| Photos (see all 4 | slideshow) | Videos (see all 9 NEW) |
| Ivan Barnev | ... | Jan Díte, younger | |
| Oldrich Kaiser | ... | Jan Díte, older | |
| Julia Jentsch | ... | Líza | |
| Martin Huba | ... | Skrivánek | |
| Marián Labuda | ... | Walden | |
| Milan Lasica | ... | Professor | |
| Josef Abrhám | ... | Hotelier Brandejs | |
| Jirí Lábus | ... | Hotel Boss | |
| Jaromír Dulava | ... | Waiter Karel | |
| Pavel Nový | ... | General | |
| István Szabó | ... | Stock Marketeer | |
| Tonya Graves | ... | Abyssinian Emperor | |
| Rudolf Hrusínský | ... | Tichota | |
| Petr Ctvrtnícek | ... | Stockbroker | |
| Jirí Sesták | ... | Waiter | |
| Zdenek Zák | ... | Militiaman | |
| Emília Vásáryová | ... | Mrs. Rajska | |
| Zuzana Fialová | ... | Marcela | |
| Oldrich Vlach | |||
| Ladislav Zupanic | |||
| rest of cast listed alphabetically: | |||
| Václav Chalupa | ... | Hrdlicka | |
| Petra Hrebícková | ... | Jaruska | |
| Rudolf Jelínek | |||
| Eva Kalcovská | ... | Wanda | |
| Sárka Petruzelová | ... | Julinka | |
Directed by | |||
| Jirí Menzel | |||
Writing credits | ||
| Bohumil Hrabal | (novel) | |
| Jirí Menzel | (writer) | |
Original Music by | |||
| Ales Brezina | |||
Cinematography by | |||
| Jaromír Sofr | |||
Film Editing by | |||
| Jirí Brozek | |||
Production Design by | |||
| Milan Býcek | |||
Costume Design by | |||
| Milan Corba | |||
Makeup Department | |||
| Jirina Pahlerova | .... | makeup artist | |
Production Management | |||
| Pavel Cechak | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jiri Ml. Kacirek | .... | first assistant director | |
Art Department | |||
| Milan Babik | .... | assistant property master | |
| Karel Vanásek | .... | property master | |
Sound Department | |||
| Petr Cechák | .... | post-production sound assistant | |
| Lukas Chyska | .... | conforming sound editor | |
| Radim Hladík Jr. | .... | sound re-recording mixer | |
| Jose A. Manovel | .... | sound re-recording mixer | |
| Roman Rigo | .... | playback operator | |
| Andrea Veselková | .... | foley artist | |
| Vojtech Vetrovec | .... | boom operator | |
Visual Effects by | |||
| Jiri Cvancara | .... | digital intermediate | |
| Ales Dlabac | .... | 3D artist | |
| Jiri Forejt | .... | digital compositor | |
| Miro Gal | .... | Flame artist | |
| Lukas Herrmann | .... | digital matte paint artist | |
| Jan Heusler | .... | digital compositor | |
| Tomas Kalhous | .... | digital compositor | |
| Maros Kesjar | .... | digital effects artist | |
| Jirí Linhart | .... | digital effects artist | |
| Robert Loudil | .... | visual effects artist | |
| Petr Masek | .... | digital compositor | |
| Boris Masník | .... | visual effects supervisor: UPP | |
| Tomas Munzar | .... | digital compositor: UPP | |
| Vaclav Ondrousek | .... | digital compositor | |
| Robert Pik | .... | digital compositor | |
| Petr Vcelicka | .... | digital compositor | |
| Kim Wiseman | .... | digital compositor | |
Camera and Electrical Department | |||
| Andrej Arnautov Jr. | .... | lighting technician | |
| Klaus Fuxjäger | .... | camera operator | |
| Borivoj Klecka | .... | gaffer | |
Other crew | |||
| Adam Fuchs | .... | location manager | |
| Mila Radova | .... | unit publicist | |
| Kristián Suda | .... | script editor | |
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| Sunshine | Something for Everyone | Giant | Ostre sledované vlaky | Die Blechtrommel |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Czech Republic section | Add this title to MyMovies |
Like the butler played by Anthony Hopkins in the 1994 film "The Remains of the Day", the waiter at the centre of "I Served the King of England" (Jiri Menzel, Czech Republic, 2006) is not interested in politics. Major historical events surround him, yet these completely escape his attention. His ambition is simply to become a millionaire, like the fat cats he serves at table. In 1930s Prague, Hitler, in Berlin, is making a radio announcement about his aim to "liberate" the Sudetenland. Bored, Jan Dite, the waiter, simply turns the dial to a dance music station.
He manages to float through the Nazi invasion, first of the Sudetenland, then of Czechoslovakia. By a combination of hook and crook, he achieves his ambition of owning his own hotel through the sale of valuable stamps, stolen from a vanished Jewish family. This does not give him a moment's pause but later, when he sees a trainload of Jews in cattle-cars moving off to Auschwitz, he has a rush of compassion and chases after the train in an attempt to hand the deportees a sandwich. After the war, as a self-confessed millionaire, he is sent to prison when his hotel is nationalised. He emerges fifteen years later, older, but not much wiser. He is Schweik, but without the latter's sly intelligence.
This sketchy summary cannot do justice to a film which has been described as a near-flawless masterpiece, in which "Prague has never looked better". It is permeated with the ironic wit which marked Menzel's earlier films, such as the Academy Award winning Closely Watched Trains (1966). Dite befriends the German girl Liza, described by one reviewer as "the sweetest little Nazi in the history of the cinema". They are in bed, making love in the missionary position. Liza keeps pushing his head aside so that she can gaze at the big picture of Adolf Hitler on the opposite wall. Such was love in the Third Reich. The scene in which Dite is undergoing a racial fitness test which involves giving a sperm sample is intercut with young Czech men being unloaded from a lorry at an execution ground. Of this, Dite is blissfully unaware.
The Remains of the Day was based on a serious and perceptive novel by Kazuo Ishiguro. The genesis of I Served the King of England, by contrast, was a comic novel by Bohumil Hrabal, a book I cannot wait to get my hands on. Any offers?