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Directed by | |||
| Quentin Tarantino | |||
Writing credits(in alphabetical order) | ||
| Quentin Tarantino | written by | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| William Paul Clark | .... | associate producer | |
| Christoph Fisser | .... | co-producer | |
| Henning Molfenter | .... | co-producer | |
| Bruce Moriarty | .... | associate producer | |
| Lloyd Phillips | .... | executive producer | |
| Pilar Savone | .... | associate producer | |
| Erica Steinberg | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Charlie Woebcken | .... | co-producer (as Carl L. Woebcken) | |
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Simone Bär | |||
| Olivier Carbone | |||
| Jenny Jue | |||
| Johanna Ray | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Marco Bittner Rosser | |||
| Stephan O. Gessler | |||
| Sebastian T. Krawinkel | (supervising art director) | ||
| Andreas Olshausen | |||
| David Scheunemann | |||
| Steve Summersgill | |||
| Bettina von den Steinen | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Anna B. Sheppard | |||
Makeup Department | |||
| Tamar Aviv | .... | special makeup effects assistant: KNB EFX Group Inc. | |
| Howard Berger | .... | special makeup effects coordinator | |
| Jake Garber | .... | key on-set makeup effects artist | |
| Pamela Grujic | .... | hair stylist | |
| Pamela Grujic | .... | key makeup artist | |
| Grady Holder | .... | special makeup effects artist: K.N.B. EFX Group | |
| Susanne Kasper | .... | makeup artist | |
| Emanuel Millar | .... | hair department head | |
| Gregory Nicotero | .... | key special makeup effects supervisor | |
| Valeska Schitthelm | .... | additional hair stylist | |
| Valeska Schitthelm | .... | additional makeup artist | |
| Jörn Seifert | .... | special makeup effects assistant: KNB EFX Group Inc. | |
| Heba Thorisdottir | .... | makeup department head | |
| Estelle Tolstoukine | .... | additional hair stylist | |
| Khanh Trance | .... | hair special effects: KNB EFX Group | |
| Camille Calvet | .... | special makeup effects artist for Mike Myers (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tobias Asam | .... | second assistant director: splinter unit | |
| Delphine Bertrand | .... | assistant director: France | |
| Jerome Borenstein | .... | first assistant director: France | |
| William Paul Clark | .... | first assistant director | |
| Carlos Fidel | .... | second assistant director | |
| Mara Fiedler | .... | trainee assistant director | |
| Scott Kirby | .... | first assistant director: splinter unit | |
| Ariane Lacan | .... | second assistant director: France | |
| Guilhem Malgoire | .... | third assistant director | |
| Jill Moriarty | .... | second second assistant director | |
| Miguel Angelo Pate | .... | third assistant director | |
| Julien Petit | .... | assistant director: France | |
| Gabriel Roth | .... | additional director (segment "Nation's Pride") | |
Art Department | |||
| Friederike Beckert | .... | store manager | |
| Robert Blasi | .... | art department coordinator | |
| Simon-Julien Boucherie | .... | property master | |
| Stéphane Cressend | .... | assistant art director | |
| Birka Czassny | .... | construction secretary | |
| Emmanuel Delis | .... | set decorator: France | |
| Axel Eichhorst | .... | concept artist | |
| Sabine Engelberg | .... | set designer | |
| Enzo Enzel | .... | stand-by painter | |
| David R. Evans | .... | graphic designer | |
| Michael Fissneider | .... | set designer | |
| Alex Friedrich | .... | prop maker | |
| Hélène Gourdin Doherty | .... | set decoration assistant | |
| Dierk Grahlow | .... | construction manager | |
| Anne Gramlich | .... | art department runner | |
| Sebastian Hanusch | .... | assistant stand-by props | |
| Ingeborg Heinemann | .... | assistant set decorator | |
| Leif Heanzo Hendel | .... | props concept artist | |
| Andreas Horstmann | .... | additional set decoration buyer | |
| Jan Hülpüsch | .... | graphic artist: Schein Berlin | |
| Alexis Imbert | .... | props | |
| Jan Jericho | .... | graphic artist | |
| Robert Krüger | .... | hod painter | |
| Oliver Kuhlmann | .... | stand-by props chargehand | |
| Liliana Lambriev | .... | graphic artist: Schein Berlin | |
| Robert Makolies | .... | plaster sculptor | |
| Stefan Mentz | .... | stand-by props production assistant | |
| Johanna Muench | .... | modelmaker | |
| Benjamin Palmer | .... | supervising model maker | |
| Daniel Porsdorf | .... | photographer: Schein Berlin | |
| Stephanie Rass | .... | set designer | |
| Melanie Reichert | .... | construction buyer | |
| Melanie Reichert | .... | construction secretary | |
| Michelle Rose | .... | props coordinator | |
| Sascha Strutz | .... | prop buyer | |
