| Photos (see all 7 | slideshow) | Videos (see all 2) |
| Marc Blucas | ... | Neil Cotton | |
| Rose Byrne | ... | Rose Mortmain | |
| Sinéad Cusack | ... | Mrs. Cotton (as Sinead Cusack) | |
| Tara Fitzgerald | ... | Topaz Mortmain | |
| Romola Garai | ... | Cassandra Mortmain | |
| Bill Nighy | ... | James Mortmain | |
| Henry Thomas | ... | Simon Cotton | |
| David Bamber | ... | Vicar | |
| Henry Cavill | ... | Stephen Colley | |
| James Faulkner | ... | Aubrey Fox-Cotton | |
| Sarah Woodward | ... | Leda Fox-Cotton | |
| Helena Little | ... | Mother | |
| Florence Jones | ... | Rose (aged 10) | |
| Harrison Ward | ... | Thomas (aged 4) | |
| Joe Sowerbutts | ... | Thomas | |
| Ray De-Haan | ... | Neighbour | |
| Sorel Johnson | ... | Lady in Simpsons | |
| Dolly Wells | ... | Fur Department Vendeuse | |
| James Warrior | ... | Station Master | |
| Christopher Ettridge | ... | Station Bystander | |
| Jean Warren | ... | Waitress in Café | |
| Bernadette Windsor | ... | Girl in Café | |
| rest of cast listed alphabetically: | |||
| Richard Shelton | |||
| Sophie Stuckey | ... | Cassandra - aged 7 | |
Directed by | |||
| Tim Fywell | |||
Writing credits(in alphabetical order) | ||
| Dodie Smith | novel | |
| Heidi Thomas | screenplay | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Richard Greatrex | (director of photography) | ||
Film Editing by | |||
| Roy Sharman | |||
Casting by | |||
| Kate Rhodes James | |||
Production Design by | |||
| John Paul Kelly | (as John-Paul Kelly) | ||
Art Direction by | |||
| Paul Cross | (supervising art director) | ||
| Mike Stallion | |||
| Leigh Walker | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Charlotte Walter | |||
Makeup Department | |||
| Jayne Buxton | .... | hair stylist | |
| Jayne Buxton | .... | makeup artist | |
| Deborah Jarvis | .... | hair stylist | |
| Deborah Jarvis | .... | makeup artist | |
| Lisa Westcott | .... | hair designer | |
| Lisa Westcott | .... | makeup designer | |
Production Management | |||
| Jo Beckett | .... | unit manager | |
| Duncan Flower | .... | unit manager: Isle of Man | |
| Jeremy Johns | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | second assistant director | |
| Guy Heeley | .... | first assistant director | |
| Vicky Marks | .... | third assistant director | |
Art Department | |||
| Stanley Apperley | .... | supervising plasterer: Wales (as Stan Apperley) | |
| John Bohan | .... | construction manager | |
| John Botton | .... | dressing props | |
| Tom Brown-Jones | .... | assistant art director | |
| Peter Brown | .... | carpenter | |
| Thomas Brown | .... | assistant art director | |
| Colin Burgess | .... | stand-by props | |
| Roy Chapman | .... | chargehand dressing props | |
| Darren Conway | .... | plasterer | |
| Nigel Crafts | .... | stand-by carpenter | |
| Gary Crosby | .... | supervising painter: Isle of Man | |
| Dean Dunham | .... | painter | |
| Michael Finlay | .... | painter | |
| Barry Gibbs | .... | property master | |
| Gavin Gordon | .... | carpenter | |
| Bill Hargreaves | .... | property storeman | |
| Sean Higgins | .... | plasterer | |
| Roger Holden | .... | greensman | |
| David Knight | .... | supervising plasterer: Isle of Man | |
| David Lowery | .... | carpenter | |
| Emma MacDevitt | .... | stand-by art director | |
| John E. Madden | .... | plasterer (as John Madden) | |
| Thomas Martin | .... | head carpenter (as Tom Martin) | |
| Eamon McLoughlin | .... | supervising carpenter | |
| Colin Mutch | .... | stand-by prop | |
| Daniel O'Regan | .... | carpenter (as Danny O'Regan) | |
| Seamus O'Sullivan | .... | carpenter | |
| Darryl Paterson | .... | chargehand dresser | |
| Darryl Paterson | .... | chargehand prop | |
| Sui Rajakaruna | .... | art department assistant | |
| Colin Smith | .... | plasterer | |
| Glenn Start | .... | stand-by painter | |
| Clive Ward | .... | supervising painter: Wales | |
| Derek Whorlow | .... | stagehand | |
| Robert Wishart | .... | carpenter | |
