality what Kubrick brought to deep space, and beyond the infinite!

A lifetime of forgettable movies excepting BOUND FOR GLORY and arguably Scorcese's BOXCAR BERTHA, is erased for Carradine overnight thanks to Tarantino. As Bill, Carradine has handed in his greatest performance to date.that is to say, QT drew it out of him. The `Old Grasshopper' conveys charm, menace.all the wordly acoutrements his profession would have brought to him. Playing the reed flute that he carved himself from a bamboo plantaton he actually set-up while still making Kung-Fu episodes, Carradine's first appearance outside the small church in El Paso set the scene for the entire movie. He commands our attention from that moment on. His last line, `How do I look?' was delivered with such believable sincerity and emotive sadness, it closed a chapter in Beatrix's and the viewer's recent experiences with remarkably good taste. The smallest part in this movie, from Samuel Jackson's cameo thru Bo Svenson's preacher to Michael Parks' gifted little turn as the crafty old Esteban is just flawless acting of the highest calibre.

QT 'regular' Madsen also scores with arguably his best portrayal in years as the alkified retired gang-member Budd (aka Sidewinder). He really looked the sad dead-beat that he had become.

The flashback sequences are never overlong, out of place or anything but chronologically correct. Everything from Volume 1 is explained. Beatrix's Kung-Fu training sequences with Master Pai Mai might be considered by many, the high point of the film. Certainly Tarantino's love of old Samurai flicks is evidenced throughout, especially in the brief but beautiful silhouette-shots of Master and pupil training. Nice touch too towards the end (I don't wish to give anything away here) where `X' and `Y' are watching SHOGUN ASSASSIN.

The final twenty minutes of the movie fully justify the term `awesome.' At the point Beatrix finally confronts Bill, no-one in the audience would be expecting to see what they do. All I will say is that the `little girl' involved is the most appealing and touchingly innocent little thing I have ever seen in a film. It was a master-stroke of casting, scripting and cinematography. A lot more I would like to say but cannot, without ruining the film for any future viewers.

In my opinion, no film ever made betters this!

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104 out of 170 people found the following comment useful :-
Tarantino's Triumph: Volume Two, 22 April 2004

Author: Coventry from the Draconian Swamp of Unholy Souls

Rarely known a movie I've been looking forward to so much than Q.T's resumption of the Kill Bill saga. I, as well as millions of others film-freaks, awaited Uma Thurman's further adventures with wicked anticipation. And of course…Tarantino didn't disappoint. Volume two is a completely different movie than volume one, but it's equally brilliant and the director's trademarks are shown more than obviously. Volume one merely was homage to the Eastern Martial Arts movies, with delightfully over-the-top splatter and gore while Vol. 2 fully focuses on ancient westerns and rural horror. There's more dialogue, more twists ‘n turns and the anti-chronological structure results in more depth and involvement. Some unexplained elements from Vol.1 become clear now and even the entire background of Thurman's character gets unveiled. For the very first time, (as far as I can remember) Tarantino really knows how to create an unbearable tension! There's a sequence in which Uma is buried alive and trapped under the ground…Through simple methods, like a completely black screen, Tarantino arises claustrophobia among the audience! Truly terrific filmmaking.

The actors in Kill Bill aren't Hollywood's best, but they each have their charisma and their typical Tarantino characters do the rest. The camera viewpoints are brilliant at times and – as usual – the tiny absurd elements are a joy to discover. Tarantino's entire Kill Bill achievement may easily be considered as one of the most creative and dared film-projects ever! Do yourself a favor and watch them! …Over and over again.

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39 out of 56 people found the following comment useful :-
Different Yes, Bad, No, 23 October 2004
Author: no_math9 (no_math9@hotmail.com) from Luxembourg, Luxembourg

This movie is completely different from the first. Unlike the first with fast paced action and extreme entertainingly super-stylish gore, Kill Bill vol. 2 is everything that was missing in th first.

The Bride's revenge is burning strong and we can see it in her eyes. We discover the truth behind the wedding massacre and all questions from the 1st movie are answered. We discover why the Bride is the deadliest woman in the world. We discover why Elle is missing an eye. We discover who Bill really is. We discover the Brides name. And finally we discover the truth of the secret revealed at the end of Vol. 1.

