| Photos (see all 11 | slideshow) | Videos |
| Laura Harris | ... | Kristie St. Clair | |
| Richard Lintern | ... | Marc St. Clair | |
| Francis Magee | ... | Carmac | |
| Alex Roe | ... | Dylan St. Clair (as Alex Roe-Brown) | |
| Alice Krige | ... | Elizabeth Plummer | |
| John Standing | ... | Jack Plummer | |
| Peter Waddington | ... | Father Mullin | |
| Nick Brimble | ... | Police Inspector Oliver Morton | |
| Rachel Shelley | ... | Shelly Woodcock | |
| Camilla Power | ... | Lynette Peterson | |
| Deborah Baxter | ... | Receptionist | |
| Jack MacKenzie | ... | Norman | |
| Christine Moore | ... | Little Girl's Mother | |
| Danielle Green | ... | Little Girl | |
| Roger Brierley | ... | Reverend | |
| Detlef Bothe | ... | Scouser | |
| Antony Carrick | ... | Thomas Biden | |
| Liam Hess | ... | Sammy Plummer | |
| Laura Cox | ... | Red Haired Woman | |
| Imogen Bain | ... | Bargirl | |
| Louise Rolfe | ... | Girl in Bar | |
| Steven Osborne | ... | Irishman | |
| Lisa Martin | ... | Girl on Playground | |
| Alisa Bosschaert | ... | Girl's Mother | |
| Julian Sims | ... | Doctor | |
| Veronica Roberts | ... | Nurse | |
| Cordelia Bugeja | ... | Young Nurse | |
| John Key | ... | Midget | |
| Heidi Monsen | ... | Stewardess |
Directed by | |||
| Richard Caesar | |||
Writing credits(WGA) | ||
| John Rice | (written by) & | |
| Rudy Gaines | (written by) | |
Original Music by | |||
| Christopher Franke | |||
Cinematography by | |||
| Joachim Berc | |||
Film Editing by | |||
| Alexander Berner | |||
Casting by | |||
| Beth Charkham | |||
Production Design by | |||
| Bernd Lepel | |||
Art Direction by | |||
| Simon Bowles | |||
Set Decoration by | |||
| Sonja Klaus | |||
Makeup Department | |||
| Faye De Bremaeker | .... | assistant makeup artist | |
| Neill Gorton | .... | special makeup effects supervisor | |
| Marilyn MacDonald | .... | makeup designer | |
| Ian Morse | .... | special makeup effects artist | |
Production Management | |||
| Philip Evenkamp | .... | production manager | |
| Michael Murray | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Toby Hosking | .... | second assistant director | |
| Kevin Westley | .... | first assistant director | |
| Oliver Zenglein | .... | second unit director | |
Art Department | |||
| Sally Black | .... | assistant art director | |
| Lisa Deuxberry | .... | art department assistant | |
| John Greaves | .... | storyboard artist | |
Sound Department | |||
| Rudi Buckle | .... | sound recordist | |
| Friedrich M. Dosch | .... | supervising sound editor | |
| Lisa Geffcken-Reinhard | .... | foley editor | |
| Magda Habernickel | .... | sound editor | |
| Christian Joyce | .... | boom operator | |
| Pierre Peters-Arnolds | .... | dubbing director | |
| Max Rammler-Rogall | .... | sound mixer | |
| Philipp Sellier | .... | foley recordist | |
| Christoph von Schönburg | .... | sound effects editor | |
Special Effects by | |||
| Doug McCarthy | .... | special effects senior technician | |
| Chris Watson | .... | special effects technician | |
Visual Effects by | |||
| Florian Martin | .... | digital compositor | |
| Jürgen Schopper | .... | visual effects supervisor | |
| Klaus Wuchta | .... | digital compositor | |
| Christian Zeh | .... | digital compositor | |
| Christopher Dusendschon | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Andy Barrett | .... | stunt double | |
| Robert Corke | .... | stunt double | |
| Kelly Dent | .... | stunts | |
| Sy Hollands | .... | stunts (as Sy Holland) | |
| Glenn Marks | .... | stunt coordinator | |
| Lindsay Patterson | .... | stunt double | |
| Tony Van Silva | .... | stunts | |
Camera and Electrical Department | |||
| Rawdon Hayne | .... | focus puller: re-shoot | |
| Tobias Klauke | .... | camera trainee | |
| Robert Patzelt | .... | assistant camera | |
| Marco Zwitter | .... | gaffer | |
Casting Department | |||
| Deborah Maxwell Dion | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Tim Aslam | .... | assistant costume designer | |
| Georgina Gunner | .... | wardrobe assistant | |
Music Department | |||
| Jonathan "Big Jon" Platt | .... | music supervisor | |