| Steve Summersgill | .... | set designer | |
| Otu Tetteh | .... | props | |
| Alwara Thaler | .... | set decoration shopper | |
| Jacob von Dohnanyi | .... | propmaker | |
| Joey Weber | .... | set decoration buyer | |
| Simon Weisse | .... | model maker | |
| Oliver Wolter | .... | art department assistant | |
Sound Department | |||
| Robert Althoff | .... | mix technician | |
| Paul Aulicino | .... | sound editor | |
| Gregg Baxter | .... | supervising adr editor | |
| Harry Cohen | .... | sound designer | |
| Benjamin Dunker | .... | utility sound technician | |
| Martin Gleitze | .... | sound utility | |
| Tom Hartig | .... | boom operator | |
| Michael Keller | .... | sound effects editor | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist | |
| Nancy Nugent | .... | dialogue editor | |
| Margit Pfeiffer | .... | dialogue supervisor | |
| Carsten Richter | .... | foley artist: nation's pride | |
| Steve Schatz | .... | sound mixing recordist | |
| Ann Scibelli | .... | sound designer | |
| Wylie Stateman | .... | supervising sound editor | |
| Mark Ulano | .... | production sound mixer | |
| Brett Voss | .... | foley mixer | |
| Hanse Warns | .... | foley mixer: nation's pride | |
| Jeffrey Wilhoit | .... | foley artist | |
| Toby Cohen | .... | additional sound (uncredited) | |
Visual Effects by | |||
| Elika Burns | .... | roto/paint supervisor: CIS Hollywo | |
| Patrick Clancey | .... | digital opticals | |
| Scott Crafford | .... | paint and rotoscope artist: CIS Hollywood | |
| Michael Dillon | .... | digital intermediate assistant producer | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| John Dykstra | .... | visual effects designer | |
| Kelly Fischer | .... | compositor: CIS Hollywood | |
| Mathias Frodin | .... | compositor: CIS Hollywood | |
| Mathias Frodin | .... | digital compositor | |
| Alex Gitler | .... | compositor: CIS Hollywood | |
| Alex Gitler | .... | digital compositor | |
| Alex Gitler | .... | visual effects: CIS Hollywood | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Joe Henke | .... | digital effects supervisor: CIS Hollywood | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood | |
| Mark Justison | .... | junior compositor: CIS Hollywood | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Hollywood | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Visual Effects Group | |
| Rodney Montague | .... | visual effects producer | |
| Viktor Muller | .... | visual effects supervisor | |
| James P. Noon | .... | tracking | |
| Caleb Owens | .... | cg artist: CIS Hollywood | |
| Chris Ryan | .... | cg supervisor: CIS Hollywood | |
| Aaron Schultz | .... | cg artist: CIS Hollywood | |
| Rasha Shalaby | .... | compositor: CIS Hollywood | |
| Ilona Vovchyk | .... | model painter | |
| Xye | .... | tracking | |
| Nina Yoon | .... | paint & roto artist | |
| Nina Yoon | .... | paint & rotoscoping artist: CIS Hollywood | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Group (uncredited) | |
| Amy Garback | .... | effects liaison: CIS Hollywood (uncredited) | |
| Brian Holmes | .... | systems engineer: CIS Hollywood (uncredited) | |
| Katie Miller | .... | coordinator assistant: CIS Hollywood (uncredited) | |
| Robert Minsk | .... | systems: CIS Hollywood (uncredited) | |
Camera and Electrical Department | |||
| Dieter Bähr | .... | key grip | |
| Martin Bartels | .... | video assist operator: splinter unit, assistant video operator: main unit | |
| Mithat Baskan | .... | electrician | |
| Jean-François Drigeard | .... | gaffer: Paris | |
| François Duhamel | .... | still photographer | |
| Lester Dunton | .... | vfx director of photography | |
| Oliver Haas | .... | best boy lighting | |
| Eddie Handschak | .... | video operator: main unit | |
| Rafael Jeneral | .... | second assistant camera: splinter unit | |
| Daniel Jopp | .... | lighting technician | |
| Sebastian Meuschel | .... | steadicam operator | |
| Matthias Pilz | .... | central loader | |
| Helmut Prein | .... | gaffer | |
| Christian Scheibe | .... | dolly grip: "b" camera | |
| Axel Scholz | .... | electrician | |
| Leah Striker | .... | camera operator: splinter unit | |
| Gregor Tavenner | .... | key first assistant camera | |
| Christian Wehrle | .... | key video assist | |
| Jörg Widmer | .... | director of photography: splinter unit | |
Casting Department | |||
| Aurélie Avram | .... | extras casting | |
| Simone Bär | .... | casting: Germany | |
| Salvadore Brandt | .... | first extras casting assistant | |
| Olivier Carbone | .... | casting: France | |
| Johanna Ragwitz | .... | extras casting | |
| Mathilde Snodgrass | .... | casting assistant | |
| Patrick Winkler | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Daniela Backes | .... | principal set costumer | |
