| Angela Lansbury | ... | Jessica Fletcher / Sarah McCullough | |
| Phylicia Rashad | ... | Cassandra Hawkins | |
| Michael Jace | ... | Samuel Pinkney | |
| David Ogden Stiers | ... | Stanford Thornton | |
| Madison Mason | ... | Charles Hobbs | |
| Tim Abell | ... | Jeb McNell | |
| Elizabeth Lackey | ... | Mary Hobbs-Mercer | |
| Mac Davis | ... | Sheriff Underwood | |
| Beth Grant | ... | Louisa Ashland | |
| Tim DeKay | ... | Robert Mercer (as Tim Dekay) | |
| Walton Goggins | ... | Billy weber | |
| Elizabeth Dennehy | ... | Archivist | |
| John Hostetter | ... | Cornelius Ashland | |
| Taraji P. Henson | ... | Bess Pinckney | |
| Keith Jefferson | ... | Jeremiah Jessup | |
| Lee Garlington | ... | Laura Lee Kestes | |
| Gloria Stuart | ... | Eliza Hoops | |
| Jeremiah Birkett | ... | Jim (as Jeremiah W. Birkett) | |
| Peter Sherayko | ... | Morgan Spencer | |
| Norman Marshak | ... | Angry Mob Guy | |
| rest of cast listed alphabetically: | |||
| Trae Ireland | ... | (uncredited) | |
Directed by | |||
| Anthony Pullen Shaw | (as Anthony Shaw) | ||
Writing credits(WGA) | ||
| Matthew Sommer | (written by) | |
Produced by | |||
| Alex Beaton | .... | producer | |
| Charles F. Engel | .... | executive producer | |
| Christopher N. Seiter | .... | co-producer (as Christopher Seiter) | |
| Anthony Pullen Shaw | .... | supervising producer (as Anthony Shaw) | |
Original Music by | |||
| Stanley Clarke | |||
Cinematography by | |||
| Fred Murphy | (uncredited) | ||
Film Editing by | |||
| Stan Cole | |||
Production Design by | |||
| Hub Braden | |||
Art Direction by | |||
| Mary Dodson | (as Mary Weaver Dodson) | ||
Set Decoration by | |||
| Jackie Carr | |||
Costume Design by | |||
| Victoria J. Auth | (as Victoria Auth) | ||
Makeup Department | |||
| Judy Crown | .... | hair stylist: Ms. Lansbury | |
| Christine Lee | .... | hair stylist (as Chris Lee) | |
| Joyce Westmore | .... | makeup artist: Ms. Lansbury | |
| Marvin G. Westmore | .... | makeup artist (as Marvin Westmore) | |
Production Management | |||
| Dionne Barens | .... | post-production supervisor | |
| Christopher N. Seiter | .... | unit production manager (as Christopher Seiter) | |
Art Department | |||
| Bryan Rodgers | .... | property master | |
| Ricky B. Stecyk | .... | leadman (uncredited) | |
| Doug Vlaming | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Vincent Garcia | .... | sound mixer | |
| Robb Navrides | .... | supervising sound editor | |
| Harry Woolway | .... | sound effects editor (uncredited) | |
Stunts | |||
| Lou Simon | .... | stunt coordinator (uncredited) | |
Costume and Wardrobe Department | |||
| Riki Lin Sabusawa | .... | costume supervisor (as Riki Sabusawa) | |
| Susan Saldutti | .... | set costumer (uncredited) | |
Music Department | |||
| Jennifer Nash | .... | music editor | |
Other crew | |||
| Sandra Cole | .... | script supervisor | |
| Bill McLellan | .... | location manager | |
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| Mark of the Spur | Stardust | Gone with the Wind | Mountains of the Moon | Innerspace |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section | Add this title to MyMovies |
While doing a bit of studying for a course during the day, this TV movie popped on the tele. I was about to begin the channel hopping process to find something more suitable for background watching when the title flashed up 'Murder, She Wrote'. Now I'm no massive fan of the show, but I'll admit that I do enjoy repeats when I see them; no exceptions here.
The opening attracts the viewer right away. It's the classic 'whodunit' model as we see an African-American fellow running from an angry mob of Southerners. This is great scene-setting, as almost everyone can gather from these establishing shots and the props that we're way back during the times of black slavery. The final shot before we flash-forward to the modern day is literally a shot (from a gun). We don't see who shoots the man looking to escape, but we want to know who.
To find out who fired the gun and reach the dramatic climax, we need some present-day detective work from none other than Jessica Fletcher and her great Southern Aunt, Sarah McCullough (an initially laughable technique to put Jessica Fletcher in the past, but ultimately very effective).
The man that we saw running and, presumably, shot is Sam; a black slave owned by Sarah. Sam is accused of murdering a white man and from there on in it's classic Murder, She Wrote.
The acting is really something special. The stand-out for me is Michael Jace as Sam. What a wonderful performance, delivered with such skill and integrity - considering the subject matter. Angela Lansbury (who was around about 75 when this was filmed) is as strong as ever in arguably her most famous role.
My only problem was with some of the props and the haircuts/facial hair. For some reason, they took me out of the immersion that the telemovie had so far provided; a few of the extras looked as if they were modern day people dressed in costume, bah! Nonetheless, this is a good telemovie and yet another great outing from Jessica Fletcher. 8/10 Oh, and happy birthday Angela Lansbury. Just turned 84 and I hear she's on Broadway again, brilliant!