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Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (character The Bride) (as Q) & | |
| Uma Thurman | (character The Bride) (as U) | |
| Quentin Tarantino | (written by) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Mitsuhisa Ishikawa | .... | executive animation producer | |
| Koko Maeda | .... | associate producer | |
| Katsuji Morishita | .... | producer: animation sequence | |
| Dede Nickerson | .... | associate producer | |
| Kwame Parker | .... | assistant producer | |
| Erica Steinberg | .... | executive producer | |
| E. Bennett Walsh | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| RZA | (as The RZA) | ||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Koko Maeda | |||
| Johanna Ray | |||
Production Design by | |||
| Yohei Taneda | |||
| David Wasco | |||
Art Direction by | |||
| Daniel Bradford | |||
| Hidefumi Hanatani | |||
| Minoru Nishida | |||
Set Decoration by | |||
| Yoshihito Akatsuka | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Kumiko Ogawa | |||
| Catherine Marie Thomas | (as Catherine Thomas) | ||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Norman Cabrera | .... | special makeup effects artist: KNB FX Group | |
| Jake Garber | .... | special makeup effects artist | |
| Ilona Herman | .... | hair stylist: Ms. Thurman | |
| Ilona Herman | .... | makeup artist: Ms. Thurman | |
| Tysuela Hill-Scott | .... | hair stylist: Ms. Fox (as Tysuela) | |
| Tysuela Hill-Scott | .... | makeup artist: Ms. Fox (as Tysuela) | |
| Miia Kovero | .... | hair stylist | |
| Emanuel Millar | .... | key hair stylist | |
| Christopher Allen Nelson | .... | special makeup effects artist (as Chris Nelson) | |
| Gregory Nicotero | .... | special effects makeup supervisor | |
| Gregory Nicotero | .... | special makeup effects artist: KNB FX Group (as Greg Nicotero) | |
| Peter Owen | .... | wig maker | |
| Kyra Panchenko | .... | additional makeup artist: Ms. Thurman | |
| Scott Patton | .... | special makeup designer | |
| Heba Thorisdottir | .... | makeup department head | |
| Noriko Watanabe | .... | hair stylist: Ms. Liu | |
| Noriko Watanabe | .... | makeup artist: Ms. Liu | |
| Victoria Wood | .... | wig maker | |
| Debbie Zoller | .... | key makeup artist | |
| Alan Tuskes | .... | key special makeup effects studio technician (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | assistant director | |
| Marco Polo Constandse | .... | second assistant director: Mexico | |
| Heather I. Denton | .... | second second assistant director | |
| Stephen Dudycha | .... | additional assistant director | |
| Jonathan Tex Levitt | .... | second assistant director | |
| Dawn Massaro | .... | second assistant director | |
| Kazuto Nakazawa | .... | first unit director: animation | |
| Toshihiko Nishikubo | .... | second unit director: animation | |
| Kennedy Taylor | .... | first assistant director: Tokyo | |
| Ryan Tighe | .... | additional second assistant director | |
| Jinzhan Zhang | .... | first assistant director | |
Special Effects by | |||
| Jason Gustafson | .... | special effects supervisor | |
| John C. Hartigan | .... | special effects coordinator | |
| Anthony Ray Herrera | .... | special effects foreman | |
| Chen Hu | .... | wire technician: Fight Team | |
| Jack Jennings | .... | special effects technician | |
| Shu Jian | .... | wire technician: Fight Team | |
| Shinsuke Kojima | .... | model maker: Tokyo | |
| Kaoru Kusunoki | .... | model maker: Tokyo | |
| Fung Wai Lun | .... | wire technician: Fight Team | |
| Yûichi Matsui | .... | special effects: Tokyo (as Yuichi Matsui) | |
| Matt McDonnell | .... | special effects foreman | |
| Masahiro Murakami | .... | special effects | |
| Christopher Allen Nelson | .... | special effects makeup (as Chris Nelson) | |
| Corey Pritchett | .... | special effects coordinator | |
| Ben Rittenhouse | .... | foam department supervisor: KNB Effects Group Inc. | |
