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Patrick Breen (play)
Patrick Breen (screenplay)
15 May 2003 (Australia) more
Every kiss has a story. more
A group of thirtysomethings having problems with fidelity gets an opportunity to turn back the clock. full summary | add synopsis
1 win & 1 nomination more
Monday’s Dancing: What You Didn’t See
(From People.com - TV Watch. 6 October 2009, 11:28 AM, PDT)
Stylish, but average film more (24 total)
| Marley Shelton | ... | Rebecca | |
| Ron Eldard | ... | Dag | |
| Patrick Breen | ... | Peter | |
| Sanjiv Jhaveri | ... | Cabbie | |
| Kelly Cole | ... | Jimmy | |
| Kyra Sedgwick | ... | Halley | |
| Zoe Caldwell | ... | Jessica | |
| Marisa Tomei | ... | Paula | |
| Peter Dinklage | ... | Dink | |
| Hollis Granville | ... | Cabbie 2 | |
| Sarita Choudhury | ... | Colleen | |
| Zofia Borucka | ... | Flight Attendant | |
| Billy Strong | ... | Sal the Flight Attendant | |
| Bruno Amato | ... | Joe | |
| Donna Hanover | ... | Newscaster | |
| Daryl Dismond | ... | Paramedic | |
| Venida Evans | ... | Nurse | |
| Ron Rifkin | ... | Dr. Fauci | |
| rest of cast listed alphabetically: | |||
| José Alvarez | ... | Jose (uncredited) | |
| Taye Diggs | ... | Andre (uncredited) | |
| Erin Fritch | ... | Lover (uncredited) | |
| Melissa Guion | ... | Vacationer (uncredited) | |
| J. Emerson McGowan | ... | Doctor (uncredited) | |
| Idina Menzel | ... | Linda (uncredited) | |
| Christina Russo | ... | Paula - lashback scene (uncredited) | |
Directed by | |||
| Fisher Stevens | |||
Writing credits(in alphabetical order) | ||
| Patrick Breen | play | |
| Patrick Breen | screenplay | |
Produced by | |||
| Dolly Hall | .... | executive producer | |
| Caroline Jaczko | .... | line producer | |
| Lori Niekrewicz | .... | line producer: second unit | |
| John Penotti | .... | executive producer | |
| Matthew H. Rowland | .... | producer (as Matthew Rowland) | |
| Tim Williams | .... | executive producer | |
| Bradley Yonover | .... | executive producer (as Brad Yonover) | |
Original Music by | |||
| Sean Dinsmore | |||
Cinematography by | |||
| Terry Stacey | |||
Film Editing by | |||
| Gary Levy | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Happy Massee | |||
Art Direction by | |||
| Mario Ventenilla | (as Mario R. Ventenilla) | ||
Set Decoration by | |||
| Betsy McDonald | |||
Costume Design by | |||
| Arjun Bhasin | |||
Makeup Department | |||
| LuAnn Claps | .... | key makeup artist | |
| Michael Kriston | .... | key hair stylist | |
Production Management | |||
| Peter Hegener | .... | assistant unit supervisor | |
| Michael Johnson | .... | production supervisor | |
| Elaine Kavanaugh | .... | unit supervisor | |
| Matthew H. Rowland | .... | unit production manager (as Matthew Rowland) | |
| Chris Uettwiller | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Michael G. Johnson | .... | first assistant director | |
| Matthew H. Rowland | .... | first assistant director (as Matthew Rowland) | |
| Tim Williams | .... | second assistant director | |
Art Department | |||
| Dana Baughman | .... | assistant to production designer | |
| Robert Covelman | .... | property master | |
| Vasily Kafanov | .... | original artwork | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Atmos Boaz | .... | foley engineer (as A. Boaz) | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Mariusz Glabinski | .... | sound editor | |
| Marlena Grzaslewicz | .... | sound: 701 Sound | |
| John Gutierrez | .... | boom operator | |
| John Hassler | .... | foley artist | |
| Hal Levinsohn | .... | adr editor | |
| Brian Miksis | .... | sound mixer: additional photography | |
| Ira Spiegel | .... | sound: 701 Sound | |
| Jerry Stein | .... | sound mixer | |
| Paul Vasquez | .... | adr engineer | |
| Ethan Beigel | .... | foley mixer (uncredited) | |