Her first target is Budd. The loser bum ex-deadly assassin living in a trailer in the middle of nowhere. The short confrontation ends with one of the most terrifyingly claustrophobia-inducing (sp?) scenes ever...specially if you watch it in the dark. Then we are taken to the journey of how the Bride became the deadliest person in the world. We see the story between her and her hard-hitting very mean master Pai-Mei.

After a while there is the confrontation with Elle Driver...the Battle of the Blonde Gargantuants...as Uma Thurman referred to it in an interview. This one fight scene is almost as exciting as watching the Bride battling off tons of the Crazy 88s from Vol. 1.

Then the battle we were all waiting for. For Uma Thurman to Kill Bill...well I won't spoil it for you. Basically vol. 1 was 95% style 5% substance while vol. 2 is 95% substance 5% style. Very emotional and touching movie with a few key gore scenes...definitely a must see...

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45 out of 70 people found the following comment useful :-
A Tarantino Masterpiece, 5 July 2006

Author: abacus24 from Spangdahlem, Germany

Over the last 40 years, I've seen a lot of movies. All types. Some great, some good and some mostly inedible; most left my breath with a sour smell. Westerns, sci-fi, comedies, dramas, etc. After seeing Kill Bill Vol I, I assumed that any sequel would pale to its predecessor. I, of course, was premature in my prediction. The movie was, by all means, a classic. I feel Taratino was really trying to make a great movie versus making money for his producers. To build his tasty sandwich, he took the lessons he learned from life as a movie maker and cleverly managed to meld some slices of meat from Sergio Leone (subtly), Akira Kurosawa (very subtly) and, I'm stretching it here, Ridley Scott, to create a great sequel to an excellent first movie. He used some great, almost forgotten actors (Daryl Hannah, Micheal Parks, and David Carradine to create a memorable meal. It was only a sandwich, but what morsel it was. I was full and wanting more. Very rare to find this type of film in our corporate world. He must wield some real power in the movie world. I don't know of anyone who has saw this movie who hasn't given it great feedback. And I know all types of viewers. My wife, who really doesn't like anything that is not overly melancholy or dripping with sentimentality, actually liked the whole movie. That in itself is an endorsement. Well done. Mr. Tarantino, you will be hard placed to match this gem.

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40 out of 64 people found the following comment useful :-
Honestly better than the first, 24 July 2004

Author: Garrett Morgan from Los Angeles, CA

Kill Bill Volume 2 is the astonishing follow-up to perhaps 2003's best film, Kill Bill Volume 1. Quentin Tarantino once again demonstrates a mastery of dialogue in this homage to the great western and kung fu movies that inspired him from his video clerk days.

Simply, this film is as entertaining as hell. Tarantino unabashedly takes the viewer for a joyride, and the end result is a movie with intense action, tempered with some of the best dialogue I have ever heard.

Some have pointed to this film as inferior to the first volume of Kill Bill: I disagree. Whereas Tarantino is a great action director (the scene in the first film with the crazy 88s is one of my top five favorite battle scenes of all time), he even surpasses this talent in his ability to write witty, intriguing dialogue: and this film really delivers it. One scene in particular, with David Carradine as Bill, near the end, speaking with Uma Thurman's The Bride while he makes a sandwich, is unforgettable and insightfully interesting. There are few points where the film drags, and the movie ultimately creates the impression of a visceral experience. 10/10. Go see this film, it is by far the best film released so far this year.

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38 out of 61 people found the following comment useful :-
A masterpiece by Tarantino., 1 September 2004

Author: daria84 from Ecuador

I've been waiting to see this movie for so long, and when I finally saw it, I loved it! it was worth the wait.

Vol.2 picks up pretty much where Vol.1 left, except for some flashbacks explaining what really happened with the characters. Uma Thurman is back as The Bride, and we get to know her real name finally. Also Daryl Hannah comes back as Elle Driver, the one-eyed killer, Michael Madsen plays Budd, Bill's baby/loser brother, and the infamous Bill is played by David Carradine. The performances are just great, Uma Thurman delivers a great performance as The Bride, we finally get to know her character a little better and the true reasons why she wants to "Kill Bill". I also have to say that David Carradine was perfect to play Bill. He has great charisma and he's so smooth, it's impossible not to like him. Daryl Hannah's performance was great too, and Michael Madsen's too.

