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Paul Thomas Anderson (written by)
1 November 2002 (USA) more
A beleaguered small-business owner gets a harmonium and embarks on a romantic journey with a mysterious woman. full summary | add synopsis
Nominated for Golden Globe. Another 13 wins & 15 nominations more
Adam Sandler plays both Jack and Jill. Can an Oscar nomination be far behind?
(From Corona's Coming Attractions. 28 October 2009, 9:57 PM, PDT)
Adam Sandler Will Play Both Jack and Jill in a Jack and Jill Movie
(From FirstShowing.net. 28 October 2009, 9:46 AM, PDT)
PTA unlocks Sandler with a brilliant film more (810 total)
| Adam Sandler | ... | Barry Egan | |
| Jason Andrews | ... | Operator Carter (voice) | |
| Don McManus | ... | Plastic (voice) | |
| Emily Watson | ... | Lena Leonard | |
| Luis Guzmán | ... | Lance | |
| David Schrempf | ... | Customer #1 | |
| Seann Conway | ... | Customer #2 | |
| Rico Bueno | ... | Rico | |
| Hazel Mailloux | ... | Rhonda | |
| Karen Kilgariff | ... | Anna (voice) | |
| Julie Hermelin | ... | Kathleen | |
| Salvador Curiel | ... | Sal | |
| Jorge Barahona | ... | Jorge | |
| Ernesto Quintero | ... | Ernesto | |
| Julius Steuer | ... | Mechanic | |
| Mary Lynn Rajskub | ... | Elizabeth | |
| Lisa Spector | ... | Susan | |
| Nicole Gelbard | ... | Nicole | |
| Mia Weinberg | ... | Gilda | |
| Karen Hermelin | ... | Anna | |
| Larry Ring | ... | Steve / Brother-in-Law | |
| Kerry Gelbard | ... | Richard / Brother-in-Law | |
| Robert Smigel | ... | Walter the Dentist | |
| Ashley Clark | ... | Phone Sex Sister | |
| Philip Seymour Hoffman | ... | Dean Trumbell | |
| Alan Parry | ... | Member of After Eden Band | |
| John E. Beck | ... | Member of After Eden Band | |
| Eddie Wayne Howell | ... | Member of After Eden Band | |
| Taylor J. Thomas | ... | Member of After Eden Band | |
| Bobby Bluehouse | ... | After Eden Sound Man | |
| David Stevens | ... | David | |
| Nathan Stevens | ... | Nate | |
| Jimmy Stevens | ... | Jim | |
| Carol Mirelez | ... | Phone Sex Girl #1 / Utah | |
| June Sepulveda | ... | Phone Sex Girl #2 / Utah | |
| Andrew Higgs | ... | Restaurant Manager | |
| Rogerlyn Kanealii Wakinekona | ... | Lena's Apartment Receptionist | |
| Mike D. Stevens | ... | Mike D. | |
| Catherine Cooley | ... | Flight Attendant (as Catherine L. Cooley) | |
| Michael Immel | ... | Man on Plane | |
| Ross Lasi Tanoai | ... | Cab Driver | |
| Jonathan Loughran | ... | Wrong Number (voice) | |
| Kaila | ... | Member of Ladies K Band | |
| Ku'Ulei | ... | Member of Ladies K Band | |
| Sissy Lake | ... | Hula Dancer | |
| Marie Irwin | ... | Lena's Nurse | |
| Esther Imade Balogun | ... | Receptionist Nurse | |
| Thomas Bornt | ... | Dean's Employee (as Tom Bornt) | |
| Mary Kilmartin | ... | D&D Mattress Customer | |
| rest of cast listed alphabetically: | |||
| Sam Polson | ... | Airport Traveler (uncredited) | |
| Wells Rosales | ... | Leo (uncredited) | |
| James Stevens | ... | Jim Smooth (uncredited) | |
| Shelley Waggener | ... | Co-Worker (uncredited) | |
Directed by | |||
| Paul Thomas Anderson | |||
Writing credits(WGA) | ||
| Paul Thomas Anderson | (written by) | |
Produced by | |||
| Paul Thomas Anderson | .... | producer | |
| Daniel P. Collins | .... | associate producer (as Dan Collins) | |
| Daniel Lupi | .... | producer | |
| JoAnne Sellar | .... | producer | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Leslie Jones | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| William Arnold | |||