| Conor Guy | .... | assistant sound editor (uncredited) | |
| Dan Korintus | .... | dialogue editor (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| Eric Rolnick | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| Justin Eggerton | .... | digital effects artist: Red Scare, Inc. | |
| Eleanor Harwood | .... | magic bullet producer: The Orphanage | |
| Allyson King | .... | digital effects artist: Red Scare, Inc. | |
| Nina LeBlanca | .... | rotomation: Red Scare, Inc. | |
| Tara McAdam | .... | rotomation: Red Scare, Inc. | |
| Loree Miller | .... | digital department assistant: Greenestreet Films | |
| Julianna Pancette | .... | rotomation: Red Scare, Inc. | |
| Joanne Passerinia | .... | rotomation: Red Scare, Inc. | |
| Celeste Peterka | .... | digital department coordinator: Greenestreet Films | |
| Quim Radosta | .... | rotomation: Red Scare, Inc. | |
| Aaron Rhodes | .... | magic bullet colorist: The Orphanage | |
| Chris Uettwiller | .... | digital department production: Greenestreet Films | |
| Michael Ventresco | .... | digital effects | |
| Elisbetagne Wie | .... | digital effects artist: Red Scare, Inc. | |
| L. Young | .... | rotomation: Red Scare, Inc. | |
| Juan Carlos Ortiz-Duran | .... | digital artist (uncredited) | |
Stunts | |||
| Rick Sordelet | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kip Bogdahn | .... | camera operator (as Kip Bogden) | |
| Will Callahan | .... | best boy grip | |
| Oliver Cary | .... | first assistant camera | |
| Steve Drellich | .... | camera operator | |
| Matthew Ford | .... | best boy electric | |
| Chris Hayes | .... | camera operator | |
| Paul Holmes | .... | 24 frame video operator | |
| Learan Kahanov | .... | gaffer (as Learan Kahanan) | |
| Steve Ramsey | .... | gaffer (as Steve Ramsay) | |
| Chris Scarafile | .... | key grip | |
| Howard Weiner | .... | 24 frame video operator | |
| Melissa Guion | .... | still photographer (uncredited) | |
Casting Department | |||
| Beth Bowling | .... | casting associate: New York | |
| Kim Coleman | .... | casting associate: Los Angeles | |
| Pamela Reece | .... | extras and additional casting | |
Costume and Wardrobe Department | |||
| Tasha Le Mel | .... | assistant to costume designer | |
| Hilary Niederer | .... | wardrobe supervisor | |
| Jeanette Sternberg | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Miles Ferguson | .... | executive in charge of post-production (as Miles H. Ferguson) | |
| James Palumbo | .... | assistant editor | |
| Lee Wimer | .... | color timer (uncredited) | |
Music Department | |||
| Angeline Chang | .... | musician: violin | |
| Jason Goodrow | .... | musician: guitar, bass, organ strings | |
| Jason Goodrow | .... | musician: organ | |
| Sean Grissom | .... | musician: cello and electric cello | |
| Dan Lieberstein | .... | music supervisor | |
| Gunnar Madsen | .... | composer: music background cues | |
| Adam Roth | .... | musician: organ | |
| Fisher Stevens | .... | musician: harmonica (as Fisher 'Super Harp' Stevens) | |
| Paul Vasquez | .... | score mixer | |
| Paul Vasquez | .... | score recordist | |
| Paul Vasquez | .... | musician: organ | |
Transportation Department | |||
| George Holtzer | .... | driver: honeywagon | |
Other crew | |||
| Lucio Amadio | .... | assistant: Mr. Stevens | |
| Romona Angus | .... | production department assistant: Greenestreet Films | |
| Madeline Chang | .... | production department assistant: Greenestreet Films | |
| Vicki Cherkas | .... | head of business and legal affairs: Greenestreet Films | |
| Koksong Chia | .... | location assistant (as Chia Koksong) | |
| Joseph Cortese | .... | production assistant (as Joe Cortese) | |
| Jesse Cummings | .... | digital transfer technician | |
| Seth Davis | .... | dancer | |
| Mark Dechiazza | .... | dancer | |