| Daryl Bristow | .... | costume supervisor | |
| Brigitte Friedländer-Rodriguez | .... | wardrobe supervisor (as Brigitte Rodriguez) | |
| Brita Hofmann | .... | costume textile artist | |
| Tina-Jane Krohn | .... | costumer | |
| Gary Lane | .... | military costumes supervisor | |
| Anna Isabell Logen | .... | personal dresser: Brad Pitt | |
| Peter Paul | .... | wardrobe master | |
| Sonia Inés Rocha | .... | assistant textile artist | |
| John Rowe | .... | military costumer | |
| Meike Schlegel | .... | assistant costume designer | |
| Anja Vesterling | .... | costume textile artist | |
| Michelle Wickland | .... | stunt & principal costumer | |
Editorial Department | |||
| Toska Baltruschat | .... | first assistant editor | |
| Sheryl Benko | .... | post-production coordinator | |
| Alexander Boldt | .... | second assistant editor | |
| Etienne Boussac | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Joe D'Augustine | .... | additional editor | |
| Julia Dupuis | .... | second assistant editor | |
| Julie Garces | .... | assistant editor: Avid | |
| Erin Michelle Hopkins | .... | assistant editor | |
| Stephanie Johnson | .... | first assistant editor | |
| Kai Lamberton | .... | third assistant editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Traudl Nicholson | .... | color timer | |
| Jim Passon | .... | color timer (Deluxe) | |
| Tom Reiser | .... | colorist assist: Efilm | |
| Denise Sadighi | .... | German subtitle assistant/translator | |
| Matthew Sakata | .... | post-production assistant | |
| Boris Schaarschmidt | .... | German subtitle assistant/translator | |
| Adam M. Weber | .... | apprentice editor | |
| Lisa Tutunjian | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Mary Ramos | .... | music supervisor | |
| Jim Schultz | .... | music editor | |
Transportation Department | |||
| Jalal Aqdim | .... | picture car assistant coordinator: paris unit | |
| Maxime Couteret | .... | transportation captain | |
| Tom Ehrhardt | .... | picture car coordinator | |
| Dennis Erdmann | .... | production driver | |
| Marco Fischer | .... | truck wrangler | |
| Florian Haeger | .... | driver: cast | |
| Charles Heidet | .... | picture car coordinator: Paris Unit | |
| Daniel Huhn | .... | driver: cast | |
| Steffen Knabe | .... | production driver | |
| Andreas Korpel | .... | additional truck driver: Paris | |
| Erich Kraus | .... | driver: cast | |
| Oliver Kueper | .... | transportation coordinator | |
| Matthias Langwich | .... | driver | |
| Jérôme Servant | .... | transportation coordinator: France | |
| Olivier Suffert | .... | driver: Paris | |
| Silke Werner | .... | driver: cast | |
| Alexandre Thiery | .... | driver: Paris (uncredited) | |
Thanks | |||
| Enzo G. Castellari | .... | thanks | |
| John Milius | .... | thanks | |
| Barry Primus | .... | very special thanks | |
| Bill Roth | .... | special thanks | |
| Tom Tykwer | .... | acknowledgment: German Translation quality assurance | |
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You should hear the Italian critics talking about Tarantino and "Inglorious Bastards". They run out of superlatives. One of them last night actually shouted "Tarantino is my God". Wow! I, personally, suspect that Tarantino is the result of a generation of TV and bad (now cult) exploitation movies. I enjoy him, don't get me wrong, but I'm not shouting miracle when I still have "The Great Escape", for instance, so fresh in my mind. "Inglorious Basterds" more than any of the other Tarantino films is all about appearances. There is nothing underneath other than references to other movies. Nothing wrong with that in fact I like it but I refuse to treat Quentin Tarantino as a sort of Deity. I can't buy it. I think he should be placed exactly where he belongs among the best of his kind but what kind is that? Never mind, it works. Italian critics who are so prepared to destroy their own - you should read some of the reviews for "Baaria" - are prepared to fall to their knees in front of Tarantino. This are the same critics that last year, the year of "Milk", "Slumdog Millionaire" "Edge Of Heaven", The Wrestler" etc, gave the David de Donatello Award for best picture to "Grand Torino" I want to make sure that I'm making my point clearly. "Inglorious Bastards" is a terrific comedy with most of Tarantino's trademark tricks in place. You'll have a great time with Brad Pitt and an incredible Christoph Waltz as the ultimate Nazi villain but don't expect a masterpiece as declared by some critics. That kind of review damages the film and me the spectator. It forces something on me. As if I was suppose to feel the same otherwise there is something wrong with me. No. I liked it, I recommend it for what it is. Period.