Art Direction by | |||
| Sue Chan | |||
Set Decoration by | |||
| Jay Hart | (as Jay R. Hart) | ||
| Lori A. Noyes | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Trish Almeida | .... | key hair stylist | |
| Elizabeth Dahl | .... | additional makeup artist: Hawaii (as Liz Dahl) | |
| Peggy Nichols | .... | key makeup artist | |
| Ann Pala | .... | hair stylist: Adam Sandler | |
| Ann Pala | .... | makeup artist: Adam Sandler | |
| Debra Rego | .... | additional hair stylist: Hawaii (as Debra L. Rego) | |
| Tina Roesler Kerwin | .... | makeup department head | |
| Kelvin R. Trahan | .... | hair department head | |
Production Management | |||
| Daniel P. Collins | .... | on-set supervisor (as Dan Collins) | |
| Mark Graziano | .... | post-production supervisor | |
| Daniel Lupi | .... | unit production manager | |
| Eileen Malyszko Lee | .... | production supervisor | |
| Will Weiske | .... | production supervisor: Hawaii and Utah | |
Second Unit Director or Assistant Director | |||
| Sonia Bhalla | .... | second second assistant director | |
| Adam Druxman | .... | first assistant director | |
| James Moran | .... | second assistant director | |
Art Department | |||
| Chuck Askerneese | .... | assistant property master | |
| Doreen Austria | .... | graphic artist (as Doreen S. Austria) | |
| P. Scott Bailey | .... | leadman | |
| Jeremy Blake | .... | artwork | |
| Max E. Brehme | .... | leadman | |
| Richard Crain | .... | construction foreman (as Richard D. Crain) | |
| Mick Cummings | .... | set dressing buyer | |
| Doug Dow | .... | labor foreman | |
| Doug Dow | .... | toolman | |
| Gerald Gates Jr. | .... | paint foreman (as Gerald J. Gates) | |
| Kevin Goldblum | .... | art production assistant | |
| Will Grant | .... | set dresser (as William A.J. Grant) | |
| Chris Grantz | .... | set dresser | |
| Jill Haber | .... | painter | |
| Holiday Landa | .... | art department coordinator | |
| Richard McConnell | .... | construction coordinator | |
| Martin Milligan | .... | on-set dresser | |
| Thomas Olson | .... | painter (as Thomas G. Olson) | |
| Troy Alan Peters | .... | set dresser (as Troy Peters) | |
| Mike Reiber | .... | stand-by painter | |
| Rick Romer | .... | set dresser: Hawaii (as Richard P. Romer) | |
| Keith Sale | .... | set dresser | |
| F. Andrew Scott | .... | stand-by painter | |
| Doug Sieck | .... | set dresser (as Douglas D. Sieck) | |
| Jayson Whitmore | .... | motion graphics | |
| Timothy S. Wiles | .... | property master (as Tim Wiles) | |
| Franco Esile | .... | set dresser (uncredited) | |
| Lilly Frank | .... | paint decorator (uncredited) | |
| P.K. MacCarthy | .... | storyboard artist (uncredited) | |
| Graham Robertson | .... | set dresser (uncredited) | |
| Thomas 'Noe' Welch | .... | set dresser (uncredited) | |
Special Effects by | |||
| Lou Carlucci | .... | special effects coordinator | |
| Kenneth C. Clark | .... | special effects foreman | |
| Marvin Felton | .... | special effects technician | |
| Jeff Jarvis | .... | special effects coordinator | |
| Andrew Sebok | .... | special effects technician | |
| David M. Sterner | .... | special effects technician (as David Sterner) | |
Visual Effects by | |||
| Tim Alexander | .... | visual effects supervisor | |
| Camille Geier | .... | visual effects producer | |
| Jiri Jacknowitz | .... | digital paint artist | |
Stunts | |||
| Michael Adams | .... | stunt player | |
