| Photos (see all 28 | slideshow) |
| Nick Stahl | ... | Toby | |
| Johnny Galecki | ... | Jude | |
| Lukas Haas | ... | Casey | |
| Rachael Leigh Cook | ... | Hunter | |
| David Proval | ... | Larry | |
| John Diehl | ... | Vincent | |
| Julio Oscar Mechoso | ... | Martinez | |
| Zuri Williams | ... | Duane | |
| Dwight Armstrong | ... | Abraham | |
| Steve Hudson | ... | Julius Garrett | |
| Errol Trotman-Harewood | ... | Professor Felix | |
| Catherine Britton | ... | Tammy | |
| Art Karounos | ... | Bouncer | |
| Dominic Boeer | ... | Buzz Cut (as Dominic Böer) | |
| Marco Stankovic | ... | Mark | |
| Tobias Niemann | ... | Tim | |
| Marc Sieger | ... | Second Security Cop | |
| Jashar Mashayekh | ... | Ethnic Kid | |
| Sidney Beitz | ... | Smoking Kid 1 | |
| Georg von Mitzlaff | ... | Smoking Kid 2 | |
| Daniel Schwarz | ... | Ethnic Kid 2 | |
| Ozgur Kagan Kaya | ... | Big Ethnic Kid 3 (as Özgüer Kaya) | |
| Helmut Grobmann | ... | Jude's Father | |
| Sabine Caffier | ... | Kelly | |
| Boris Kaminski | ... | Duane's Friend | |
| Oliver Tank | ... | Big Dude | |
| Ed Cunningham | ... | TV Sportscaster | |
| rest of cast listed alphabetically: | |||
| Eric Benz | ... | (uncredited) | |
| Minja Filipovic | ... | Kelly (uncredited) | |
| Paul Greenstone | ... | Courier at Betting Dropoff (uncredited) | |
Directed by | |||
| Mark Illsley | |||
Writing credits(in alphabetical order) | ||
| Michael Bacall | writer | |
Produced by | |||
| Sabine de Mardt | .... | producer (as Sabine Müller) | |
| Alan Greenspan | .... | producer | |
| Paul Greenstone | .... | producer | |
| Andrea Kreuzhage | .... | executive producer | |
| Brad Krevoy | .... | executive producer | |
| Marco Mehlitz | .... | line producer | |
| Maurin L. Scarlata | .... | associate producer (as Maurin Scarlatta) | |
| Gerhard Schmidt | .... | executive producer | |
Original Music by | |||
| Christopher Tyng | |||
| Giuseppe Cristiano | (uncredited) | ||
Cinematography by | |||
| Brendan Galvin | (director of photography) | ||
Film Editing by | |||
| Jeff McEvoy | |||
Casting by | |||
| Emily Schweber | |||
Production Design by | |||
| Uli Hanisch | |||
| Maurin L. Scarlata | |||
Art Direction by | |||
| Kai Koch | |||
Set Decoration by | |||
| Thorsten Sabel | |||
Costume Design by | |||
| Karyn Wagner | |||
Makeup Department | |||
| Antje Bockeloh | .... | makeup artist | |
| Chloe-Claudia Brown | .... | key makeup artist (as Chloé-Claudia Brown) | |
| Chris Kamprad | .... | makeup artist | |
| Astrid Schikorra | .... | key hair stylist | |
| Daniela Schmiemann | .... | makeup artist | |
| Eleni Yannopoulos | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Dylan Gray | .... | first assistant director (as D. Dylan Gray) | |
| Dylan Gray | .... | second unit director | |
| Péter Palátsik | .... | second assistant director (as Peter Palatsik) | |
| Stojan Petrov | .... | first assistant director: second unit | |
| Stojan Petrov | .... | second second assistant director | |
| Robert Spika | .... | daily assistant director | |
| Birgit Willekens | .... | third assistant director | |
Sound Department | |||
| Jacob Goldstein | .... | sound mixer | |
| Dirk Jacob | .... | sound designer | |
| Dirk Jacob | .... | sound effects editor | |
| Richard Kite | .... | boom operator | |
| Günther Röhn | .... | foley artist | |
| Elana Saviolis | .... | adr coordinator | |
| Ronny Schröpfer | .... | utility cable | |
| Martin Steyer | .... | sound re-recording mixer | |
| Marcus Sujata | .... | foley recordist | |
| Kai Tebbel | .... | adr editor | |
| Kai Tebbel | .... | dialogue editor | |
| Kai Tebbel | .... | foley editor | |
| Michael J. Fox | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Andreas Korth | .... | special effects supervisor: Flash Art | |
| Benjamin Kotter | .... | special effects supervisor: Flash Art (as Ben Kötter) | |
Visual Effects by | |||
| Thorsten Binte | .... | visual effects: Effectory Filmeffekte | |
| Florian Decker | .... | visual effects: ARRI Film & TV | |
| Christian Grafwallner | .... | technical supervisor: digital lab, ARRI Film & TV | |
| Tom Henderson | .... | digital and analogue color grader: ARRI Film & TV | |
