| Videos |
| Emma Thompson | ... | Vivian Bearing | |
| Christopher Lloyd | ... | Dr. Harvey Kelekian | |
| Eileen Atkins | ... | Evelyn 'E.M.' Ashford | |
| Audra McDonald | ... | Susie Monahan | |
| Jonathan M. Woodward | ... | Dr. Jason Posner | |
| Harold Pinter | ... | Mr. Bearing (Vivian's Father) | |
| Rebecca Laurie | ... | Vivian aged 5 | |
| Su Lin Looi | ... | Nurse (as Su-Lin Looi) | |
| Raffaello Degruttola | ... | Technician 1 | |
| Miquel Brown | ... | Technician 2 | |
| Hari Dhillon | ... | Fellow 1 (as Harry Dillon) | |
| Benedict Wong | ... | Fellow 2 | |
| Alex Gregor | ... | Fellow 3 | |
| Lachele Carl | ... | Fellow 4 | |
| David Menkin | ... | Student 1 | |
| Rachel Siegel | ... | Student 2 | |
| Shauna Shim | ... | Student 3 | |
| Matt Blair | ... | Student 4 | |
| David Zayas | ... | Code Team Blue Head | |
| Tassia Messimeris | ... | Code Team Blue 2 | |
| Norman Naudain | ... | Code Team Blue 3 | |
| Emma Bernbach | ... | Code Team Blue 4 | |
| Jenny Jules | ... | Code Team Blue 5 | |
| Gary Beadle | ... | Code Team Blue 6 |
Directed by | |||
| Mike Nichols | |||
Writing credits(WGA) | ||
| Margaret Edson | (play) | |
| Emma Thompson | (teleplay) & | |
| Mike Nichols | (teleplay) | |
Produced by | |||
| Simon Bosanquet | .... | producer | |
| Cary Brokaw | .... | executive producer | |
| Michael Haley | .... | co-producer (as Mike Haley) | |
| Paul A. Levin | .... | associate producer | |
| Julie Lynn | .... | co-producer | |
| Mike Nichols | .... | executive producer | |
| Charles F. Ryan | .... | co-producer | |
Original Music by | |||
| Henryk Mikolaj Gorecki | |||
Cinematography by | |||
| Seamus McGarvey | |||
Film Editing by | |||
| John Bloom | |||
Casting by | |||
| Leo Davis | |||
| Ellen Lewis | |||
| Juliet Taylor | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| Sarah Hauldren | (supervising art director) | ||
Set Decoration by | |||
| Michael Seirton | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Linda DeVetta | .... | hair stylist | |
| Linda DeVetta | .... | makeup artist | |
| J. Roy Helland | .... | hair stylist | |
| J. Roy Helland | .... | makeup artist | |
Production Management | |||
| Joanna Beckett | .... | unit manager | |
| Rachel Neale | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ben Dixon | .... | third assistant director | |
| Michael Haley | .... | first assistant director (as Mike Haley) | |
| Mark Layton | .... | second assistant director | |
Art Department | |||
| Harry Alley | .... | painter's laborer | |
| Les Benson | .... | props sourceman | |
| Roy Biggs | .... | chargehand stagehand | |
| Guy Bradley | .... | junior draughtsman | |
| Emma Caplin | .... | art department assistant | |
| Paul Carpenter | .... | carpenter | |
| Darryl Carter | .... | supervisory carpenter | |
| Jack Carter | .... | construction controller | |
| Martin Duffy | .... | carpenter | |
| Colin Ellis | .... | dressing props | |
| Simon Faldon | .... | carpenter | |
| David Ford | .... | production buyer: USA | |
| Brian Groves | .... | supervisory painter | |
| Cliona Harkin | .... | stand-by art director | |
| Gary Hedges | .... | chargehand carpenter | |
| John Hedges | .... | construction buyer (as Johnny Hedges) | |
| Kevin Hedges | .... | carpenter | |
| John Hogan | .... | dressing props | |
| Geoff Hubbard | .... | carpenter (as Martin Hubbard) | |
| David Jones | .... | stagehand | |
| Paul Lawlor | .... | carpenter | |
| Ron Lee | .... | construction buyer | |
| Poppy Luard | .... | draughtsman | |
| Simon Marjoram | .... | carpenter | |
| Maxie McDonald | .... | property master | |
| Jim McNeil | .... | carpenter | |
| Stephen Murray | .... | carpenter | |
| Neil Murrum | .... | dressing props | |
| Paul Nash | .... | carpenter | |
| Mitch Niclas | .... | stand-by props | |
| Norman North | .... | painter | |
| Paul Nott-Macaire | .... | stand-by carpenter | |
| Jason Phelps | .... | carpenter | |
| Claire Nia Richards | .... | assistant art director (as Claire Richards) | |
| Ron Ross | .... | carpenter (as Ronnie Ross) | |
| Michael Simpson | .... | carpenter | |
| Anthony Strong | .... | stagehand | |
| Jeff Sullivan | .... | stand-by painter | |
| Alan Titmus | .... | stand-by stagehand | |
| Paul Turner | .... | stand-by props | |
| Sara Wan | .... | production buyer: UK | |
| Kenneth Welland | .... | chargehand painter | |
| John Whitby | .... | carpenter | |
| Colin Woodbridge | .... | carpenter | |
| Alba Leone | .... | buyer: U.S.A. (uncredited) | |
Sound Department | |||
| Kam Chan | .... | foley editor | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanza) | |
| Paul Cridlin | .... | boom operator | |
| Kay Denmark | .... | adr boom operator | |
| Lee Dichter | .... | sound re-recording mixer | |
| Chris Fielder | .... | assistant sound editor | |
| David John | .... | sound mixer | |
| Gareth John | .... | second boom operator | |
| Frank Kern | .... | foley supervisor | |
| George A. Lara | .... | foley engineer | |