| David Youngs | .... | carpenter | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Gianluca Buttari | .... | foley assistant | |
| Fiona Curran | .... | additional dialogue editor | |
| Evelyn Ficarra | .... | supervising dialogue editor | |
| Peter Gleaves | .... | adr mixer | |
| Peter Glossop | .... | production sound mixer | |
| Mike Grimes | .... | assistant sound re-recording mixer | |
| James Harris | .... | sound assistant | |
| Alex Hudd | .... | stereo sound consultant: Dolby | |
| Dan Johnson | .... | assistant sound re-recording mixer | |
| Hugh Johnson | .... | sound re-recording mixer | |
| Melissa Lake | .... | foley artist | |
| Miriam Ludbrook | .... | additional adr editor | |
| Dave McGrath | .... | adr recordist | |
| Shaun Mills | .... | sound maintenance | |
| Bernard O'Reilly | .... | supervising sound editor | |
| Barnaby Smyth | .... | foley editor | |
| Barnaby Smyth | .... | foley recordist | |
| Greg Steele | .... | adr mixer | |
| Graeme Stoten | .... | dubbing mixer | |
| Ruth Sullivan | .... | foley artist | |
Special Effects by | |||
| Dominic Tuohy | .... | special effects supervisor | |
| Jim Davey | .... | scanning and recording (uncredited) | |
Visual Effects by | |||
| Robin Beard | .... | digital artist | |
| Steve Boag | .... | visual effects producer | |
| Simon Frame | .... | visual effects supervisor | |
| Tom Hocking | .... | digital compositor | |
| Gruff Owen | .... | digital compositor | |
| Matthew Symonds | .... | digital compositor | |
| Sabine Kertscher | .... | digital compositor (uncredited) | |
Stunts | |||
| Jim Dowdall | .... | stunt coordinator | |
| Steve Griffin | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nick Beeks-Sanders | .... | camera operator (as Nick Beek-Sanders) | |
| Fred Brown | .... | electrician | |
| Frederick Crawford | .... | rigger (as Fred Crawford) | |
| Adam Dale | .... | aerial camera operator | |
| Wick Finch | .... | gaffer | |
| Will Finch | .... | electrician | |
| Keith Hamshere | .... | still photographer | |
| Dermot Hickey | .... | focus puller | |
| Scott Hillier | .... | stand-by rigger | |
| Tom Lowen | .... | stand-by rigger (as Thomas Lowen) | |
| Tommy O'Sullivan | .... | best boy | |
| Steve Pattenden | .... | electrician | |
| Ed Rutherford | .... | clapper loader | |
| Ronnie Savory | .... | generator operator (as Ron Savory) | |
| Jim Smart | .... | electrician (as Jimmy Smart) | |
| Steve Weightman | .... | grip | |
| J. Glyn Williams | .... | first assistant camera: aerial unit (uncredited) | |
Casting Department | |||
| Deborah Aquila | .... | casting: USA | |
| Rachel Himbury | .... | casting assistant | |
| Buffy Kirkpatrick | .... | casting assistant | |
| Stephen Moore | .... | casting assistant | |
| Jennifer L. Smith | .... | casting associate | |
| Mary Tricia Wood | .... | casting: USA (as Tricia Wood) | |
Costume and Wardrobe Department | |||
| Richard Cooke | .... | assistant costume designer | |
| Kate Eden | .... | costume supervisor | |
| Helen Hill | .... | costume maker | |
| Carin Hoff | .... | second assistant costume designer | |
| Ann Nichols | .... | costume maker | |
| Yvonne Otzen | .... | costume assistant | |
| Luan Placks | .... | costume assistant | |
| Caroline Rigby | .... | costume assistant | |
| Jilly Thompson | .... | costume dyer | |
| Tom Hornsby | .... | daily wardrobe assistant (uncredited) | |
Editorial Department | |||
| Ian Differ | .... | first assistant editor | |
| Laura Evans | .... | assistant editor | |
| Martin Walsh | .... | color grader | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Matt Biffa | .... | music supervisor | |
| Mikael Carlsson | .... | executive soundtrack producer | |
| Tonia Davall | .... | orchestra contractor | |
| Dario Marianelli | .... | conductor | |
| Dario Marianelli | .... | orchestrator | |
| Steve Price | .... | scoring mixer | |
| Maggie Rodford | .... | music supervisor | |
| Hilary Skewes | .... | orchestra contractor | |
Transportation Department | |||
| Ian Clarke | .... | vehicle technician | |
Other crew | |||