| Edgar Rothermich | .... | composer: additional music | |
| Edgar Rothermich | .... | music producer | |
| Edgar Rothermich | .... | music recordist | |
Other crew | |||
| Diana Dill | .... | script supervisor | |
| Oliver Zenglein | .... | assistant to director | |
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| The Omen | The Omen | On Her Majesty's Secret Service | The Ring | 'Salem's Lot |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
***SPOILERS*** Another "Omen" clone with the Antichrist coming back to earth to usher in the year 2000. At the beginning of the movie "The Calling" we see Kristie St. Clair, Laura Harris, being chased into the sea by a group of black-clad Satanist and then shot. In the hospital Kristie under intensive care is attended by her priest Father Mullin, Peter Waddington, whom she tell her story, as we go into flashback, about the string of events that ended up almost costing her life.
Being married to top Isle of Man TV news commentator Marc St. Clair, Richard Lintern,Kristie's life could never be more happier until she gave birth to her son Dylan, Alex Roe. On the very day that Dylan was born Marc's station's manager Jack Plummer, John Standing, and his wife's Elizabeth (Alice Krige)seven year old son Sammy, Liam Hess, disappeared. Found some time later Sammy had his heart cut out in some kind of gruesome Satanic ritual but the story was kept from the public by news-reporter Marc; it was reported that Sammy was strangled.
It becomes obvious that young Dylan is some how connected with Sammy's murder in that the dead boy's parents Jack & Elizabeth become his surrogate parents. It's as if they in some way traded in Sammy for him! Growing up Dylan get's influenced by both the Plummers and his father Marc in the black arts which includes the unchristian rites of Satanism like reading backwards as they do with passages of the Bible in some of their secret rituals.
Kristie's friend Lynette, Camilla Puner, about the only person in the movie, besides Kristie, who isn't a Satanist later interrupts an ungodly act preformed on young Dylan by his father Marc and Elizabeth which later cost Lynette her life. Dylan in a mocking of the crucifixion was himself crucified by Marc & Elizabeth , but lived to tell about it, upside down!
"The Calling" get's very confusing with it's attempt to show how powerful the grip of Satan is on the people of the Isle of White by over doing a number of wild crazy and ungodly scenes. There's a drunken sex orgy, where this dirty old man get's electrocuted in a Jacuzzi, that Kristie secretly attends. Earlier a woman, for what seemed like no reason at all, jumps from a tower and lands on top of Kristie's car almost killing her and Dylan who was with her at the time. There's also the weirdo cab driver Carmac, Francis McGee, who's some kind of religious nut popping up in scene after scene and giving Kristie, and the audience, the straight dope to what's really happening on the screen.
You sense right away that this Carmac knows a lot more then what he's saying and as the movie moves to it's predictable conclusion you start to realize that he does a lot more then drive a taxi for a living in fact he drives almost the entire cast of the movie into a wild and hysterical frenzy in the films end-of-the-world-like final scene.
Even though nowhere near as effective as "The Omen" the film "The Calling" has the same eerie and disturbing look to it, in fact it's one of the most shocking and unnerving TV movies that I've ever seen. The ending of the movie like in "The Omen" leaves you with a bad feeling in your heart and mind in that there's no way in stopping Satan, or the Devil, from doing his evil deeds on earth. Even the priest Father Mullin get's so disturbed by what he sees that he just rips off his collar and throws it away.
The movie ends almost crying for a sequel, like in The Omen, but now some six years later that sequel has yet came to pass; maybe it's because the movie was such a flop in the box office that it wasn't worth, for it's financiers, in making one.