| Ron Rosegard | .... | special effects foreman | |
| Lam Chi Tai | .... | wire technician: Fight Team | |
| He Yaxi | .... | wire technician: Fight Team | |
| Chiz Hasegawa | .... | project coordinator (uncredited) | |
| Kevin McTurk | .... | special effects makeup (uncredited) | |
| Arthur G. Schlosser | .... | snow effects technician (uncredited) | |
Visual Effects by | |||
| Kevin Braun | .... | digital optical supervisor | |
| Kelly Bumbarger | .... | digital compositor | |
| Frankie Chung | .... | visual effects supervisor | |
| David Geoghegan | .... | dustbuster | |
| Don Greenberg | .... | digital effects artist | |
| Christopher Haydostian | .... | digital compositor | |
| Kanta Kamei | .... | visual supervisor | |
| Rui Kuroki | .... | assistant production manager: animation | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Jennifer Lee | .... | digital intermediate | |
| LaNelle Mason | .... | digital restoration | |
| Jaime Norman | .... | visual effects production manager | |
| Kenny Price | .... | digital lineup | |
| Matt Seckman | .... | digital compositor | |
| Brian Shows | .... | digital asset supervisor | |
| Tommy Tom | .... | visual effects supervisor/producer | |
| Jack Ho | .... | visual effects supervisor (uncredited) | |
| Michael Lafuente | .... | engineer (uncredited) | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Satya Bellord | .... | martial arts stunt double: The Bride | |
| Zoe Bell | .... | stunt double: The Bride | |
| Ken Lesco | .... | utility stunts (as Kenny Lesco) | |
| Ming Liu | .... | stunt double: O-Ren | |
| James Logan | .... | stunt rigger | |
| Lisa McCullough | .... | motorcycle stunt double: The Bride (as Lisa L. McCullough) | |
| Angela Meryl | .... | stunt double: Vernita | |
| Spencer Sano | .... | stunt performer | |
| Cheryl Bermeo | .... | stunt driver (uncredited) | |
| Sho Brown | .... | stunts (uncredited) | |
| Richard Burden | .... | stunt rigger (uncredited) | |
| Jared S. Eddo | .... | stunt rigger (uncredited) | |
| Hiro Koda | .... | stunts (uncredited) | |
| Michiko Nishiwaki | .... | stunt double (uncredited) | |
| Chris O'Hara | .... | stunt double: David Carradine (uncredited) | |
| Monica Staggs | .... | stunt double: Daryl Hannah (uncredited) | |
| Gary Ray Stearns | .... | stunts (uncredited) | |
| Steve Upton | .... | stunts (uncredited) | |
| Troy Wood | .... | stunts (uncredited) | |
Animation Department | |||
| Katsuhito Ishii | .... | character designer | |
| Eiji Ishimoto | .... | key animator: Production I.G. | |
| Toshio Ishizaki | .... | animator (as Sushio) | |
| Toshio Ishizaki | .... | key animator: Production I.G. (as Sushio) | |
| Mitsuo Iso | .... | key animator: Production I.G. | |
| Mahiro Maeda | .... | key animator: Production I.G. | |
| Yasunori Miyazawa | .... | key animator: Production I.G. | |
| Shin'ya Ôhira | .... | animator | |
| Shin'ya Ôhira | .... | key animator: Production I.G. | |
| Yutaka Sakamoto | .... | animation checker | |
| Keiichi Sasajima | .... | key animator: Production I.G. | |
| Shou Tajima | .... | character designer | |
| Hideki Takahashi | .... | key animator: Production I.G. | |
| Junichi Uematsu | .... | animation editor | |
| Takaaki Yamashita | .... | key animator: Production I.G. | |
Casting Department | |||
| Jerome Ro Brooks | .... | casting assistant | |
| Julie Dreyfus | .... | casting associate | |
| Rich King | .... | extras casting | |
| Jessica Vogl | .... | casting associate | |
| Kelly Hunt | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Lisa Bojarski | .... | costumer | |
| Jim Hansen | .... | costumer | |
| Cappi Ireland | .... | costumer: Ms. Thurman, Beijing | |
| Amy Lin | .... | wardrobe assistant | |
| Helen Monaghan | .... | international costume supervisor | |
| Daniel G. North | .... | costume supervisor (as Daniel Grant North) | |
| Kasumi Ogawa | .... | costumer: Tokyo | |
| Hans Georg Struhar | .... | costumer: Ms. Thurman, Los Angeles (as Hans G. Struhar) | |