Once again the music plays a key factor in this movie, is very well selected and for every single scene the music fits perfectly. And of course, the dialogue. In this movie, we get a lot more dialogue than brutal fighting like in Vol.1, this movie is more centered in explaining what led Bill to do what he did, it pretty much focuses in the past, explaining the whole thing. I especially liked the dialogues between Bill (Carradine) and The Bride (Thurman), I thought they were clever and just great, like all Tarantino's dialogues. Also the locations were excelent, I have no idea where they shot the film, but the landscaping was great, I truly enjoyed it.

Well it would be better to see Kill Bill Vol. 1 and Vol. 2 as one movie, not different, because in the end, you must see them together to understand. So I give this movie a 10/10, I loved it, it was great, great dialogues, great performances, great fighting sequences, everything was great! And I think that Uma Thurman and/or David Carradine (at least him) should be nominated for an Oscar, they were perfect and they deserve that international film makers acknowledge that. Tarantino you are the best!!!

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35 out of 59 people found the following comment useful :-
On the whole, so to speak, or by itself, the second part of Kill Bill fits the Tarantinian psychology, 22 August 2004

Author: Filmjack3 from United States

*** This comment may contain spoilers ***

Although, as a film buff myself, having a whole Kill Bill epic in one sitting would've been satisfying, like the first part that was split Vol. 2 works extraordinarily well. In terms of storytelling it's direct and (of course) unconventional, in style Tarantino pays homage/borrows (or depending on your point of view steals) from most of the films that stew around in his arsenal. And with dialog, in maybe a couple of moments it doesn't seem up to par, but it's not often. And the acting is in the greatest tradition of B-movie, spaghetti western, shaw-brothers, kung-fu et. all. If you look at both Kill Bills it's fascinating as a movie buff to discover things you haven't seen before (i.e. the whole blood-coated style of the climax in vol. 1) and things you recognize right away (i.e. the unmistakable songs of Ennio Morricone, who is just as creditable as Leone for Tarantino's style).

What's there to say about the story, except that it picks up where it left off? Sort of- as usual, the non-linear story aspect kicks in, and two sections of the film derail from the continuing story of revenge on the DIVAs and Bill (the squad members this time being the perfectly paced in tone and presence Michael Madsen as Budd, and Daryl Hannah's most vindictive role as Elle Driver). At first, we get a stark, black and white view of what the "Massacre at Two Pines" was like, and right away we're introduced (finally) to Bill, played by David Carradine, one of the most calm, affecting film villain performances in recent memory. The other derailment is to tell the immensely entertaining story of The Bride's training by the heavy-duty Pai Mei (Gordon Liu, in one of his performances in the whole KB saga). This could be counted as the funnest part of the film, aside from a few key moments, as the camera sweeps from medium to close up happen every thirty seconds or so.

In the acting department, as I've said, Tarantino gets a big boost- this could be counted as being one of the key performances of not only Carradine's career, but Thruman's as well. They elevate the mood of Tarantino's (sometimes) tongue-in-cheek dialog, but they're also pro's that do their best when it comes time to the showdown, with monologues that come close to being QT's most memorable (although not his best- as cool as it all sounds, it doesn't hit the Pulp Fiction marker). When it does end, the whole operatic sense of the film seems to work, and to the audience it will either be a fitting end or a disappointment. It is, at least, the most ambitious action/comedy/drama/kung-fu/western/romance film (this is referring to Vol. and both volumes together) in many a moon; it's a lot like opening up the filmmaker's skull, and getting a scrambled up dosage of his memories and references, and it works much more often than not. Oh, and how about a bit of applause to Bob Richardson and Michael Parks! A+

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43 out of 76 people found the following comment useful :-
The Moose Hole - Review of Kill Bill (Volume II), 27 April 2004

Author: Joseph Kastner (JAKastner@wi.rr.com) from Delafield, Wisconsin

*** This comment may contain spoilers ***

`Revenge is a dish best served cold.'

When we last left off, Quentin Tarantino has re-emerged onto the Hollywood scene for the first time in six years with not just one but two films to be released into theaters to an overwhelmingly awaiting cult audience. But not everyone was especially happy with the decision of both Tarantino and his distributor, Miramax Pictures, to split the tale of The Bride in two. There were some in the vast assortment of captious movie-goers that took this as a sign of continued greed amongst the `Hollywood elite' in that the decision of splitting the film into two parts was done to get the loyal fans to shell-out double the normal ticket price for essentially one film. Granted, in the end, that turned out not to be the case, as the film would actually be five hours in length and thus be deemed too long to be taken all at once, but the issue still remained whether the rest of Hollywood would follow in the foot-steps of Kill Bill and spark a brand new trend, only this time with less honorable then Tarantino did. That is still to be seen and perhaps that argument is a bit overzealous . In this situation, one shouldn't question what could happen in the future but whether or not the primary influence, namely Kill Bill, did what it claimed it would accomplish, by delivering movie-goers ultimate satisfaction for dollar.