| Richard Kahl | .... | video graphics supervisor: V&M Filmservice | |
| Alex Klippe | .... | laser film recordist: ARRI Film & TV | |
| Stephan Lethaus | .... | additional visual effects: 4K Animation | |
| Andreas Rothenaicher | .... | post-production manager: ARRI Film & TV | |
| Jan Schmidtgen | .... | additional visual effects coordinator: 4K Animation | |
| Simon Thomas | .... | digital color grading: ARRI Film & TV | |
| Stefan Tischner | .... | visual effects: ARRI Film & TV | |
Stunts | |||
| Peter Bartels | .... | stunts: Steinmeier & Mohr | |
| Michael Bittinger | .... | stunts: Steinmeier & Mohr | |
| Norbert Heisterkamp | .... | stunts: Steinmeier & Mohr | |
| Michael Mohr | .... | stunt coordinator: Steinmeier & Mohr | |
| Marc Sieger | .... | stunts: Steinmeier & Mohr | |
| Andreas Cremer | .... | stunts: Steinmeier & Mohr (uncredited) | |
Camera and Electrical Department | |||
| Michael Beitz | .... | additional electrician | |
| Georg Bozkurt | .... | additional electrician (as Coskun 'George' Bozkurt) | |
| Frantek Brandt | .... | daily assistant camera | |
| Felix Buchholz | .... | additional electrician | |
| Fred Busbach | .... | additional electrician | |
| Celio Castro | .... | electrician | |
| John Conroy | .... | first assistant camera | |
| Hermenegild Fietz | .... | additional electrician | |
| Sven Fink | .... | additional electrician | |
| Christian Georges | .... | electrician | |
| Udo Heinz | .... | additional electrician | |
| Rafael Jeneral | .... | clapper loader | |
| Emil Jevtic | .... | additional electrician (as Emil Jeutic) | |
| Vera Kachulle | .... | clapper loader: second unit | |
| Felix Keuck | .... | company grip | |
| Ansgar Krajewski | .... | camera assistant: second unit | |
| Jochen Kratzheller | .... | best boy electric | |
| Tobias Linsel | .... | daily assistant camera | |
| Martin Lippert | .... | camera crane technician | |
| Julia Lohmann | .... | video assistant | |
| Niels Maier | .... | gaffer | |
| Christoph Mohr | .... | clapper loader: second unit | |
| Michael Müller | .... | key grip | |
| Oliver Noell | .... | additional electrician | |
| Won-suk Park | .... | daily assistant camera | |
| Jens Piotrowski | .... | second assistant camera | |
| Markus Rettler | .... | additional electrician | |
| Rolf Rosendahl | .... | daily assistant camera | |
| Martin Schanningher | .... | electrician trainee | |
| Ivan Smolcic | .... | electrician | |
| Marc Stoppenbach | .... | daily assistant camera | |
| Ralf Streitbürger | .... | additional electrician | |
| Elmar Suska | .... | best boy grip | |
| Tom Trambow | .... | property photographer | |
| Des Whelan | .... | camera operator | |
| Astrid Wirth | .... | still photographer | |
| Sabine Filser | .... | additional electrician (uncredited) | |
Casting Department | |||
| Lars C. Arnold | .... | casting trainee (as Lars Arnold) | |
| Annette Borgmann | .... | additional casting: Germany | |
| Atar Husain | .... | casting trainee (as Athar Hussein) | |
| Jennifer Levy | .... | casting associate: USA | |
| Eva Moor | .... | casting trainee (as Eva Mohr) | |
| Silvia Munzòn-Lopèz | .... | casting assistant (as Silvia Munzán-Lopéz) | |
| Emily Schweber | .... | casting: USA | |
| Carmen Senz | .... | casting: Germany | |
| Stephan Senz | .... | casting: Germany | |
Costume and Wardrobe Department | |||
| Petra Burmester | .... | on-set costumer | |
| Silvia Müller | .... | additional on-set costumer | |
| Barbara Ohren | .... | seamstress | |
| Heather Pain | .... | assistant costume designer | |
| Ramona Petersen | .... | additional on-set costumer | |
| Nina Schulz | .... | on-set costumer | |
| Eduarda Almas | .... | additional wardrobe (uncredited) | |
Editorial Department | |||
| Norman Buckley | .... | supervising editor | |
| Scott Canning | .... | editor: stock footage, post-production | |
| Ulrich Hochleitner | .... | high definition scanning coordinator: ARRI Film & TV | |
| Andreas Kern | .... | high definition scanning coordinator: ARRI Film & TV | |
| Guido Krajewski | .... | editing suite: Cut Company | |
| Babette Rosenbaum | .... | second assistant editor: post-production | |
| Hannah Rosenberg | .... | assistant editor: post-production | |