| Blake Leyh | .... | sound effects editor | |
| Debora Lilavois | .... | assistant sound editor (as Debbie Lilavois) | |
| Philip Stockton | .... | supervising sound mixer | |
| Deborah Wallach | .... | adr editor | |
| Paul J. Zydel | .... | adr engineer (as Paul Zydell) | |
Visual Effects by | |||
| Matt McDonald | .... | digital compositor | |
| Toby Brockhurst | .... | digital effects artist (uncredited) | |
Stunts | |||
| Gareth Milne | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Keith Batterbee | .... | rigger | |
| Roy Branch | .... | best boy | |
| Trevor Coop | .... | camera operator | |
| Clive Coote | .... | still photographer | |
| Barney Davis | .... | clapper loader | |
| Carlos De Carvalho | .... | focus puller | |
| Stephen Devlin | .... | rigger | |
| Toby Flesher | .... | electrician | |
| Paul Harris | .... | electrician | |
| Joseph Hassell | .... | video playback assistant | |
| Stephen Mathie | .... | electrician | |
| Mark Milsome | .... | focus puller: "b" camera | |
| Peter Myslowski | .... | key grip | |
| Jennie Paddon | .... | camera trainee | |
| Rebecca Peters | .... | video playback operator | |
| Eddie Sansom | .... | stand-by rigger | |
| Paul Sharp | .... | electrician | |
| Lee Walters | .... | gaffer | |
Casting Department | |||
| Jennifer Euston | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jenny Hawkins | .... | wardrobe supervisor | |
| Sarah Higbid | .... | wardrobe buyer | |
| Andrew Hunt | .... | wardrobe mixer | |
| Michelle Matland | .... | assistant costume designer | |
| Jane Wrigley | .... | wardrobe assistant | |
Editorial Department | |||
| Don Ciana | .... | color timer | |
| William E. Githens | .... | post-production assistant | |
| Ann Gray | .... | post-production coordinator | |
| Antonia Van Drimmelen | .... | associate editor | |
| Joe Violante | .... | color coordinator: Technicolor | |
Music Department | |||
| Ray Espinola Jr. | .... | music coordinator | |
| Evyen Klean | .... | music supervisor | |
| David Latuiffe | .... | music consultant | |
| Nic Ratner | .... | music editor | |
Transportation Department | |||
| Tony Bradley | .... | transportation coordinator | |
| Terry Catlin | .... | unit driver | |
| Jeremy Jacobs | .... | unit driver | |
| Mark Kerrison | .... | unit driver | |
| John Smith | .... | unit driver | |
| John Swan | .... | unit driver | |
| Darren Thackeray | .... | unit driver | |
Other crew | |||
| Randall Balsmeyer | .... | title designer | |
| Steve Barry | .... | assistant accountant | |
| Francesca Castellano | .... | production coordinator | |
| Ben Cocks | .... | stand-in: Ms Thompson | |
| Patsy de Lord | .... | production coordinator | |
| Claire Edgcombe | .... | production runner | |
| Poppy Field | .... | floor runner | |
| Carlton Jarvis | .... | medical advisor: medical special effects | |
| Jane Levy | .... | assistant: Mr. Nichols | |
| James Manning | .... | floor runner | |
| Kathleen McGarry | .... | assistant: Ms. Thompson | |
| Joyce Noakes | .... | assistant accountant | |
| Andrew Nokes | .... | financial controller | |
| Reg Poerscout-Edgerton | .... | production runner | |
| Justine Redfern | .... | assistant: Mr. Bosanquet | |
| Linda Schickedanz | .... | medical advisor | |
| David Tellefsen | .... | assistant: Mr. Brokaw | |
| Samantha Thomas | .... | location manager | |
| Dan Turner | .... | floor runner (as Daniel Turner) | |
| Dennis Watson | .... | supervising rigger | |
| Beverly Winston | .... | script supervisor | |
| Wendy Zych | .... | assistant production coordinator | |
| Mary Bailey | .... | script consultant (uncredited) | |
Thanks | |||
| Derek Anson Jones | .... | in memory of | |
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| Magnolia | My Life Without Me | Le temps qui reste | The Libertine | Yellow Jack |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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A female professor--wry, canny, tough, fragile--goes through a wrenching medical experience fighting ovarian cancer. One of those cable movies that looks great on TV, but would it also play successfully on the big screen? In this case, yes, but television--being a far more intimate medium--certainly allows the viewer a bird's-eye glimpse into this story about sickness. Just because "Wit" isn't on the movie screen doesn't mean its not an all-encompassing, breathtaking drama. Director Mike Nichols hasn't been this focused in a long time (he flashes around in this woman's life with uncanny accuracy, and always returns to the present at just the right moment). The pacing of the movie is gentle but not doddering--this isn't a melodrama about pity, nor is it a medical expose or a squeamish thing with lots of needles. It is a quietly absorbing, exceptionally well-rounded chapter of a woman's life, and that woman--Emma Thompson, doing precise and brilliant work--is an embraceable subject. We let her into our hearts, making the finale that much more emotional. ***1/2 from ****