| Yuko Sugiyama | .... | stylist: kimono, Tokyo | |
| Stella Tang | .... | wardrobe assistant | |
| Kanani Wolf | .... | set costumer | |
| Meng Xie | .... | wardrobe assistant | |
| Grace Yim | .... | wardrobe assistant | |
Editorial Department | |||
| Joe D'Augustine | .... | additional editor | |
| Greg D'Auria | .... | assistant editor | |
| Aaron Denenberg | .... | negative cutter | |
| Peggy Eghbalian | .... | assistant editor | |
| Ian Elias | .... | post-production assistant | |
| Katie Flint | .... | editorial assistant | |
| Ted Gidlow | .... | post-production coordinator | |
| Phyllis Housen | .... | assistant editor (as Phyllis K. Housen) | |
| Stephanie Ito | .... | digital intermediate producer | |
| Stephanie Johnson | .... | assistant editor | |
| Stephen Nakamura | .... | senior digital film colorist | |
| Julia Nessling-Douglas | .... | digital intermediate coordinator | |
| Fred Raskin | .... | assistant editor | |
| Joan Sobel | .... | first assistant editor | |
| Mike Sowa | .... | digital preview timer | |
| Jon Thompson | .... | post-production consultant | |
| Heidi Vogel | .... | post-production consultant | |
Music Department | |||
| Lawrence Bender | .... | executive soundtrack producer | |
| Michelle Kuznetsky | .... | music supervisor | |
| Wendi Morris | .... | music coordinator | |
| Mary Ramos | .... | music supervisor | |
| Jay B. Richardson | .... | music editor | |
| Quentin Tarantino | .... | executive soundtrack producer | |
| D.A. Young | .... | composer: additional music | |
Transportation Department | |||
| Robert aaron Brown | .... | driver: grip truck | |
| Bruce Callahan | .... | driver: Uma Thurman | |
| Bruce Callahan | .... | transportation co-captain | |
| Michael Dawes | .... | driver | |
| John Embry | .... | driver | |
| Don Feeney | .... | picture car coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Jessica James | .... | driver: cast | |
| David Joseph | .... | driver: production van | |
| Neil Marshall | .... | driver: honeywagon | |
| Brian Joseph Moore | .... | transportation captain | |
| Brian Moore | .... | transportation captain | |
| Marty Radcliff | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| Geoff Teagardin | .... | driver | |
| Mark Valdez | .... | driver | |
Thanks | |||
| Peter Bogdanovich | .... | special thanks | |
| Charles Bronson | .... | dedicatee | |
| Gray Davis | .... | thanks (as Governor Gray Davis) | |
| David R. Evans | .... | special thanks | |
| Robert Rodriguez | .... | special thanks | |
| Ada Shen | .... | special thanks | |
| Stacey Sher | .... | special thanks (as Stacy Sher) | |
| Cynthia Tsai | .... | special thanks | |
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| Kill Bill: Vol. 2 | Sin City | Grindhouse | Rambo | Beowulf |
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It has been six years since we have seen a movie from one of the world's most talked about directors, Quentin Tarantino, but the wait for me, has been worth the while. Tarantino can now add the martial arts masterpiece 'Kill Bill' to his resume, a film that left me speechless after I had seen it. It certainly is one intense, hateful movie, containing some of the greatest sword fighting sequences ever filmed in a movie. Tarantino has made KB with class, precision and close intense attention to every detail. But, what else should we expect from a movie freak, like Quentin Tarantino?
An entire wedding party is slaughtered during a dress rehearsal in a rural chapel: the pregnant woman in the blood-splattered wedding dress is Black Mamba, better known as 'The Bride'. The assassin, Bill, and his circle known as 'The Vipers' leave 'TB' for dead, however she was merely comatose. Four years later, 'TB' suddenly awakes from her coma, ferociously focused on one mission, to seek revenge on her former master. One by one, she will kill the various assassins. She is saving Bill for last.