| Achim Strack | .... | post-production coordinator | |
Music Department | |||
| Alexandra Patsavas | .... | music supervisor | |
| Scott Schirle | .... | music editor | |
Transportation Department | |||
| Paul Robert Alimonta | .... | driver | |
| Yenner Arikan | .... | driver (as Yener Arikan) | |
| Horst Auberg | .... | driver | |
| Jochen Behle | .... | driver | |
| Ricardo Briz-Kristhofen | .... | driver | |
| Ralf Christiansen | .... | driver | |
| Klaus Exner | .... | driver | |
| Tim Großkurth | .... | driver (as Tim Grosskurth) | |
| Detlef Issel | .... | transportation coordinator | |
| Michael Meierhof | .... | driver | |
| Ebi Noack | .... | driver (as Ebbi Noack) | |
| Levke Palm | .... | driver | |
| Benjamin Sidon | .... | driver: props | |
| Lothar Stronczek | .... | driver | |
| Erik Zumkley | .... | driver: tracking car (as Eric Zumkley) | |
Other crew | |||
| Alexandros Anastasiadis | .... | stand-in: Toby | |
| Jürgen Andermann | .... | blocking service | |
| Sandra Barger | .... | A-frame | |
| Peter Bassfeld | .... | bank services | |
| Wolfgang Baumgartner | .... | A-frame | |
| Christa Bentlage | .... | assistant: Mr. Schmidt | |
| Oliver Berendt | .... | bank services | |
| Luzie Besser | .... | assistant: Ms. Müller | |
| Filiz Bisar | .... | stand-in: Hunter | |
| Nicole Bruch | .... | assistant: Mr. Schmidt | |
| Buff Connection | .... | A-frame | |
| Kerstin Dick | .... | assistant accountant: Germany | |
| Alexander Dominitzki | .... | unit location manager | |
| Elena D'Orio | .... | accountant: IRE | |
| Todd Eikelberger | .... | travel coordinator | |
| Sonja Ewers | .... | head of development: Gemini | |
| Sibylle Fassold | .... | assistant set location manager | |
| Steven Fayne | .... | legal services: Steven Fayne, Akin Gump, Strauss, Hauer & Feld LLP | |
| Sebastian Fröhlich | .... | production trainee | |
| Christel Fromm | .... | making-of documentary: HIQ Media (as Christel Fomm) | |
| Stephan Gans | .... | stand-in: Casey | |
| Dirk Grobkopf | .... | bank services | |
| Manuela Groh | .... | production coordinator | |
| Akin Gump | .... | legal services: Steven Fayne, Akin Gump, Strauss, Hauer & Feld LLP | |
| Julie Hansen | .... | production accountant: USA | |
| Hansjürgen Hilgert | .... | making-of documentary: HIQ Media | |
| Jürgen Jansen | .... | production accountant: Germany | |
| Christopher Kahn | .... | production accountant: USA | |
| Dr. Klein | .... | medic | |
| Edgar Kroll | .... | set location manager | |
| Sarika Hemi Lakhani | .... | office production assistant | |
| Stefan Langel | .... | A-frame | |
| Julie-Anne Lee Kinney | .... | production coordinator: USA (as Julie-Anne Kinney) | |
| Dr. Leibowitz | .... | medic | |
| Lutz Lemke | .... | title art | |
| Miho Lobrovic | .... | stand-in: Larry | |
| Stefan Lux | .... | production controller | |
| Lisa Maschlanka | .... | assistant set location manager | |
| Luigi-GiGi Medico | .... | catering assistant (as Luigi 'Gigi' Medico) | |
| Michael Meierhof | .... | motorhomes supplier | |
| Frank Meter | .... | location scout | |
| Sonja Mörkens | .... | coordinator: IWP | |
| Tu Nguyen | .... | assistant location manager | |
| Jörg Nickel | .... | legal services: BFJM (as Jörg Nickel) | |
| Dr. Overbeck | .... | medic | |
| H.W. Pausch | .... | publicity coordinator | |
| Thorsten Peterson | .... | kicker coach | |
| Markus Pütterich | .... | A-frame | |
| Steve Ransohoff | .... | completion bond: Film Finances | |
| Angela Reedwisch | .... | key account manager: ARRI Film & TV | |
| Josef Reidinger | .... | manager digital and analogue lab: ARRI Film & TV | |
| Alexander Riech | .... | assistant location manager | |
| Frank Rummel | .... | bank services | |
| Yariv Salamon | .... | stand-in: Toby | |
| Fabian Schmiereck | .... | stand-in: Vincent | |
| Monika Schotz | .... | legal services (as Monika Scholz) | |
| Norbert Schröder | .... | making-of documentary: HIQ Media | |
| Heinz Schwemmer | .... | A-frame | |
| Maria Sobecki-Grimm | .... | catering chef | |
| Michael Sossna | .... | cherry picker rental agent | |
| Bernhard Speck | .... | production accountant: Germany | |
| Dennis Stange | .... | set production assistant | |