Kill Bill (Volume II) is the second, and possibly final, installment of the story that centers on a former member of a group of assassins who seeks revenge for the actions done on to her by her former colleagues. For those unfamiliar with the first installment, here is a slight recap of previous events:

A woman known only as The Bride has waken up from a four year comma after her former boss Bill left her for dead on the day of her wedding killing her fiancé, the wedding party and her unborn child. Unfortunately for the skilled assassin, he made one big mistake: he failed to kill her. Now that she has awakened from her living slumber, The Bride will travel the world picking off her attempted killers one by one including the mysterious Bill. First up on her list is O-Ren Ishi, aka Cottonmouth, and her group of Japanese underground assassins and then Vernita Green, aka Copperhead. Upon completing the task of killing her first two targets, The Bride continues on her rampage determined to kill everyone on her list, all the way to Bill.

The second installment picks up basically where the first one left off, leaving The Bride heading to her next target, Budd (aka Sidewinder), who happens to be the run-down and vastly inferior brother of Bill himself. But, for at least a few moments, Budd gets the upper-hand on the film's lead assassin by placing her in a coffin and burring her alive. In the time it takes her to escape, the audience is informed on the vast training The Bride took in order to become the superior apache she is today. Upon escaping the make-shift grave, The Bride duels with her contemporary rival, Elle Driver (aka California Mountain Snake), who not only killed Pai Mai but has her eyes set on The Bride herself. The final lag of her journey brings her to the home of Bill himself and along with him comes a little surprise: her daughter. The story for Kill Bill (Volume II) is quite arguably vastly superior to the one written up for the first installment in that this one deals not so much with action but dialogue and meanings discovered behind actions made by characters throughout this film as well as the previous installment. Once again Tarantino demonstrates his remarkable filmmaking skills by back-tracking the story at precise moments that by doing so will explain actions yet to come. Few writers can pull such an effect successful and Tarantino does so brilliantly.

As was said with the previous installment, a relative bunch of low-profile actors and actresses make up one of the better casts of the year for this film, but this time around we introduced to a slightly different lot from the last film. Michael Madsen gives a dead-on (no pun intended) performance as Budd, a run-down and subjacent version of his former self now that he is no longer in the hit-man business. Madsen gives a sense that the character really contemplates on what he has done and whether or not he feels remorse for those actions but at the same time showcases the scoundrel that still lives within him. Daryl Hannah is quite intriguing as Elle Driver, clearly the most ruthless and baneful character in the film series. The only problem with her role was the dreadfully over-the-top performance given when her character's eye was plucked out. Granted having one's eye plucked out isn't a pleasant manner but what Hannah presented on screen was unconvincing and quite annoying after some time. Uma Thurman's role in the second installment can't be complimented more then her role in the first . She gives an absolutely brilliant, witty, and exhilarating performance that works every moment she is on screen. And David Carradine, best known for his Kung Fu television series, gives a `sweet', vibrant, and utterly perfect performance as the title character, Bill. He shines in every scenes he is presented in and works exceedingly well with Uma Thurman . There isn't much to say other then `Bravo'!

Overall, Kill Bill plays out much like the concept of revenge itself - actions and instincts engulf us at first, but as time goes on and the journey rampages toward its ultimate conclusion, truth and meaning quickly take over. Where Tarantino starts off with a bang, he rightfully finishes off with a shock to our system - maturity and philosophical contemplation on the subject of revenge and what it means for those involved. Those who were truly engulfed by the blood and gut spilling actions of the first film will be greatly disappointed by the second installment unless you are one of those geeks who enjoy dialogue far more then comical violence, which may not be too many. But if there is even just a few then that will demonstrate the true essence of maturity amongst the movie-going public. Despite a pacing that made the feature feel a tad longer then was probably necessary, Kill Bill (Volume II) serves as a fitting conclusion to Quentin Tarantino's near perfect masterpiece . a masterpiece that may take quite some time to surpass but if the young filmmaker keeps putting out work like his previous films, his cult audience is more then willing to wait.

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