| Photos (see all 16 | slideshow) | Videos |
| Émilie Dequenne | ... | Rosetta | |
| Fabrizio Rongione | ... | Riquet | |
| Anne Yernaux | ... | The Mother | |
| Olivier Gourmet | ... | The Boss | |
| Bernard Marbaix | ... | The Campgrounds Manager | |
| Frédéric Bodson | ... | The Head of Personnel | |
| Florian Delain | ... | The Boss's Son | |
| Christiane Dorval | ... | First Saleswoman | |
| Mireille Bailly | ... | Second Saleswoman | |
| Thomas Gollas | ... | The Mother's Boyfriend | |
| Leon Michaux | ... | First Policeman (as Léon Michaux) | |
| Victor Marit | ... | Second Policeman | |
| Colette Regibeau | ... | Madame Riga | |
| Claire Tefnin | ... | Girl in Locker Room | |
| Sophie Leboutte | ... | Fired Woman | |
| Gaetano Ventura | ... | Store Manager | |
| Christian Neys | ... | First Paramedic | |
| Valentin Traversi | ... | Second Paramedic | |
| Jean-Francois Noville | ... | Hospital Worker |
Directed by | |||
| Jean-Pierre Dardenne | |||
| Luc Dardenne | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Dardenne | writer | |
| Luc Dardenne | writer | |
Produced by | |||
| Jean-Pierre Dardenne | .... | producer | |
| Luc Dardenne | .... | producer | |
| Laurent Pétin | .... | producer | |
| Michèle Pétin | .... | producer | |
| Arlette Zylberberg | .... | associate producer | |
Original Music by | |||
| Jean-Pierre Cocco | |||
Cinematography by | |||
| Alain Marcoen | |||
Film Editing by | |||
| Marie-Hélène Dozo | |||
Production Design by | |||
| Igor Gabriel | |||
Costume Design by | |||
| Monic Parelle | |||
Makeup Department | |||
| Tina Kopecka | .... | key makeup artist | |
Production Management | |||
| Philippe Groff | .... | unit production manager | |
| Véronique Marit | .... | production manager | |
| Patrick Millet | .... | production manager: France | |
| Philippe Toussaint | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Bernard Garant | .... | assistant director | |
| Jean-François Tefnin | .... | assistant director | |
Music Department | |||
| Marc Descamps | .... | musician | |
| Michel Leclercq | .... | musician | |
| René Stock | .... | musician | |
| Rhonny Ventat | .... | musician | |
Other crew | |||
| Philippe Groff | .... | location manager | |
| Leon Michaux | .... | script consultant (as Léon Michaux) | |
| Marika Piedboeuf | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
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I saw Rosetta 3 or 4 months ago and it has stayed vividly in my mind. I would like to respond to two other commentaries here which compare Rosetta to earlier films.
One commentary compares it to Nights of Cabiria. But this is no pastoral fantasy like the Fellini. Another contributor calls Rosetta a fake Bresson. Presumably the point of comparison is with Bresson's Mouchette, and it's a good comparison to make, but I don't think it is one that diminishes Rosetta. Both Mouchette and Rosetta capture the flow of time and the characters' interior worlds realistically, but with realisms which are quite different. Mouchette's struggle is a spiritual one; Rosetta's struggle is with her physical conditions.
To make a comparison of my own, albeit an off-the-wall one, Rosetta's determination is strangely like the pure will-power that Lee Marvin demonstrates, barging into the Organisation's HQ in Point Blank. Maybe this forceful quality is what makes it a "war film".
The film-makers do the opposite of sentimentalising Rosetta's conditions as Fellini would have done. Arguably, they even go past Bresson, if you tend to a materialist rather than a religious point of view. They argue how poverty operates, how surviving it involves anger.
There is one moment when Rosetta slips in a lake and we understand exactly at the moment she does, that she may in fact drown. Not a moment that's easy to forget.