| Mike Adams | .... | stunts | |
| Brian Avery | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| Mark De Alessandro | .... | stunts | |
| Mickey Giacomazzi | .... | utility stunts | |
| Allan Graf | .... | stunt coordinator | |
| John Hateley | .... | stunts | |
| Toby Holguin | .... | stunts | |
| Steve Kelso | .... | stunt coordinator | |
| Paul M. Lane | .... | stunts | |
| Diana R. Lupo | .... | stunts (as Diana Lupo) | |
| Dustin Meier | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts (as Hugh A. O'Brien) | |
| Rex Reddick | .... | stunts | |
| Mario Roberts | .... | stunts | |
| Lincoln Simonds | .... | stunts | |
| Steve Wooten | .... | stunts | |
| Mark De Alessandro | .... | stunt double: Adam Sandler (uncredited) | |
Casting Department | |||
| Suzanne Anaya | .... | extras casting: TBS Casting | |
| John Barba | .... | casting associate | |
| Juliet Carlson | .... | extras casting assistant: Hawaii | |
| Margaret Doversola | .... | extras casting: Hawaii (as Margaret J. Doversola) | |
Costume and Wardrobe Department | |||
| Eden Clark Coblenz | .... | costume supervisor (as Edem Coblenz) | |
| Linda S. Cormany | .... | key costumer | |
| Anne Hoss | .... | additional costumer: Hawaii (as Anne L. Hoss) | |
| Lizabeth Maggini | .... | additional costumer: Hawaii (as Lizabeth Maggini-Mackay) | |
| Andrew Slyder | .... | additional costumer | |
| Jennifer Day Young | .... | additional costumer | |
Editorial Department | |||
| Phil Hetos | .... | color timer | |
| Lara Khachooni | .... | assistant editor | |
| Ladd Lanford | .... | first assistant editor | |
| Christopher Marino | .... | assistant editor: avid (as Christopher L. Marino) | |
| Sandra Montiel | .... | first assistant editor | |
| Fred Raskin | .... | additional film editor | |
| Mary Beth Smith | .... | negative cutter | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Julian Bratolyubov | .... | music preparation | |
| Debbi Datz-Pyle | .... | orchestra contractor: The Music Team (as Debbie Datz-Pyle) | |
| Greg Dennen | .... | score recordist | |
| Barry Fawcett | .... | scoring stage manager | |
| Nathan Furst | .... | score technical consultant | |
| Isobel Griffiths | .... | orchestra contractor | |
| Michael Jay | .... | additional music editor | |
| Jonathan Karp | .... | music editor | |
| Thomas Pasatieri | .... | music score consultant | |
| Simon Rhodes | .... | music scoring mixer | |
| Ryan Robinson | .... | scoring technician | |
| Dennis S. Sands | .... | orchestra mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | orchestra recordist (as Dennis Sands) | |
| Richard Wheeler Jr. | .... | scoring stage manager (as Richard Wheeler) | |
| Thomas Pasatieri | .... | orchestrator (uncredited) | |
Thanks | |||
| Fiona Apple | .... | special thanks | |
| Bobby Bates | .... | thanks | |
| Gloria S. Borders | .... | special thanks (as Gloria Borders) | |
| Todd Garner | .... | special thanks | |
| Isobel Griffiths | .... | special thanks | |
| John Lesher | .... | special thanks | |
| Rob Moore | .... | special thanks | |
| Charles Newirth | .... | special thanks | |
| Simon Rhodes | .... | special thanks | |
| Joe Roth | .... | special thanks | |
| Tom Sherak | .... | special thanks | |
Just Desserts (USA) (working title)
Punchdrunk Knuckle Love (USA) (working title)
The X-4 Project (USA) (working title)
Untitled P.T. Anderson Project (USA) (working title)
more
Rated R for strong language including a scene of sexual dialogue.