| Marco Stankovic | .... | stand-in: Jude | |
| Mary Sunshine | .... | production accountant: USA | |
| Frank Terjung | .... | making-of documentary: HIQ Media | |
| Daniela Turchetto | .... | catering assistant | |
| Rolf Viehrig | .... | location scout (as Rolf G. Viehrig) | |
| Beni von Alemann | .... | set production assistant (as Benjamin von Alemann) | |
| Georg von Mitzlaff | .... | set production assistant | |
| Frank Walloschek | .... | motorhomes supplier | |
| Ronald Warner | .... | production assistant | |
| Matthew Warren | .... | completion bond: Film Finances (as Matt Warren) | |
| Franz Wünnberger | .... | A-frame | |
| Lori Wyant | .... | script supervisor | |
| Kathy Zebrowski-Heller | .... | legal services (as Kathy Heller Zebrowski) | |
Thanks | |||
| Stefaan Schieder | .... | special thanks | |
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| Harvard Man | The Long Good Friday | Buffalo '66 | Four Dogs Playing Poker | Rush Hour 2 |
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It's about 11:30 PM PST on January 20, 2003, and I'm just returning back to my hotel room after a long day of schmoozing and watching films at the 2003 Sundance Film Festival. While there are some solid films that have already played at Sundance, there's a fair amount of schlock as well. I am not one to usually write about these films or review them on the imdb, but I just saw something that I need to write about. So after viewing this debacle, I headed back to my room, plugged my laptop into the wall, and began typing the following review for Mark Illsley's Bookies, a screeing I caught at 8:30 PM at The Prospector Sqaure Theatre: I'll be the first to say that I tend to favor films about gambling. I find the topic facinating, and when they are done right, they usually make good films. Usually. That is not the case here, however. Having known many real bookies in my day (an acquaintance of mine was sent up for five years after getting busted for running an operation out of a moving Winnebago. When I have enough money, I plan on buying the rights to his story and will attempt on getting the story made...but that's another story), I was hoping that this would be a gritty take on the world of bookmaking. What I saw was a bastardized and warped take on the subject. Cliche after Hollywood cliche came flying at me one after another, the most notable was the whole "mafia" thing. In reality, the mafia doesn't affect a small time bookie. Out of 100 bookmaking operations out there, perhaps 1 might rub elbows with the Cosa Nostra, and that's pushing it. The reality of the situation is that the biggest problems a bookie faces is their own stupidity, dead beat clients, the occasional ambitious cop, and other scum in that world. NOT the mafia! Furthermore, the facts are all wrong, down to even the simplest things like the types of bets that are described in the film. It seems like the producers, the writer, and the director pooled together their limited knowledge of the subject and the result was this mess on celluloid. Or perhaps the problem is simply the director since he's supposed to be the one who steers the boat. I saw Mark Illsley walking around a lot during the festival, wearing his trademark cowboy hat. I don't know. Perhaps his hat is on too tight and it's cutting off the air flow to his head hampering his decision making. But I digress... Looking at the financial prospects of this film, I would be shocked if an indie distributor picked up the rights to this one. With all the better product out there to invest in factored together with Illsley's track record (Happy, Texas played here 4 years ago to sizable buzz. Miramax overpaid for the rights to the film, $10 million to be exact, only to see that film gross only $2 million at the box office. I saw that film here 4 years ago and couldn't figure out what all the hoopla was about then, and I don't understand what the big deal is now regarding this one), it is suggested that you do NOT bet on these BOOKIES. For a good film about the world of gambling, check out THE COOLER starring William H. Macy and Alec Baldwin. Now THAT's the stuff dreams are made of.