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Robert Brutter (writer)
Tomasz Wiszniewski (writer)
5 December 2003 (Poland) more
The only thing he wanted was money. What he found was worth much more.
Sharkey, part of the sinister world of child trade, picks up Vlado, an orphan of war, dreaming of freedom and a better life... more | add synopsis
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Remarkably good and touching story more (9 total)
| Bob Hoskins | ... | Sharkey | |
| Sergiusz Zymelka | ... | Vlado Petric | |
| Krzysztof Majchrzak | ... | Colonel Vuko | |
| Miroslaw Baka | ... | Sharkey's employer | |
| Andrzej Chyra | ... | Employer`s lawyer | |
| Maja Ostaszewska | |||
| Slawomir Grzymkowski | |||
| Maciej Wojdyla | |||
| Lech Mackiewicz | |||
| Lukasz Komosa | |||
| Rafal Nakoneczny | |||
| Wojciech Smolarz | |||
| Przemyslaw Sadowski | ... | Deserter | |
| Tomasz Sapryk | |||
| Bronislaw Pawlik | ... | Oldman in library | |
| Jaroslaw Boberek | ... | Truck driver | |
| Krystyna Tkacz | ... | Hotel owner | |
| Wenanty Nosul | ... | Oldman`s brother in library | |
| Ilona Kucinska | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Katarzyna Bargielowska | ... | Crying woman | |
| Andrzej Blumenfeld | ... | Taxi Driver | |
| Tomasz Dedek | |||
| Marcin Dorocinski | ... | Muzyk | |
| Piotr Grabowski | ... | Soldier | |
| Wlodzimierz Wiszniewski | ... | Car Seller on the Gas Station | |
| Anna Wojton | ... | Niemka | |
Directed by | |||
| Tomasz Wiszniewski | |||
Writing credits(in alphabetical order) | ||
| Robert Brutter | writer | |
| Tomasz Wiszniewski | writer | |
Produced by | |||
| Chris Burdza | .... | producer | |
| Carl Colpaert | .... | co-producer: Cineville | |
| Teresa Dworzecka | .... | co-producer | |
| Bernd Helthaler | .... | co-executive producer | |
| Michal Kwiecinski | .... | co-executive producer | |
| Tom Lasica | .... | line producer | |
| Hagen Alexander Mueller | .... | producer | |
| Martina Müller | .... | co-producer | |
| Conny Neetenbeek | .... | associate producer | |
| Paula Paizes | .... | producer | |
| Brenda Reiss | .... | associate producer | |
| Wolfram Tichy | .... | executive producer | |
Original Music by | |||
| Michal Lorenc | |||
Cinematography by | |||
| Aleksei Rodionov | |||
Film Editing by | |||
| Henry Richardson | |||
Production Design by | |||
| Jacek Osadowski | |||
Art Direction by | |||
| Tomasz Padlewski | |||
| Michal Szulkiewicz | |||
Set Decoration by | |||
| Teresa Gruber | |||
Costume Design by | |||
| Dorota Roqueplo | |||
Makeup Department | |||
| Czeslawa Baldo | .... | hair stylist | |
| Czeslawa Baldo | .... | makeup artist | |
| Tomasz Matraszek | .... | hair stylist | |
| Tomasz Matraszek | .... | makeup artist | |
Production Management | |||
| Susanne Kusche | .... | production manager | |
| Marco Mehlitz | .... | production supervisor: VIF | |
| Michael Reuter | .... | post-production supervisor | |
| Niels Rinke | .... | post-production supervisor | |
| Miroslaw Warchol | .... | production manager (as Mirek Warchol) | |
Second Unit Director or Assistant Director | |||
| Andrzej Bednarski | .... | first assistant director | |
Art Department | |||
| Wieslawa Pawlinska | .... | assistant art director | |
Sound Department | |||
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Manuel Laval | .... | supervising sound editor | |
| Sabrina Naumann | .... | assistant sound designer | |
| Bernd Popella | .... | sound supervisor | |
| Michael Riedmiller | .... | sound pre-mix | |
| Malgorzata Rok | .... | sound | |
| Dominik Schleier | .... | dialogue editor (as Dominik Kehl) | |
Music Department | |||
| Matthias Schwab | .... | music editor | |
| Zbigniew Zbrowski | .... | music supervisor | |
Other crew | |||
| Martina Blank | .... | production coordinator | |
| Louis Elman | .... | adr director | |
| Mikolaj Haremski | .... | personal assistant to director | |
| Sylvia Koschorreck | .... | production assistant | |
| P.J. Pesce | .... | creative consultant | |
Tam, gdzie zyja Eskimosi (Poland)
more
95 min
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| IMDb Drama section | IMDb Poland section | Add this title to MyMovies |
Where Eskimos Live caught my heart. It made me laugh and cry. It is a stunning accomplishment, showing the cruelties of war bluntly and without glossing over the facts of inhumanity and destruction. It is a simple but very convincing movie, centering around two very different characters and how they learn to trust and love each other in the sinister world of death, child trade and deceit.