95 min
Color (Technicolor)
2.35 : 1 more
Iceland:12 | Malaysia:18SX | Brazil:14 | Argentina:13 | Australia:M | Canada:13+ (Québec) | Canada:14A (Alberta/British Columbia) | Canada:14A (Ontario) | Finland:K-11 | France:U | Germany:12 | Italy:VM14 | Netherlands:12 | Norway:11 | Philippines:R-18 | Singapore:NC-16 | South Korea:15 | Spain:13 | Sweden:11 | Switzerland:12 (canton of Zurich) | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R
John C. Reilly was originally supposed to play one of the men who come from Utah to collect the money. But Reilly thought that it was a strange role for him, considering how everyone would recognize him and would wonder why he was not doing more. So he dropped out. more
Crew or equipment visible: While Barry is running away from the brothers from Utah, a shadow of the cameraman is visible on the street. more
Spoofs The Wizard of Oz (1939) more
Moana Chimes more
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We've come to expect a lot from Paul Thomas Anderson. After his twin masterpieces "Boogie Nights" and "Magnolia", not to mention the sure-handed and satisfying "Hard Eight", we knew he was a filmmaker of skill and magic. So when it was announced that the next PTA film would be a 90-minute romantic comedy starring (Gasp!) Adam Sandler, I was, for one, not worried. This man had taken Mark Wahlberg and turned him into someone we could be proud to watch onscreen. He cast icon Tom Cruise, gave him the character of Frank "T.J." Mackey, and directed the actor to one of the most repulsive, offensive, and inspired performances of the "Top Gun" star's career. So, I was pretty confident in his ability to handle the star of "Little Nicky". But, boy, I still wasn't prepared for what I saw. Sandler just wasn't good, he was INCREDIBLE. I couldn't believe my eyes-here was the man behind "Eight Crazy Nights" creating a completely realized, utterly human character with a studied, nuanced performance. Many have commented on the fact that Barry Egan, Sandler's character, is not that different from his previous incarnations. Socially akward and prone to explosive violence, Barry might just be the key to explainging Sandler's Billy Madison or Happy Gilmore. The character helps shine a light on the inner torment of those man-children.
The plot is a bit more complicated than your usual romantic-comedy fair. First off, it's really not a comedy. Second off, the two major players-Sandler and Emily Watson as the beautiful and mysterious Lena Leonard-both have quirks and tension that ordinary movie characters who fall in love don't in movies today. Barry has been terribly scarred (perhaps irreperably) by the constant torment and abuse of his seven sisters. There are several scenes where he bursts into destructive rages for no real reason-to sum it up, this guy has problems. Lena seems to have some of the same hurt simmering under her, but she controls it and accepts Barry for who he is, eventually coming to a stage where she understands him better than anyone truly ever has. Much of "Punch-Drunk Love"'s story is how Egan manages to regain control of himself and experience truly human feelings for the first time. Lena is his salvation-through his devotion to her he saves himself.
The film's other specifics are a bizarre, but extremely original mix of details. Barry is a toilet-plunger salesman. He one day wanders onto a loophole in a snack-foods sponsored contest that would allow him to get enough frequent flier miles to never have to pay for a plane ticket again. First, however, is the nasty business with a small-time porn entrepeneur in Utah who is trying to extort a large sum of money from Barry, using the company's "Four Blonde Brothers" to threaten the (for a time) hapless Egan. The film is so utterly free that to reveal how these disparate elements come together would ruin the movie. Much of the joy of "Punch-Drunk Love" is that you never truly know where the movie is going to go next.
The performances are uniformly excellent. Philip Seymour Hoffman is "the heavy", but he puts a small line of tragedy in his character. Dean Trumbell seems fierce, but a telling look at his "empire" reveals he is all bark and no bite. The always-great Luis Guzman is Sandler's well-wishing co-worker, Lance, who is constantly supportive of Barry despite his doubts about what is really going on inside his boss's head. And Emily Watson is appropriately fascinating and quietly alluring as Lena, who drops her car off one day and admits the next she did it just to meet Barry.
The film might seem weird and violent, but this is truly one of the sweetest movies I have seen at a long time. At its core, "PDL" is decent, honest, and beautiful. It is reminiscent of "Fear and Loathing in Las Vegas", which, despite its rampant drug use and other disturbing subject matter, was a film that had a heart of gold. One of the best of 2002, "Punch-Drunk Love" will be seen in the future as a shining moment for all involved. Here's to hoping it will also be seen as the beginning of Adam Sandler's serious film career.