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American Splendor (2003)
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Overview
Writers (WGA):
Harvey Pekar (comic book series American Splendor) andJoyce Brabner (comic book series Our Cancer Year) ...
more
Tagline:
Ordinary life is pretty complex stuff.Plot:
An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar. full summary | add synopsisPlot Keywords:
moreAwards:
Nominated for Oscar. Another 28 wins & 31 nominations moreNewsDesk:
(10 articles)
Depp Beats Out Penn for SAG Award (From Studio Briefing. 23 February 2004)
And the Nominees Are... (From Studio Briefing. 27 January 2004)
User Comments:
Brilliant, Brilliant, Brilliant Paul Giamatti moreCast
(Cast overview, first billed only)| Chris Ambrose | ... | Superman | |
| Joey Krajcar | ... | Batman | |
| Josh Hutcherson | ... | Robin | |
| Cameron Carter | ... | Green Lantern | |
| Daniel Tay | ... | Young Harvey | |
| Mary Faktor | ... | Housewife | |
| Paul Giamatti | ... | Harvey Pekar | |
| Harvey Pekar | ... | Real Harvey | |
| Shari Springer Berman | ... | Interviewer (voice) | |
| Larry John Meyers | ... | Throat Doctor (as Larry John Myers) | |
| Vivienne Benesch | ... | Lana | |
| Barbara Brown | ... | Nurse | |
| Earl Billings | ... | Mr. Boats | |
| Danny Hoch | ... | Marty | |
| James Urbaniak | ... | Robert Crumb |
Additional Details
MPAA:
Rated R for language.Parents Guide:
View content advisory for parentsRuntime:
101 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
USA:R (certificate #39761) | USA:TV-14 (cable rating) | Brazil:14 | Argentina:13 | Australia:M | Canada:PG | Germany:6 | Iceland:LH | Mexico:B | Netherlands:AL | Norway:A | Portugal:M/12 | Singapore:PG | Sweden:Btl | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15MOVIEmeter: 
Fun Stuff
Trivia:
The jacket that Paul Giamatti wears for Harvey's first "Late Night with David Letterman" (1982) appearance is the exact same piece of clothing that we see the real Harvey wearing on the TV. moreGoofs:
Revealing mistakes: When Harvey forgets his keys and cannot get into the apartment, the elderly woman opens the door for him. When he closes the door behind him, it bounces off the frame and doesn't latch shut. moreSoundtrack:
My City Was Gone moreFAQ
How does it end?more
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I'm sorry, but I just saw this movie this week on cable, and went out and bought the DVD immediately thereafter. I have since watched it about 15 times, so far. I'm not a comic book fan (at all), and I've never heard of Harvey Pekar (though perhaps vaguely remember his appearances on David Letterman, since seeing this film). Giamatti's performance alone is worth the time in watching this film. I don't think anything Brando, Pacino, or DeNiro has done, to name a few, compares to what Giamatti pulls off in this film. And with that said, perhaps I'm still too new and enthusiastic a viewer to be reviewing his performance. However, PG's every nuance, from his eyebrow twitches and raises, to the shrug of his shoulders, to his speech pattern, to the manner in which he says "OK, OK" early on to his doctor when he's getting his throat checked to his walk...EVERYTHING is just so wonderfully "channeled". He offers such a natural character, and whether or not he is Pekar spot on, I don't know. However, he created his own wonderful big little character. (The scene in which he is talking to Joyce (Hope Davis' character) on the phone, urging her to meet him in Cleveland, is quietly hysterical).
Hope Davis was also great, and it's amazing how much her natural voice and speech pattern resemble that of Pekar's wife. Full of laughs and pathos, in addition to wonderful jazz scores (I haven't checked if there's a soundtrack for the film...I hope that there is one)....this is a must-see film...absolutely brilliant! I don't even know if P. Giamatti was nominated for his performance, but he should have won every award that year, including the Oscar (or at least tie with Sean Penn). I know I have spent all this time commenting on just the two main characters, because they are both so breathtakingly brilliant in their interpretations. Therefore, I'll offer a note about the film overall as well.
First, the film is brilliantly executed. Combining both actors and original screenplay material along with some real-life footage of Harvey Pekar himself was very inventive. And, the use of this approach never bordered on being "cutesy" or clever, as Pekar's perspective and ongoing commentary truly validates the entire film. As I mentioned before, P. Giamatti seems to inhabit Pekar....and provides a very endearing portrait in the process. I have for so many years far preferred quieter, character-driven films, which happen to typically fall within the "indie" category. This film has simply solidified my love for character-driven stories. It is insightful, very droll, and full of pathos. I am now even contemplating subscribing to the comic book "American Splendor", and I am someone who ABSOLUTELY ABHORS all forms of animation. I particularly despise animated films, and only read "Cathy", "Dilbert", and "Doonesbury" from the strips. However, I might just start subscribing to "American Splendor". Because I missed this film when it first came out, I am not certain how large an audience it originally attracted, quite frankly. However, watching it has made me shun, just a little bit more, larger, Hollywood productions, including typical, cookie-cutter romantic comedies (as for another mass-produced Hollywood genre....action/adventure films...I've always hated them and never watch them). I won't turn into a snob and completely shun all Hollywood films, but there certainly is something to be said for quiet, thoughtful pieces that are accompanied by a refreshingly wonderful jazz soundtrack (too many films today appear to have been written around x number of popular songs...it can be quite annoying). As for this film, it's a treasure. Please rent it and ENJOY!