| Mark Barry-Jackson | .... | helicopter pilot | |
| Irena Brignull | .... | script editor | |
| Daniel Budd | .... | assistant accountant | |
| Tom Crooke | .... | location finder | |
| Tim Desbois | .... | helicopter coordinator | |
| Chloe Emmerson | .... | dialogue coach: UK | |
| Duncan Flower | .... | assistant location manager | |
| Jane Gibson | .... | movement consultant | |
| Peter Hawkins | .... | supervising rigger | |
| Sue Hills | .... | script supervisor | |
| Daisy Isabel Hughes | .... | runner | |
| Daisy Isabel Hughes | .... | stand-in | |
| Marshall Leviten | .... | production coordinator | |
| Darren Mackie | .... | floor runner | |
| Ivan Mavor | .... | accounting assistant | |
| Victoria Mielewska | .... | dialect coach | |
| Huw Phillips | .... | rushes grader | |
| Becky Scoffield | .... | production runner | |
| Shruti Shah | .... | production accountant | |
| Amanda Stevens | .... | location manager | |
| Anthony Swaby | .... | floor runner: Isle of Man | |
| Hollie Unett | .... | floor runner: Isle of Man | |
| Keith Whale | .... | location assistant: Isle of Man | |
| Sarah Wheale | .... | assistant coordinator | |
| Julia Wilson Dickson | .... | movement consultant | |
| Christopher Hutchins | .... | production runner (uncredited) | |
| Sean Thornton | .... | driving double (uncredited) | |
|
|
|
|
|
| The Sound of Music | Love Actually | Map of the Human Heart | Mansfield Park | Nicholas Nickleby |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I do not know why but periodic films always get me and leave me in awe. I Capture the Castle does leave me in awe and also leaves me with the warm feeling of satisfaction.
Cassandra Mortmain (brilliantly potrayed by Romola Garai -also known for her television works, most prominently Attachments-) moved from London to a countryside castle with her family when she was young. Reason being for the move is that her father (Bill Nighy); an author made famous by his first bestseller, wanted to stimulate his creative juices to write another novel. Unfortunately, it has been 12 years since he has written anything and this has affected the Mortmain family financially. Cassandra's older sister Rose, laments about this and wishes to escape from the deepening poverty they are enduring.
This changed however with the arrival of two american brothers; Simon (Henry Thomas) and Neil Cotton (Mark Blucas). Simon is the new landlord of the land that the Mortmains are renting. Their arrival has stimulated the emotions of curiosity, lust and love in those two girls. Rose, although initially wary of Simon is soon smitten by him and has agreed to marry Simon. From that point (for which I shall not spoil), we see Cassandra drawn into the centre of interwoven relationships. Some twists did occur although not very suprising, neither are they predictable.
Having seen Romola Garai's acting in Attachments, I find her underused in the television series. In Castle, she gives a colourful range of emotions. From what I can tell, the sadness or the joy is as real as it is. Another thing is that her narration (also written in the journal she writes in the movie) interspersed in most of the scenes, gives the audience an insight to her feelings and her deepest fears. I feel that there is more to come from this talented young actress and hopefully it will be good.
Another thing to note is the recreation of 1930's England. Brilliant, glamorous are in the dinner scenes, the girls trip to a London department store and the dance clubs. Quaint are the scenes in the countryside and also the gloominess from the weather. Humour? There are with Thomas Mortmain and Topaz Mortmain (delightfully played by Tara Fiztgerald; loved her 1930's 'hippie' bohemian act) supplying the punchlines and the laughter.
With all the side stories aside, I feel Castle was meant for audiences to see Cassandra's coming of age and how she deals with the plethora of emotions that hits her. I just left the cinema feeling warmly satisfied but with a tinge of sadness.