Sharkey (Bob Hoskins) is an obscure man who travels around war-torn Bosnia in 1995. He claims to be a caseworker for UNICEF, a camouflage he makes use of to get orphaned boys for a Russian mafia syndicate in Poland. He is in his fifties, apparently rough and callous; a loner always chasing an opportunity to make as much money as possible. Vlado (Sergiusz Zymelka) is a nine-year-old boy, orphaned by the war and now a member of a gang of pre-teen hoodlums who fool the military and steal food whenever they get a chance.
After Sharkey's unlucky encounter with a colonel, who now claims him responsible for the death of his daughter and is hard on his heels, he meets Vlado's gang. Eventually, the young boy follows him, as Sharkey pretends coming from Norway that is where Eskimos live, and Vlado always wanted to go there. So the two of them walk off, heading for the border. Of course their journey is not as smoothly as Sharkey would have preferred it to be; they have to survive various dangerous adventures, in the course of which they gradually grow quite close. Having dealt with the colonel and managed to leave Bosnia, Sharkey and Vlado arrive in Poland. Now they have to face the Russians, which means new challenges. Sharkey's cunning deceit almost proves too daring, but again they manage to survive.
The movie is set and shot entirely on locations in Bosnia and Poland. The setting both time and place is the story's backbone. Thus it is a movie dealing with two characters and how they manage to survive amidst death and havoc in a war-torn country. The cruelties of war are shown in appalling images, visualized in all their crushing brutality and atrocity. Sharky and Vlado are surrounded by these images, by death and despair. They encounter deserters who are shot to death at a checkpoint on the street; they have to run for their lives when shells explode in their vicinity; they find piles of dead corpses, shot to death and terribly deformed. They are surrounded by these images and emotionally affected in a subtle but pervasive way, which leads to the establishment of an emotional bond between them that would have never attained its honesty and depth if it had not been for the hostile environment that makes them rely on each other.
The acting performances of the two protagonists are outstanding. Sergiusz Zymelka in particular delivers so genuine scenes that I was moved to tears occasionally. His handsome appearance, his vivid and bright eyes, his cleverness and his disarming charm make him shine. The scene when Sharky attempts to make a photograph of the boy for a new passport features an hilarious Vlado who makes faces and displays his childish gaiety. Apart from that I deeply appreciate his knowledge of English, which is remarkably well-developed for a boy his age.
Where Eskimos Live is a road movie; it lives by individual sequences that define its quality. The scene after the shooting of the two deserters is just awesome, so natural and authentic that I could almost feel the emotional scars inflicted in Sharky and Vlado. They lie down in the grass and scream they have just escaped death, and it is moving how Vlado makes Sharkey release his pent-up emotions.
This movie is never stereotypical or corny. It tells the story of one man who was looking for money but rather found something that was worth much more a boy who pins all his hopes on him, a boy who makes him a better person, and, above all, a boy who loves him. The movie won various awards, giving ample evidence for its essential quality. It is brutal, sometimes vulgar and thus hard to digest for young children, but flawless and never awkward. Honest authenticity and a wonderful father-son relationship make this low budget production a more than worthwhile experience that shows how two characters undergo challenges and changes, which strengthens their bond and deepens their love.