| Alyssa Dodson | .... | associate choreographer | |
| Shawn Gascoyne | .... | location manager: pre-production | |
| Jamie Gordon | .... | head of development: Greenestreet Films | |
| Kurt Haas | .... | production assistant | |
| Andy Hernandez | .... | production assistant | |
| Phoenix Higgins | .... | production assistant | |
| Jason Ivey | .... | production assistant | |
| Cedric Jeanson | .... | head of production finance: Greenestreet Films | |
| Debbie Johnson | .... | general manager: Greenestreet Films | |
| Phyllis Kaufman | .... | production and distribution counsel (as Phyllis Kaufman esq.) | |
| Laura H. Kreft | .... | production accountant (as Laura Kreft) | |
| Mary Lawless | .... | production department assistant: Greenestreet Films | |
| Cary Lin | .... | assistant: Mr. Rowland | |
| Clare Lord | .... | location assistant | |
| Dedra Mack | .... | craft service: Cecil B. Demeal's | |
| M.J. Magbanua | .... | production office coordinator: second unit | |
| Andrew B. Marcus | .... | assistant: Mr. Penotti, Greenestreet Films (as Andrew Marcus) | |
| Eden Mazer | .... | dancer | |
| Joseph Murphy | .... | production assistant | |
| Anne Nevin | .... | production coordinator | |
| Linda O'Connor | .... | post-production accountant | |
| Sabrina Padwa | .... | production and distribution counsel (as Sabrina Padwa esq.) | |
| Sheila Paige | .... | script supervisor (as Sheila Page) | |
| Brian Perkis | .... | controller: Greenestreet Films | |
| Courtney Potts | .... | development executive: Greenestreet Films | |
| Noelle Sadler | .... | production department assistant: Greenestreet Films | |
| Tomade Salako | .... | parking coordinator | |
| George Sheanshang | .... | production and distribution counsel (as George Sheanshang esq.) | |
| Collin Smith | .... | production assistant | |
| Jennifer Stefanon | .... | production assistant | |
| Minh Tran | .... | production intern | |
| Janice Williams | .... | production coordinator | |
| Megan Williams | .... | choreographer | |
| Tom Yeager | .... | location manager: principal photography | |
| Chadbyrne R. Dickens | .... | assistant to producer (uncredited) | |
Thanks | |||
| Louis Bacon | .... | acknowledged support | |
| Brian Collins | .... | acknowledged support | |
| Michael Garfinkle | .... | acknowledged support | |
| Michael Gordon | .... | acknowledged support | |
| David Liptak | .... | acknowledged support | |
| Christopher Pia | .... | acknowledged support | |
Still a Kiss (USA) (working title)
more
Rated R for strong sexual images and language.
89 min
Singapore:M18 | Brazil:16 | USA:R | Argentina:13 | Canada:AA
Jessica: Rebecca, you were a much better dancer when you were a bulimic. Why don't you take that up again? We could keep buckets at both ends of the stage... more
Demain (Jazz) more
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This movie was a moviestar-filled indie film about relationships and what might have happened had they chosen to take things differently with the people nearest to them. This plot is very overused so naturally to change the movie and make it unique, they add digital effects over the video to make it more artsy.
I liked the effects and the different characters were always getting themselves into crazy situations involving neverending change, but the way this was directed was so unbelievable and chaotic that the audience, in my opinion, doesn't have time to understand how to react to the changes that are made. This movie is more depressing than happy or even "real."
This obviously is supposed to be a black comedy based around the emotion of love and its many forms and prices of being in love. I gave it a 5/10 stars because although it had nice stylistic touches to keep you watching, there was very little payoff to watching through to the credits.