Good Bye Lenin! (2003)

Director:

Wolfgang Becker

Writers:

Wolfgang Becker (co-author) and
Bernd Lichtenberg (writer)

Release Date:

13 February 2003 (Germany)

Genre:

Comedy | Drama

Tagline:

Die DDR lebt weiter -- auf 79 qm!

Plot:

In 1990, to protect his fragile mother from a fatal shock after a long coma; a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.

Plot Keywords:

Ddr | Fast Motion Sequence | Video | Deutsche Demokratische Republik | Female Nudity

Awards:

Nominated for Golden Globe. Another 31 wins & 14 nominations

Cast

Daniel Brühl	...	Alexander 'Alex' Kerner
Katrin Saß	...	Christiane Kerner (as Kathrin Sass)
Chulpan Khamatova	...	Lara
Maria Simon	...	Ariane Kerner
Florian Lukas	...	Denis
Alexander Beyer	...	Rainer
Burghart Klaußner	...	Robert Kerner
Michael Gwisdek	...	Klapprath
Christine Schorn	...	Frau Schäfer
Jürgen Holtz	...	Herr Ganske
Jochen Stern	...	Herr Mehlert
Stefan Walz	...	Sigmund Jähn
Eberhard Kirchberg	...	Dr. Wagner
Hans-Uwe Bauer	...	Dr. Mewes
Nico Ledermueller	...	Alex - 11 Jahre (as Nico Ledermüller)

Also Known As:

79 qm DDR (Germany) (working title)
Goodbye Lenin! (International: English title)

MPAA:

Rated R for brief language and sexuality.

Runtime:

121 min | Argentina:112 min

Country:

Germany

Language:

German

Color:

Black and White (archive footage) | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

New Zealand:M (DVD rating) | Iceland:L | Ireland:15 (IFCO) | South Korea:12 | Argentina:Atp | Australia:M | Canada:14A | Canada:G (Québec) | Chile:TE | Denmark:7 | Finland:K-11 | France:U | Germany:6 (w) | Hong Kong:IIB | Netherlands:12 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | Spain:13 | Sweden:7 | UK:15 | USA:R | Peru:PT | Switzerland:12 (canton of Zurich) | Portugal:M/12

Filming Locations:

Alexanderplatz, Mitte, Berlin, Germany

Company:

X-Filme Creative Pool

Trivia:

Jürgen Vogel has two appearances in the film. First he has a cameo as one of the arrested protesters (in the front row, wearing a blue jacket) and later he appears as the chicken in the supermarket (a reference to 'Wolfgang Becker (II)' 's earlier film Leben ist eine Baustelle., Das (1997)) for which he is credited as "Das Küken" ("young chicken").

Goofs:

Anachronisms: Alex puts the contents of a pack of Jacobs coffee into GDR packaging, but the logo on the Western coffee package is the one that was launched in the late '90s.

Quotes:

[last lines]
[spoiler]
Alexander Kerner: [voiceover] My mother outlived the GDR by three days. I believe it was a good thing she never learned the truth. She died happy. She wanted us to scatter her ashes to the winds. That's prohibited in Germany, both East and West. But we didn't care.
[launches rocket]
Alexander Kerner: She's up there somewhere now. Maybe looking down at us. Maybe she sees us as tiny specks on the Earth's surface, just like Sigmund Jähn did back then. The country my mother left behind was a country she believed in; a country we kept alive till her last breath; a country that never existed in that form; a country that, in my memory, I will always associate with my mother.

Movie Connections:

References Bronenosets Potyomkin (1925)

Excellent film

I didn't have too many expectations for this film. My partner pitched it to me as a comedy, and I hadn't seen the trailer in a while so I went into thinking that's all it would be. Instead, it really was a sublimely sophisticated film.

I had the good fortune to see East Berlin first in July 1989 (there was *ZERO* hint that the wall would be down in 4 months) and then in February 1990. It was an amazing before and after, and I thought this film captured this very well. As a visitor to the East for several months that year, this film really brought back to me the East European Quiet Revolution when everything really did change.

The characters going through that change are of course an allegory for the changes all around them- '40 years gone! They sold us up river!' says an old man who represents those who 'lost' in the reunification contrasted to those who won-the youth. Similarly, the contrast of personal re-unification (the children and their father) vs that of the east and west is a wonderfully treated theme through the film…. And of course lies. Lies to comfort us, lies to deal with other lies. A very, very touching film.