Wo hu cang long (2000)

Director:

Ang Lee

Writers (WGA):

Du Lu Wang (book)
Hui-Ling Wang (screenplay) ...

Release Date:

22 December 2000 (USA)

Genre:

Action | Adventure | Drama | Romance

Plot:

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

Plot Keywords:

Sword | Warrior | China | Martial Arts | Fugitive

Awards:

Won 4 Oscars. Another 73 wins & 91 nominations

Cast

Yun-Fat Chow	...	Master Li Mu Bai (as Chow Yun Fat)
Michelle Yeoh	...	Yu Shu Lien
Ziyi Zhang	...	Jen Yu (Mandarin version) / Jiao Long (English dubbed version) (as Zhang Ziyi)
Chen Chang	...	Lo 'Dark Cloud' / Luo Xiao Hu
Sihung Lung	...	Sir Te
Pei-pei Cheng	...	Jade Fox (as Cheng Pei-Pei)
Fa Zeng Li	...	Governor Yu
Xian Gao	...	Bo
Yan Hai	...	Madame Yu
De Ming Wang	...	Police Inspector Tsai / Prefect Cai Qiu
Li Li	...	May (as Li Li)
Su Ying Huang	...	Auntie Wu
Jin Ting Zhang	...	De Lu
Rei Yang	...	Maid
Kai Li	...	Gou Jun Pei

Also Known As:

Crouching Tiger, Hidden Dragon (International: English title) (UK) (USA)
Ngo foo chong lung (Hong Kong: Cantonese title)
Wo hu cang long (China: Mandarin title)

MPAA:

Rated PG-13 for martial arts violence and some sexuality.

Runtime:

120 min

Country:

Taiwan | Hong Kong | USA | China

Language:

Mandarin

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:12 | Malaysia:U | Portugal:M/12 | Netherlands:16 (VHS/DVD rating) | Brazil:12 | Argentina:Atp | Australia:M | Belgium:KT | Canada:14A (British Columbia) | Canada:G (Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia/Ontario) | Chile:TE | Denmark:11 | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Ireland:15 | Netherlands:12 | New Zealand:M | Norway:15 | Peru:PT | Singapore:NC-16 | Singapore:PG (cut) | South Korea:12 | Spain:7 | Sweden:11 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12 | USA:PG-13

Filming Locations:

Anhui Province, China

Company:

Asia Union Film & Entertainment Ltd.

Trivia:

The film is an adaptation of the fourth novel in a pentalogy, or five-novel cycle, known in China as the Crane/Iron Pentalogy and written by noted wuxia (kung-fu) novelist Du Lu Wang. The novels are "Crane Frightens Kunlun", "Precious Sword, Golden Hairpin", "Sword's Force, Pearl's Shine", "Crouching Tiger, Hidden Dragon", and "Iron Knight, Silver Vase". Much of the story is not about Li Mu Bai and Yu Shu Lien; they are in fact secondary characters who only become important later in the series. When a comic-book adaptation of the fourth book in the pentalogy was slated, illustrator Andy Seto re-watched the film to get inspiration for how to depict the fight scenes.

Goofs:

Revealing mistakes: Male stunt double visible when Jen lands on the ground after using the "Xuan Piu" move.

Quotes:

[first lines]
Man: Master Li is here! Master Li is here!

Movie Connections:

Featured in "Troldspejlet: (#24.9)" (2000)

Soundtrack:

A Love Before Time

Beware of cheap imitations

Crouching Tiger is Ang Lee's take on the Wu Xia tradition of film making. Wu Xia, for those not familiar with the style, evolved out of popular Chinese fiction. It contains formulaic elements such as honourable warriors, powerful swordswomen, powerful swords, and often magic and mythical beasts. Possibly, it has a parallel with sword and sorcery pulp literature – and even Western romances.

Although he grew up in Taiwan, not Hong Kong or China, Ang Lee has said he has always wanted to make a Wu Xia film. When he did, he brought sophistication and strong production values which, while not uncommon in mainstream Chinese cinema, was less common in the martial arts or Wu Xia traditions.

Make no mistake; Crouching Tiger is a beautiful, beautiful movie. The colours are rich, the light dances and the movements are balletic. But unlike lesser imitations, such as Hero, it is much more than that just stylish production and mesmerising action.

Most films (Western or Eastern) have a rigid plot against which characters move. At worst the characters become ciphers; they advance the story by making choices regardless of whether these choices are in keeping with their character. Crouching Tiger, like the best of cinema, has dynamic characters whose internal struggles advance the plot. The dog wags the tail, not the other way around.

At the heart of Crouching Tiger is the relationship between Li Mu Bai (Chow Yun-Fat) and Yu Shu Lien (Michelle Yeoh). Mu Bai is looking for a way out of the Gang Ho (Warrior) lifestyle – he joins a monastery, as a route to enlightenment and peace, but cannot cast aside his unrequited love for Shu Lien (another warrior). On the brink of declaring their love for one another, Mu Bai's Green Destiny Sword is stolen, and his arch enemy returns. He must temporarily put aside his feelings to recover the sword and bring his master's killer to justice… Seeming to take a fair chunk from his previously directorial role, Sense and Sensibility, Ang Lee weaves a story which tragically juxtaposes the loving and giving but repressed relationship of Mu Bai and Shu Lien, with the fiery, wilful and destructive passions of Jen Yu (Zhang Ziyi) and Lo (Chang Chen). The result, for me, was breathtaking.

Some critics have suggested that the characterisation is quite slight. I think this just demonstrates the high standard to which they were prepared to judge this film. Ang Lee perfectly marries action/adventure with drama. The results may not please purists from either camp, but for the rest of the audience it is pure magic.

In many ways, Crouching Tiger Hidden Dragon is pure Wu Xia. But it has also re-invented the genre and given it artistic credibility. The greatest joy of the film is watching great Hong Kong stars like Chow Yun-Fat and Michelle Yeoh being given characters with depth – and watching them fill the screen with their performances. The film also benefits from great performances from Zhang Ziyi and a very under-rated Chang Chen.

Quite simply, Crouching Tiger has everything. It is beautiful, breathtaking and deeply moving. 9½ /10