I am not sure where I want to start with my review of Kill Bill. I love parts of it, but then find other parts to be extremely difficult to watch. Quentin Tarantino has written and directed another powerful piece of cinema, in a way that only he could. This time we see more violence, the action and the result of that violence, with it being a bit over-powering in the end. But without the violence, KB would have not been the movie it was.
This time Tarantino has not focussed on the dialogue in this movie, when it came to writing its script, more he wanted to show what the characters he had created, and why they were in the position they were in. For me I can appreciate both aspects of what Tarantino shows, as he can express himself either visually or with dialogue.
The other part I like about KB is the way Tarantino dedicated the movie to certain aspects of cinema history. To quote Quentin he said Kill Bill is 'my yakuza movie, my samurai movie, my spaghetti western movie', and it was quite clear for me how passionate Tarantino was in showing these parts. However it was also so much more, with one of the great sections of the movie being presented in Japanese animation. I also believe that there was a clear reference to black and white movies and silent movies, as KB had these sections a few times. I also feel that Tarantino is in some way trying to show his appreciation to Pulp Fiction, the movie that made him successful, via KB. If this is true, I do not feel it is gloating, rather I give Tarantino great praise, because some movie makers ignore the movies that give them success, but not here.
While 'KB' has some interesting characters, none are what I would call 'likeable'. 'The Bride', aka Black Mamba (Uma Thurman) is a girl totally driven by the desire to get revenge. Thurman really suits her part well, as she not only looks attractive, but is really believable as this American martial arts tough girl. Helping 'TB' on her quest is Samuri sword expert Hattori Hanzo (Sonny Chiba). This character brings a very oriental feel to the movie, something I liked. The bickering with his assistant was fun to see being played out.
'The Deadly Viper Assassination Squad' are the cruel callous people who inflict horrific harm on 'TB'. Bill (David Carradine) is their leader, a person we only hear and see in hand gestures, which is reminiscent of Marsellus Wallace in Pulp Fiction. Bill still has a very strong presence in the film, even though we never see him. Under Bill are killers like O-Ren Ishii, aka Cottonmouth (Lucy Liu), whose introduction, via the Japanese Animation, was great. Under Cottonmouth is her personal assistant, lawyer and translator, Sofie Fatale (Julie Dreyfus), who was present at the slaughtering of 'TB'. When 'TB' sees Sofie once again, she is pretty bitter about what Sofie let have happen to her. What we hear has happened to Sofie at the hands of 'TB', is truly unbelievable.
Another of Cottonmouth's women is a little girl, Go Go Yubari (Chiaki Kuriyama), who is more deadly than she looks. Her school girl sound and look is very interesting, while her confrontation with 'TB' highly entertaining. Then there is the evil nurse, Elle Driver, aka Californian Mountain Snake (Daryl Hannah), who shows very little emotion towards 'TB', other than hate. Vernita Green (Vivica A Fox) is another woman that 'TB' has on her hit list. Her demise was highly entertaining to say the least, again reminiscent of Pulp Fiction.
All the scenes with fighting in KB are a highlight for me, especially the sword fighting, as they are so fun and intense, with the last hour of the movie purely exhausting, with the final showdown between 'TB' and Cottonmouth & co. being terrific. The middle section of film was also great, as it tells the majority of the KB Vol. 1 story, although parts are pretty disturbing.
Kill Bill is another film by Quentin Tarantino, where I have to say it was 'exceptionally well made'. There is a scene in Volume 1, which reminded me of 'Matrix Reloaded'. Now I have heard that Tarantino hates the Matrix franchise, and you can see what he is making a stand against, film's laden with SFX. KB is 'not guilty' of being that. The violence is very graphic in KB, but at certain times the violence was 'laughable', as it seemed to look deliberately fake. But perhaps I am wrong? Volume 1 ended at a good point, setting up the conclusion, Volume 2 beautifully. So Kill Bill: Volume 2, get here, A.S.A.P.
CMRS gives 'Kill Bill: Volume 1': 4.5 (Very Good - Brilliant Film)